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The hands of colonized subjects - South Asian craftsmen, Egyptian mummies, harem women, and Congolese children - were at the crux of Victorian discussions of the body that tried to come to terms with the limits of racial identification. While religious, scientific, and literary discourses privileged hands as sites of physiognomic information, none of these found plausible explanations for what these body parts could convey about ethnicity. As compensation for this absence, which might betray the fact that race was not actually inscribed on the body, fin-de-siècle narratives sought to generate models for how non-white hands might offer crucial means of identifying and theorizing racial identity. They removed hands from a holistic corporeal context and allowed them to circulate independently from the body to which they originally belonged. Severed hands consequently served as 'human tools' that could be put to use in a number of political, aesthetic, and ideological contexts.
English fiction --- Race in literature. --- Hand in literature. --- History and criticism. --- Imperialism in literature.
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Diasporic Marvellous Realism highlights the interesting switch in perspective found in contemporary literary production where the supernatural is regarded from a diasporic perspective as marvellous rather than magical. The titular term is applied to the influence of transterritorialization on the works of first- and second generation immigrant writers when approaching and exploring the myths and legends of their culture of origin. The texts included in this analysis show that the employment of this literary philosophy and narrative technique in contemporary literature involves a fruitful refocusing of the rhetorical gaze regarding the importance of cultural heritage as vindicatory resistance to the lacunae of history and as celebratory re-enfranchisement of diasporic communities in host countries such as Canada and the UK.
Latin American literature --- Spanish literature --- Portuguese literature --- Imperialism in literature. --- Postcolonialism in literature. --- History and criticism. --- 1900 - 1999
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Empires as political entities may be a thing of the past, but as a concept, empire is alive and kicking. From heritage tourism and costume dramas to theories of the imperial idea(l): empire sells. Post-Empire Imaginaries? Anglophone Literature, History, and the Demise of Empires presents innovative scholarship on the lives and legacies of empires in diverse media such as literature, film, advertising, and the visual arts. Though rooted in real space and history, the post-empire and its twin, the post-imperial, emerge as ungraspable ideational constructs. The volume convincingly establishes empire as welcoming resistance and affirmation, introducing post-empire imaginaries as figurations that connect the archives and repertoires of colonial nostalgia, postcolonial critique, post-imperial dreaming.
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German literature --- Imperialism in literature --- Postcolonialism in literature --- History and criticism --- Africa --- Germany --- In literature --- Colonies --- German literature - 20th century - History and criticism --- Africa - In literature --- Germany - Colonies - Africa - In literature
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Selected by Choice magazine as an Outstanding Academic Title Bartels focuses on Marlowe's preoccupation with "strangers" and "strange" lands, and his use—and subversion—of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as the vital presence on the Renaissance stage and within Renaissance society.
Spectacular, The. --- Aesthetics, British. --- Exoticism in literature. --- Imperialism in literature. --- Drama --- Alienation (Social psychology) in literature. --- Political plays, English --- Psychological aspects. --- History and criticism. --- Marlowe, Christopher, --- Criticism and interpretation.
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In Intimate Empire Nayoung Aimee Kwon examines intimate cultural encounters between Korea and Japan during the colonial era and their postcolonial disavowal. After the Japanese empire's collapse in 1945, new nation-centered histories in Korea and Japan actively erased these once ubiquitous cultural interactions that neither side wanted to remember. Kwon reconsiders these imperial encounters and their contested legacies through the rise and fall of Japanese-language literature and other cultural exchanges between Korean and Japanese writers and artists in the Japanese empire. The contrast between the prominence of these and other forums of colonial-era cultural collaboration between the colonizers and the colonized, and their denial in divided national narrations during the postcolonial aftermath, offers insights into the paradoxical nature of colonial collaboration, which Kwon characterizes as embodying desire and intimacy with violence and coercion. Through the case study of the formation and repression of imperial subjects between Korea and Japan, Kwon considers the imbrications of colonialism and modernity and the entwined legacies of colonial and Cold War histories in the Asia-Pacific more broadly.
Japanese literature--Korean authors--History and criticism --- Korea--History--Japanese occupation, 1910-1945 --- National characteristics, Korean --- Japanese literature --- Imperialism in literature --- Modernism (Literature) --- Postcolonialism in literature --- Language and languages in literature --- Korean authors --- History and criticism
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Andrew Francis' Culture and Commerce in Conrad's Asian Fiction is the first book-length critical study of commerce in Conrad's work. It reveals not only the complex connections between culture and commerce in Conrad's Asian fiction, but also how he employed commerce in characterization, moral contexts, and his depiction of relations at a point of advanced European imperialism. Conrad's treatment of commerce - Arab, Chinese and Malay, as well as European - is explored within a historically specific context as intricate and resistant to traditional readings of commerce as simple and homogeneous. Through the analysis of both literary and non-literary sources, this book examines capitalism, colonialism and globalization within the commercial, political and social contexts of colonial Southeast Asia.
Colonies in literature. --- Commerce in literature. --- Conrad, Joseph, -- 1857-1924 -- Criticism and interpretation. --- Imperialism in literature. --- Commerce in literature --- Imperialism in literature --- Colonies in literature --- English --- Languages & Literatures --- English Literature --- Conrad, Joseph, --- Korzeniowski, Józef Konrad Teodor, --- Korzeniowski, Joseph Conrad Theodore, --- Konrad, Dzhozef, --- Kʻang-la-te, --- Conrad-Korzeniowski, Joseph, --- Korzeniowski, Joseph Conrad-, --- Kʻonradŭ, Josep, --- Kʻonradŭ, Chosep, --- Kʻolladŭ, Josep, --- Konrad, Dzd. --- Conrad, Józef, --- קונראד, ג׳וזף, --- קונראד, ג׳וסף --- קונרד, ג׳וזף --- קונרד, ג׳וזף, --- קונרד, יוסף --- 康拉德, --- Konrad Nalecz Korzeniowsky, Jozef Tedor, --- Konrant, Tzozeph, --- Criticism and interpretation. --- Orient --- Malaysia --- In literature.
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Representing Imperial Rivalry in the Early Modern Mediterranean explores representations of national, racial, and religious identities within a region dominated by the clash of empires. Bringing together studies of English, Spanish, Italian, and Ottoman literature and cultural artifacts, the volume moves from the broadest issues of representation in the Mediterranean to a case study -- early modern England -- where the "Mediterranean turn" has radically changed the field. The essays in this wide-ranging literary and cultural study examine the rhetoric which surrounds imperial competition in this era, ranging from poems commemorating the battle of Lepanto to elaborately adorned maps of contested frontiers. They will be of interest to scholars in fields such as history, comparative literary studies, and religious studies. --Provided by publisher.
Imperialism in literature. --- History in literature. --- Religion in literature. --- Literature. --- 1517-1789. --- Mediterranean Region --- Mediterranean Region. --- In literature. --- History --- Religion in drama --- Religion in poetry --- Circum-Mediterranean countries --- Mediterranean Area --- Mediterranean countries --- Mediterranean Sea Region --- History of Southern Europe --- anno 1500-1799 --- anno 1400-1499 --- 1517 - 1789
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The internationalization of American studies
American literature --- Literature and transnationalism --- Transnationalism --- Imperialism in literature. --- Culture in literature. --- Transnationalism in literature. --- Asian American authors --- History and criticism. --- Pacific Area --- Asia --- United States --- In literature. --- Study and teaching. --- Trans-nationalism --- Transnational migration --- Transnationalism and literature --- Asia-Pacific Region --- Asian-Pacific Region --- Asian and Pacific Council countries --- Pacific Ocean Region --- Pacific Region --- Pacific Rim --- International relations
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The first book-length critical work devoted to the impact of the end of empire, this book traces imperial memory in mainstream English literature since the Second World War. Authors studied include Josephine Tey, William Golding, Penelope Lively, David Peace and Ian McEwan.
English fiction --- Decolonization in literature. --- Imperialism in literature. --- History and criticism. --- Englisch. --- English fiction. --- Literature. --- Roman. --- History and criticism --- Commonwealth. --- 1900-1999. --- Geschichte 1945-2011. --- English literature --- Literature --- Literary Studies: From C 1900 --- -LITERARY CRITICISM / European / English, Irish, Scottish, Welsh --- Ireland --- A Good Man in Africa. --- Anglo-American attitudes. --- British Empire. --- English novels. --- Englishness. --- John Masters. --- Josephine Tey. --- Kinjanja. --- Moon Tiger. --- Penelope Lively. --- William Boyd. --- William Golding. --- colonial fiction. --- family saga. --- female crime novel. --- postcolonial romance. --- travel fiction.
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