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English literature --- American literature --- Canon (Literature) --- History and criticism --- Cross-cultural studies --- Classics, Literary --- Literary canon --- Literary classics --- Best books --- Criticism --- Literature --- English literature - History and criticism --- American literature - History and criticism --- Canon (Literature) - Cross-cultural studies
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English literature --- anno 500-1499 --- anno 1500-1799 --- anno 1800-1999 --- Literature and society --- Littérature anglaise --- Littérature et société --- History and criticism. --- History. --- Histoire et critique --- Histoire --- Literature and history --- --Histoire --- --History and criticism --- History --- Littérature anglaise --- Littérature et société --- English literature - History and criticism --- Literature and history - Great Britain - History --- Literature and society - Great Britain - History
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How did banking, borrowing, investing, and even losing money-in other words, participating in the modern financial system-come to seem likeroutine activities of everydaylife? Genres of the Credit Economy addressesthis question by examining the history of financial instruments and representations of finance in eighteenth- and nineteenth-century Britain. Chronicling the process by which some of our most important conceptual categories were naturalized, Mary Poovey explores complex relationships among forms of writing that are not usually viewed together, from bills of exchange and bank checks, to realist novels and Romantic poems, to economic theory and financial journalism. Taking up all early forms of financial and monetarywriting, Poovey argues that these genres mediated for early modern Britons the operations of a market system organized around credit and debt. By arguing that genre is a critical tool for historical and theoretical analysis and an agent in the events that formed the modern world, Poovey offers a new way to appreciate the character of the credit economy and demonstrates the contribution historians and literary scholars can make to understanding its operations. Much more than an exploration of writing on and around money, Genres of the Credit Economy offers startling insights about the evolution of disciplines and the separation of factual and fictional genres.
Consumer credit - Great Britain - History. --- Economics and literature - Great Britain - History. --- English literature - History and criticism. --- Finance - Great Britain - History. --- Finance. --- Literary form - History. --- Money - Social aspects - Great Britain. --- Money in literature. --- Finance --- Consumer credit --- Money in literature --- Money --- Economics and literature --- Literary form --- English literature --- Financial Management & Planning --- Business & Economics --- History --- Social aspects --- History and criticism --- History. --- History and criticism. --- Form, Literary --- Forms, Literary --- Forms of literature --- Genre (Literature) --- Genre, Literary --- Genres, Literary --- Genres of literature --- Literary forms --- Literary genetics --- Literary genres --- Literary types (Genres) --- Literature --- Literature and economics --- Currency --- Monetary question --- Money, Primitive --- Specie --- Standard of value --- Consumer debt --- Economic aspects --- Exchange --- Value --- Banks and banking --- Coinage --- Currency question --- Gold --- Silver --- Silver question --- Wealth --- Credit --- History of the United Kingdom and Ireland --- anno 1700-1799 --- anno 1800-1899 --- economics, finance, financial, money, income, wealth, 18th, 19th, century, britain, british, banking, borrowing, borrower, bank, investor, investment, currency, modern, contemporary, bills, romantic, poetry, poems, theory, journalism, writing, writer, radical, literary, fiction, aesthetic, formalism, political, professional, class, readership.
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