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Exposition au Musée d'Art Moderne, Saint-Etienne Métropole. 27 octobre 2012 - 27 janvier 2013 ; exposition à la Galleria Civica di Modena, 16 février - 2 juin 2013. Cette exposition marque le cinquantenaire du mouvement d'art contemporain Fluxus. Né au début des années 1960 autour de la figure de George Maciunas, il est formé de jeunes artistes s'inspirant du dadaïsme, du zen et de la musique du compositeur américain John Cage. Réunit des oeuvres de Ben, Robert Filliou, Daniel Spoerri, Joseph Beuys...

art [fine art] --- Fluxus --- Art --- Fluxus (Group of artists) --- Art, Modern --- Avant-garde (Aesthetics) --- Fluxus (Groupe d'artistes) --- Avant-garde (Esthétique) --- 20e siècle --- Avant-garde (Esthétique) --- art [discipline]

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De Kandinsky à Bill Viola, en passant par Duchamp, Malevitch ou Y. Klein, une histoire thématique des avant-gardes du XXe siècle. Dans une vision dialectique souscrivant à l'idéal du génie prophétique, l'auteur veut éclairer l'art moderne à la lumière des notions de révolution, de communautés artistiques, de sacré, de message, de primitivisme, de gestualité, de hasard, de rêve, d'intention, etc.

Avant-garde (Aesthetics) --- Modernism (Art) --- Art, Modern --- Avant-garde (Esthétique) --- Modernisme (Art) --- Art --- Themes, motives --- Thèmes, motifs --- Modern art - Avant-garde - 20th century - Criticism --- Avant-garde (Esthétique) --- Thèmes, motifs

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A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 is the first publication to deal with the avant-garde in the Nordic countries at the start of the twentieth century. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, painting as well as photography, architecture and design, film, radio, and performing arts like music, theatre and dance.It is the first major historical work to consider the Nordic avant-garde in a transnational perspective which includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field, but in a broader cultural context. It examines the social and cultural context of the avant-garde: its media, its locations, its reception and audiences, the transmissions between Scandinavia and Europe, and its cultural consequences.The essays trace the connections between the avant-garde and the cultural discourses of contemporary currents such as revolutionary socialism, radical nationalism and occultism, and discuss questions of gender, ideology and politics, geographical location and technological innovation. The cultural history thus focuses on the role of the avant-garde in shaping the ideas of cultural modernity in the Nordic countries.

Avant-garde (Aesthetics) --- Arts, Scandinavian --- Popular culture --- Avant-garde (esthétique) --- Arts --- Littérature scandinave --- History --- Histoire et critique --- Art --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- Scandinavia and Iceland --- Avant-garde (Esthétique) --- Arts scandinaves --- Culture populaire --- Histoire --- History. --- Histoire et critique. --- Arts and society --- Scandinavia --- Civilization --- Modernism (Art) --- Arts, Modern --- Arts, Modern. --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Modern arts --- Art, Modern --- 1900 - 1999 --- Europe, Northern. --- Europe, Northern

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Marcel Broodthaers (Brussels, 1924-1976), a poet before becoming an artist in 1964, was a pioneer of intermedia and site-specific installation art but above all an in-depth theorist who ranged widely over the visual arts in his writings. Broodthaers’ work is widely recognized for its movement and combination of mediums: performance, film, text-based work, etc. Often overlooked, his artworks include genuine research into the nature of language, giving a conceptual continuity to all his practice.“I am the result of (literary) experience—that’s perhaps a little strong—let’s say of a taste for literature definitely; that was my starting point; however, I do think I am now able to express myself on the edge of things, where the world of plastic arts and the world of poetry might possibly, I wouldn’t say meet, but at the very frontier where they part.”This fully illustrated collection of Broodthaers’ writings presents his early poetry in a comprehensive selection of statements and critical essays—some unpublished while others were originally published in newspapers and art magazines and are here collected for the very first time. All of this, together with his so-called open letters, interviews, preparatory notes, and scripts, introduces us to his solid thinking on politics, economics, nationalism, publicity, institutional politics, and culture.The essay that serve as the book’s introduction written by Gloria Moure (editor of this volume) examines the artist’s approach in relation to the linguistic turn in art practices of the 1960s, and its legacy in contemporary art.

Broodthaers, Marcel, --- kunst en poëzie --- pop art --- Artists' writings. --- Avant-garde (Esthétique) --- Avant-garde (Esthétique) --- kunst --- België --- twintigste eeuw --- Broodthaers Marcel --- conceptuele kunst --- concept art --- 7.071 BROODTHAERS --- Broodthaers, Marcel --- Conceptual art --- Avant-garde (Aesthetics) --- Art conceptuel --- Ecrits d'artistes --- Poète --- Surréalisme --- Film d'artiste --- Criticism and interpretation --- Belgique --- MAD-faculty 14 --- kunst 20e eeuw --- 7.07 --- Broodthaers, Marcel 1924-1976 (°Brussel, België) --- Belgische kunstenaars --- Beeldende kunst ; 20ste eeuw ; Marcel Broodhaers --- Dada ; assemblages ; ready-made --- Kunstenaars ; geschriften ; kunstkritiek --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Art and Design. --- Avant-garde (Aesthetics). --- Avant-garde (esthétique) --- Conceptual art. --- Écrits d'artistes. --- Broodthaers, Marcel. --- Belgium. --- kunstenaarsgeschriften --- Broodthaers, Marcel, - 1924-1976 --- Broodthaers, Marcel - Criticism and interpretation