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portraits --- Painting --- Pacheco, Francisco
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Né en 1955, Marcel Cremer, metteur en scène et auteur, fonde en août 1979 l'Agora Theater, le théâtre de la communauté germanophone de Belgique. Régulièrement présent sur les scènes théâtrales, ces spectacles singuliers et souvent bouleversants allient une forme originale à un contenu profond. En juillet 2009, il donne son dernier atelier. Comme il le ferait avec sa troupe, le metteur en scène emmène les participants dans la forêt, convoque les souvenirs d'enfance, invite à écouter le silence, à être en lien toujours avec les yeux, les mains, les corps, les voix des autres. Commentaire : Ce fut d'abord un stage donné en France par Marcel Cremer et le théâtre AGORA. Ensuite une exposition de photos à partir des clichés pris par Anne Valentin durant le stage et de textes écrits par Florence Klein et traduits par Fatma Girretz. Enfin un très beau livre reprenant les photos et les textes. Une réalisation commune avec le CDWEJ, le théâtre AGORA et nous. Un beau livre qui constitue aussi un hommage à l'ami Marcel trop tôt disparu
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"The collection, first one ever on Aino Kallas in English, highlights her significance to the artistic and intellectual horizons of modernity of Finland and Estonia as well as those of Scandinavia and Europe. In the 1920s and 30s, Aino Kallas became an internationally renowned author and a selection of her work was translated into English. For her, participating in the immediate cultural debates in Estonia and Finland was a priority, yet her whole oeuvre is a negotiation between her more immediate contexts and the leading conceptual frameworks of aesthetics, geniality, knowledge, subjectivity, race, sexuality, nature, etc., circling in Europe at the end of the 19th and the beginning of the 20th century. Containing articles focusing on the question of female voice and echoes of feminist ecological thought in her fiction, a contrapuntal reading of her fiction and that of Isak Dinesen, her unknown manuscript "Bathseba", the implications of existentialist thought for her work, Kallas' engagement in her cultural criticism and life writings with decadent modernism, issues of race and heredity, subjectivity and borders, travel, ageing, her interpretation of Goethe, and the iconography of Kallas, the collection features the work of today's leading Aino Kallas scholars in Finland and in Estonia."
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"The collection, first one ever on Aino Kallas in English, highlights her significance to the artistic and intellectual horizons of modernity of Finland and Estonia as well as those of Scandinavia and Europe. In the 1920s and 30s, Aino Kallas became an internationally renowned author and a selection of her work was translated into English. For her, participating in the immediate cultural debates in Estonia and Finland was a priority, yet her whole oeuvre is a negotiation between her more immediate contexts and the leading conceptual frameworks of aesthetics, geniality, knowledge, subjectivity, race, sexuality, nature, etc., circling in Europe at the end of the 19th and the beginning of the 20th century. Containing articles focusing on the question of female voice and echoes of feminist ecological thought in her fiction, a contrapuntal reading of her fiction and that of Isak Dinesen, her unknown manuscript "Bathseba", the implications of existentialist thought for her work, Kallas' engagement in her cultural criticism and life writings with decadent modernism, issues of race and heredity, subjectivity and borders, travel, ageing, her interpretation of Goethe, and the iconography of Kallas, the collection features the work of today's leading Aino Kallas scholars in Finland and in Estonia."
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"The collection, first one ever on Aino Kallas in English, highlights her significance to the artistic and intellectual horizons of modernity of Finland and Estonia as well as those of Scandinavia and Europe. In the 1920s and 30s, Aino Kallas became an internationally renowned author and a selection of her work was translated into English. For her, participating in the immediate cultural debates in Estonia and Finland was a priority, yet her whole oeuvre is a negotiation between her more immediate contexts and the leading conceptual frameworks of aesthetics, geniality, knowledge, subjectivity, race, sexuality, nature, etc., circling in Europe at the end of the 19th and the beginning of the 20th century. Containing articles focusing on the question of female voice and echoes of feminist ecological thought in her fiction, a contrapuntal reading of her fiction and that of Isak Dinesen, her unknown manuscript "Bathseba", the implications of existentialist thought for her work, Kallas' engagement in her cultural criticism and life writings with decadent modernism, issues of race and heredity, subjectivity and borders, travel, ageing, her interpretation of Goethe, and the iconography of Kallas, the collection features the work of today's leading Aino Kallas scholars in Finland and in Estonia."
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family portraits --- children's portraits --- Dyck, van, Anthony --- Romney, George
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Portraits. --- Religion. --- Clothing and dress.
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Portrait painting --- Portrait sculpture --- Portrait photography --- Art, Modern --- Peinture de portraits --- Sculpture de portraits --- Portraits (Photographie) --- Art --- History --- Histoire
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Don de l'auteur
Brassens, Georges --- Portraits. --- French poet singer --- Photography
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