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The essays collected in this volume were initially presented at the Third International Conference on Consciousness, Theatre, Literature and the Arts, held at the University of Lincoln, May 16-18, 2009. The conference was organised on the basis of the success of its predecessors in 2005 and 2007, and on the basis of the success of the Rodopi book series Consciousness, Literature and the Arts, which has to date seen twenty-one volumes in print, with another twelve in press or in the process of...
Consciousness in art --- Arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Psychological aspects --- Arts, Primitive
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Artists --- Arts --- Occupational surveys --- Social surveys --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Persons --- E-books --- Arts, Primitive
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The essays in this collection range across literature, aesthetics, music and art, and explore such themes as the dynamics of change in eighteenth-century aesthetics; time, modernity and the picturesque; the function of graphic ornaments in eighteenth-century texts; imaginary voyages as a literary genre; the genesis of children's literature; the Italian opera and musical theory in Frances Burney's novels; Italian and British art theories; and patterns of cultural transfers and of book circulat...
Arts --- English literature --- Italian literature --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- History --- History and criticism. --- Great Britain --- Italy --- Civilization --- Arts, Primitive
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A concise, practical, and timely guide for board members of arts organizations
Arts --- Arts boards --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Boards, Arts --- Arts administrators --- Management. --- Conseils des arts --- Gestion --- Arts, Primitive
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Since antiquity, the she-wolf has served as the potent symbol of Rome. For more than two thousand years, the legendary animal that rescued Romulus and Remus has been the subject of historical and political accounts, literary treatments in poetry and prose, and visual representations in every medium. In She-Wolf: The Story of a Roman Icon, Cristina Mazzoni examines the evolution of the she-wolf as a symbol in western history, art, and literature, from antiquity to contemporary times. Used, for example, as an icon of Roman imperial power, papal authority, and the distance between the present and the past, the she-wolf has also served as an allegory for greed, good politics, excessive female sexuality, and, most recently, modern, multi-cultural Rome. Mazzoni engagingly analyzes the various role guises of the she-wolf over time in the first comprehensive study in any language on this subject.
Arts. --- Roman she-wolf (Legendary character) --- Arts --- Roman wolf (Roman mythology) --- She-wolf, Roman (Roman mythology) --- Wolf, Roman (Roman mythology) --- Mythology, Roman --- Wolves --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Mythology --- Arts, Primitive --- Arts and Humanities --- History
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Performing arts --- Arts --- Arts. --- Performing arts. --- theatre --- dancing --- teatro --- performing arts --- dance --- Show business --- Performance art --- Fine arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Arts, Daghestan --- Humanities --- Theatrical science --- Arts, Primitive
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Arts, Modern --- Artists --- Arts --- Artists. --- Arts. --- Arts, Modern. --- 2000-2099 --- art --- artists --- contemporary art --- Modern arts --- Fine arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Arts, Daghestan --- Humanities --- Persons --- Art --- Drawing --- Arts, Primitive
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In recent years, there have been significant shifts in arts marketing, both as a practice and an academic discipline. The relationship between art and the market is increasingly complex and dynamic, requiring a transformation in the way the arts are marketed. Marketing the Arts argues that arts marketing is not about the simple application of mainstream managerial marketing to the arts. With contributions from international scholars of marketing and consumer studies, this book engages directly with a range of contemporary themes, including:
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This volume examines afresh the impact upon acting and performance of digital technologies. It is concerned with how digital culture combines the traditional 'liveness' of theatre with media interfaces and internet protocols. The time and space of the 'here and now' are both challenged and adapted, just as barriers between theatre-makers and the 'experiencers' of events are broken down. Today many of us are everyday players performing the interconnectedness of digital culture and a key aim of the book is to unpack the multiple interrelations within the landscape of contemporary performance.
Theatrical science --- Mass communications --- Digital media. --- Intermediality. --- Performance art. --- Intermediality --- Digital media --- Performance art --- Art, Architecture & Applied Arts --- Fine Arts - General --- Arts. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Electronic media --- New media (Digital media) --- Humanities --- Arts, Modern --- Happenings (Art) --- Performing arts --- Mass media --- Digital communications --- Online journalism --- Semiotics --- Influence (Literary, artistic, etc.) --- Digitale technieken. --- Intermedialiteit. --- Massamedia. --- Toneel. --- Uitvoerende kunsten. --- Arts, Primitive
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The human body as cultural object always has and is a performing subject, which binds the political with the theatrical, shows the construction of ethnicity and technology, unveils private and public spaces, transgresses race and gender, and finally becomes a medium that overcomes the borders of art and life. Since there cannot be a universal definition of the human body due to its culturally performative role as a producer of interactive social spaces, this volume discusses body images from diverse cultural, historical, and disciplinary perspectives, such as art history, human kinetics and performance studies. The fourteen case studies reach from Asian to European studies, from 19th century French culture to 20th century German literature, from Polish Holocaust memoirs to contemporary dance performances, from Japanese avant-garde theatre to Makeover Reality TV shows. This volume is of interest for performance studies artists as well. By focusing on the intersection of body and space, all contributions aim to bridge the gap between art practices and theories of performativity. The innovative impulse of this approach lies in the belief that there is no distinction between performing, discussing, and theorizing the human body, and thus fosters a unique transdisciplinary and international collaboration around the theme performative body spaces. (I. Biopolitical Choreographies, II. Transcultural Topographies, III. Corporal Mediations, IV. Controlled Interfaces.)
Art --- Literature --- Human body in popular culture --- Human body --- Body, Human, in popular culture --- Popular culture --- Social aspects --- Human body in popular culture. --- Body, Human --- Social aspects. --- Human body (Philosophy) --- Performing arts. --- Arts. --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Show business --- Arts --- Performance art --- Body, Human (Philosophy) --- Philosophy --- Arts, Primitive
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