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The extraordinary suprematist painting Black and White, A Suprematist Composition of 1915 by Kazimir Malevich was one of the most radical paintings of its day: a geometric abstraction without reference to external reality. It was donated to Moderna Museet in February 2004 and to celebrate its fiftieth anniversary the museum commissioned the renowned Malevich scholar, Dr. Andrei Nakov, to produce this study devoted entirely to this significant addition to its collection. Kazimir Malevich (1878-1935) was a Russian avant-garde painter and art theoretician. A pioneer of geometric abstract art, he was the founder and leading artist of the Suprematist movement. Dr. Andrei Nakov, born 1941 in Sofia, Bulgaria, lives and works in Paris. The author of numerous works on Malevich, including Malevitch écrits (1975) and Kazimir Malewicz: Catalogue raisonné (2002), he has also published numerous monographs and exhibition catalogues on Russian non-objective art, Dada and Constructivism and many works on Western modern art.
Constructivisme --- Suprématisme --- Malevich, Kazimir --- Malevich kazimir --- twintigste eeuw --- Rusland --- Sovjet-Unie --- suprematisme --- abstractie --- abstracte schilderkunst --- constructivisme --- kunst --- geometrische abstractie --- 75.071 MALEVICH --- Painting --- Suprematist --- conservatie --- kunstgeschiedenis --- Malevitsj, Kasimir
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Semiotics --- Aesthetics of art --- 7.01 --- 7.013 --- 514 --- kunst --- vorm --- vormleer --- geometrische abstractie --- Kunst (esthetica) --- Kunstesthetica --- Kunst (theorie) --- Kunsttheorie --- Vorm (kunst) --- Geometrie
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fotografie --- neo-plasticisme --- Vantongerloo, Georges --- Mondriaan, Piet --- Bill, Max --- 20ste eeuw --- Europa --- kunst --- twintigste eeuw --- België --- abstractie --- geometrische abstractie --- beeldhouwkunst --- schilderkunst --- tekenkunst --- kunst en wetenschap --- kunst en politiek --- utopie --- Vantongerloo Georges --- 7.071 VANTONGERLOO --- Exhibitions --- neo-plasticisme. --- Vantongerloo, Georges. --- Mondriaan, Piet. --- Bill, Max. --- 20ste eeuw. --- Europa.
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In this Dialogue on Art and Architecture, Ellsworth Kelly (born 1923) reminisces with Hans Ulrich Obrist about his early career, his teachers (Max Beckmann, Brancusi, Léger and Vantongerloo) and particularly on the relation of his work to architecture: "architects are usually the first people who understand my work," he tells Obrist here, while describing his many collaborations in this field. Throughout this beautiful publication runs a series of collaged and overpainted postcards by Kelly, dating from 1949 to 1984, which are reproduced here for the first time. These postcards, referred to throughout the dialogue, are unlike any of Kelly's paintings and sculptures, particularly in their use of body imagery; others are closer to familiar Kelly terrain, as projections of torn colored paper forms onto found landscapes and architecture. This artist's book makes a wonderfully unusual record of a warm encounter.
75.07 --- 741.07 --- 7.07 --- Kelly, Ellsworth (°1923, Newburgh, New York, Verenigde Staten) --- Kelly, Ellsworth ; gesprekken met --- Kelly, Ellsworth ; over kunst en architectuur --- Obrist, Hans Ulrich ; interview met E. Kelly --- Tekeningen ; collages ; 20ste eeuw ; E. Kelly --- Color Field Painting --- Hard Edge Painting --- Shaped canvas --- Geometrische abstractie --- schilderkunst --- collages --- architectuur --- kunst en architectuur --- Verenigde Staten --- Kelly Ellsworth --- color field painting --- hard edge --- shaped canvas --- geometrische abstractie --- abstracte schilderkunst --- abstractie --- 75.071 KELLY --- Schilderkunst ; schilders --- Tekenkunst ; tekenkunstenaars A - Z --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- 7.01 --- 72.01 --- Kunst (theorie) --- Kunsttheorie --- Architectuurtheorie
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Keyser, de, Raoul --- De Keyser, Raoul --- Keyser, Raoul De --- 1964 - 2008 --- 20ste eeuw --- kunst --- schilderkunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- De Keyser Raoul --- abstractie --- abstracte schilderkunst --- 75.071 DE KEYSER --- 75.07 --- Schilderkunst ; 1964-2008 ; Raoul De Keyser --- De Keyser, Raoul °1930 (°Deinze, België) --- De Nieuwe Visie --- Belgische kunstenaars --- Schilderkunst ; schilders --- Exhibitions --- Keyser, Raoul de, --- departement Beeldende Kunst 11 --- schilderkunst 20ste-21ste eeuw --- De Keyser, Raoul. --- 1964 - 2008. --- 20ste eeuw.
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A worldwide survey of painting from the 1970's to the present.
Painting --- schilderkunst --- painting [image-making] --- anno 2000-2009 --- anno 1980-1989 --- anno 1970-1979 --- anno 1990-1999 --- Painting, Modern --- Contemporary [style of art] --- 75.038 --- 75.039 --- Schilderkunst ; 1970-2009 ; naslagwerken --- 75.038/039 --- abstracte schilderkunst --- abstractie --- eenentwintigste eeuw --- figuratieve schilderkunst --- installaties --- landschapsschilderkunst --- neo-expressionisme --- stillevens --- twintigste eeuw --- 705.9 --- landschappen --- portretschilderkunst --- Schilderkunst ; 1950 - 2000 --- Schilderkunst ; 2000 - 2050 --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Groupe Mémoires (Group of artists) --- departement Beeldende Kunst 10 --- schilderkunst 20ste-21ste eeuw
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La couleur ? Longtemps elle a semblé échapper à toute appréhension, son caractère «accidentel» a découragé toute science. Sur elle on ne pouvait fonder un art. D'où la prééminence du dessin. Puis Newton établit que la lumière blanche n'est pas homogène mais composée. À sa suite, Buffon puis Goethe font leur place aux couleurs d'origine physiologique qu'ils rapportaient à l'œil percevant. Les années 1840 marquent, elles, le grand tournant dont nous demeurons les héritiers : Chevreul, savant chimiste, remet en question les rapports admis de l'œil avec l'objet perçu. Il établit la loi générale qui régit la perception des rapports entre couleurs contiguës. Une revalorisation de la couleur s'ensuivit qui a exercé une influence considérable sur plusieurs générations de peintres : Delacroix, les impressionnistes, Van Gogh, Gauguin, Seurat, Signac, les symbolistes, les futuristes et Delaunay. Le changement de paradigme ouvre sur la conquête des voies propres de la couleur qui conduiront la peinture jusqu'à l'abstraction.
Color in art. --- Color. --- Painting, European --- Couleur dans l'art --- Couleur --- Peinture européenne --- Chevreul, M. E. --- Repréentation graphique --- 19e siècle --- kleur --- kleurenleer --- Chevreul Michel Eugène --- simultaancontrast --- Vernet Horace --- schilderkunst --- negentiende eeuw --- twintigste eeuw --- Delacroix Eugène --- Blanc Charles --- impressionisme --- Pissarro Camille --- Van Gogh Vincent --- Gauguin Paul --- Seurat Georges --- Signac Paul --- futurisme --- Delaunay Robert --- abstractie --- abstracte schilderkunst --- Matjuschin Michail --- Roessler Arthur --- Hölzel Adolf --- Itten Johannes --- Albers Josef --- kunst --- kunst en wetenschap --- 7.017 --- Peinture européenne --- Représentation graphique --- Aesthetics of art --- Painting --- color [perceived attribute] --- color [pigment] --- anno 1800-1999 --- Painting, European - 19th century. --- Painting, European - 20th century. --- Color vision. --- Vision des couleurs. --- Couleur (art). --- Chevreul, Eugène, --- Critique et interprétation.
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A "visual dictionary on two-dimensional grids and geometric tilings."--Pref.
Grids (Crisscross patterns) --- Tiling (Mathematics) --- Repetitive patterns (Decorative arts) --- Grilles (Formes) --- Pavage (Mathématiques) --- Motifs (Art décoratif) --- 72.011 --- 7.011 --- 7.07 --- Nicolai, Carsten 1965 (°(Karl-Marx-Stadt, Duitsland) --- Rasters ; roosters --- Rastersystemen --- Patronen --- Geometrische patronen ; harmonie ; schaal --- Nicolai, Carsten ; Raster-Noton Archiv Fur Ton und Nichtton --- Kunst en wetenschap ; kunst en wiskunde --- CD-ROMS --- kunst --- design --- grids --- rasters --- wiskunde --- kunst en wiskunde --- geometrische abstractie --- Nicolai Carsten --- tekenkunst --- Architectuur ; vormgeving, ontwerp, compositie --- Kunst ; ontwerp, compositie --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Symmetrietabellen --- Symmetrietabellen. --- Pavage (Mathématiques) --- Motifs (Art décoratif)
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avant-garde --- judaïsme --- illustratie --- boekkunst --- 1914 - 1939 --- 20ste eeuw --- kunst --- twintigste eeuw --- interbellum --- Axelrod Meer --- Altman Nathan --- boekillustraties --- illustraties --- 7.037 --- 766.023 --- Jiddisch --- 766.044 --- Yo Mikhael --- Mikhtom Bentsion --- Berlewi Henryk --- Tyschler Alexander --- Tchaïkov Joseph --- Shor Sarah --- Shifrin Nisson --- Ber Ryback Issachar --- Lissitzky El --- Inger Hersh --- Epshteyn Mark --- Elman Yossif --- Chagall Marc --- Jodendom --- Joden --- abstractie --- constructivisme --- boekontwerp --- boeken --- Sovjet-Unie --- Rusland --- 766:655.533 --- 7.05 --- 741.037 --- 766.037 --- Boekillustraties ; Rusland ; 1914-1939 --- Russische avant-garde --- Joodse kunst ; Joden --- Kinderboekillustraties ; 1ste helft 20ste eeuw --- Gebruiksgrafiek ; boekillustraties --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden --- Tekenkunst ; 1900 - 1950 --- Gebruiksgrafiek ; 1900 - 1950 --- Exhibitions --- Exhibition --- Art, Russian --- Avant-garde (Aesthetics) --- Jewish artists --- Jewish art --- Yiddish imprints --- Art, Jewish --- Hebrew art --- Judaism and art --- Art --- Artists, Jewish --- Artists --- History --- 766.11.037(47) --- Grafische industrie en ontwerp ; drager ; papier & boek ; geschiedenis ; 1900 - 1950 (U.S.S.R.) --- avant-garde. --- judaïsme. --- illustratie. --- boekkunst. --- 1914 - 1939. --- 20ste eeuw.
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Painting --- Abstract [fine arts style] --- painting [image-making] --- abstracte schilderkunst --- anno 2000-2009 --- anno 1900-1999 --- Nickas, Bob --- Abstracte schilderkunst ; 21ste eeuw ; 2000-2008 --- Baker Kristin --- Beck Lisa --- Brown Alex --- de Balincourt Jules --- Dodge Tomory --- Feige Jacob --- Finley Chris --- Gonzales Wayne --- Hay Alex --- Moyer Carrie --- Neel Elizabeth --- Ratcliff David --- Vasell Chris --- Davie Kevin --- Decrauzat Philippe --- Jane Xylor --- Kwartler Alex --- Malek David --- Schwörer Anja --- Siena James --- Stocker Esther --- Taaffe Philip --- Tremblay John --- Walsh Dan --- Webster Chuck --- Greenbaum Joanne --- Heilmann Mary --- Hesidence Daniel --- Miller Allison --- Donald Odita Odili --- Pibal Ann --- Ribbeck Bernd --- Root Ruth --- Uglow Alan --- Whitney Stanley --- Wolf Jens --- Aldrich Richard --- Armleder John M. --- Baer Monika --- Baudevin Francis --- Brzezanska Agnieszka --- Cloud Mike --- van Golden Daan --- Just Tony --- Marcé Marta --- Prieto Monique --- Ross Alexander --- Sillman Amy --- Abts Tomma --- Caivano Varda --- Fisher Kim --- Grosse Katharina --- Holst Mamie --- Komoski Bill --- Martin Chris --- Moran Katy --- Mosset Olivier --- Parrino Steven --- Peri Peter --- Scheibitz Thomas --- Woods Clare --- Frize Bernard --- Guyton Wade --- Humphries Jacqueline --- Hylden Nathan --- Koether Jutta --- Krebber Michael --- Quaytman R.H. --- Smith Josh --- Walker Kelley --- Schilderkunst ; 2000 - 2050 --- Painting, Abstract. --- Abstrakte Malerei --- Schilderijen. --- Abstrakte Malerei. --- Abstracte schilderkunst. --- 75.039 --- Sasnal Wilhelm --- Grotjahn Mark --- Johanson Chris --- Ruby Sterling --- Mehretu Julie --- von Heyl Charline --- Reyle Anselm --- Stingel Rudolf --- Wool Christopher --- Zobernig Heimo --- schilderkunst --- abstractie --- eenentwintigste eeuw --- Painting, Abstract --- Armleder John M --- Quaytman R.H --- Abstract painting --- Non-objective painting --- Painting, Non-objective --- Painting, Modern --- departement Beeldende Kunst 11 --- schilderkunst 20ste-21ste eeuw
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