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L'ouvrage contient les artistes suivants : Bas Jan Ader, John Baldessari, Joseph Beuys, Werner Büttner, Valie Export, Günther Förg, Andrea Fraser, General Idea, Isa Genzken, Gilbert & George, Felix Gonzalez-Torres, Martin Kippenberger, Imi Knoebel, Jeff Koons, Maria Lassing, Bruce Nauman, Albert Oehlen, Palermo, Cindy Sherman, Katharina Sieverding, Andy Warhol, Franz West
Kunst; 20ste eeuw --- Portretschilderkunst --- Beeldende kunsten
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Beeldhouwkunst --- Kunst; 20ste eeuw --- Hedendaagse kunst --- Exhibitions --- Beuys, Joseph --- Beuys, J. --- Boĭs, Iosef --- Bojs, Jozef --- Bois, Yozef --- בויס, יוזף --- Criticism and interpretation. --- Boisu, Yōzefu. --- ボイス・ヨーゼフ.
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Abramovic, Marina --- Performance art --- 7.071 --- 7.08 --- Marina Abramović --- body art --- installaties --- kunst --- performance --- videokunst --- Hedendaagse kunst --- Kunst; 20ste eeuw --- Kunst; 21ste eeuw --- Podiumkunst --- 705.81 --- Abramovic, Marina °1936 --- kunstenaars --- kunst - hybride kunstvormen --- kunstgeschiedenis, videokunst --- Contains audio-visual material --- Exhibitions --- Abramović, Marina
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Broodthaers, Marcel --- Royal Museums of Fine Arts of Belgium --- Koninklijke Musea voor Schone Kunsten van België (Brussel) --- 7.07 --- 7.038 --- Broodthaers, Marcel 1924-1976 (°Brussel, België) --- Belgische kunstenaars --- Beeldende kunst ; 20ste eeuw ; Marcel Broodhaers --- Dada ; assemblages ; ready-made --- Tentoonstellingscatalogi ; Brussel ; Kon. Musea voor Schone Kunsten --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Exhibitions --- Conceptual art --- Belgium --- Koninklijke Musea voor Schone Kunsten van België (Brussel). --- Broodthaers, Marcel.
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In 1964, at age forty, Marcel Broodthaers (1924–1976) proclaimed that his years of writing poetry—of being "good for nothing" in his words—were over, and a brief but dazzling artistic career began. Considered a founding father of institutional critique, Broodthaers created hundreds of objects, books, films, photographs and exhibitions, including a "fictive" museum of modern art that evolved from an installation in his own home to a massive exhibition of over three hundred works representing eagles. In The Absence of Work, Rachel Haidu argues that all of Broodthaers's art is defined by its relationship to language. His perception of his poetry's "failure to communicate" led him to explore in his art the noncommunicative, nontransparent uses of words. Haidu's characterization of Broodthaers's contribution to institutional critique represents a major departure from the usual approach to this movement. With The Absence of Work, one of the first monographs on Broodthaers in English, Haidu demystifies a crucial and enigmatic figure in postwar and contemporary art.
Broodthaers, Marcel --- Criticism and interpretation --- Art --- Criticism and interpretation. --- 7.07 --- 7.038 --- 7.01 --- Beeldende kunst ; 20ste eeuw ; Marcel Broodhaers --- Dada ; assemblages ; ready-made --- Belgische kunstenaars --- Kunst en tekst --- Kunsttheorie ; over Marcel broodthaers --- Broodthaers, Marcel 1924-1976 (°Brussel, België) --- kunst --- België --- twintigste eeuw --- Broodthaers Marcel --- pop art --- conceptuele kunst --- concept art --- surrealisme --- installaties --- 7.071 BROODTHAERS --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Kunstgeschiedenis ; 1950 - 2000 --- Kunst ; theorie, filosofie, esthetica --- Conceptual art --- Conceptual art. --- Brodhers, Marsel --- ברוסהרס, מרסל --- Broodthaers, Marcel - Criticism and interpretation
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