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Film --- Theatrical science --- drama [discipline] --- design [discipline] --- installatiekunst
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drama [literature] --- Drama --- anno 500-1499 --- anno 1500-1599 --- drama [discipline]
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"Applied Theatre: Aesthetics re-examines how the idea of 'the aesthetic' is relevant to performance in social settings. The disinterestedness that traditional aesthetics claims as a key characteristic of art makes little sense when making performances with ordinary people, rooted in their lives and communities, and with personal and social change as its aim. Yet practitioners of applied arts know that their work is not reducible to social work, therapy or education. Reconciling the simultaneous autonomy and heteronomy of art is the problem of aesthetics in applied arts. Gareth White's introductory essay reviews the field, and proposes an interdisciplinary approach that builds on new developments in evolutionary, cognitive and neuro-aesthetics alongside the politics of art. It addresses the complexities of art and the aesthetic as everyday behaviours and responses. The second part of the book is made up of essays from leading experts and new voices in the practice and theory of applied performance, reflecting on the key problematics of applying performance with non-performers. New and innovative practice is described and interrogated, and fresh thinking is introduced in response to perennial problems"--
Performing arts --- Theater --- History & Criticism. --- Aesthetics. --- Philosophy. --- Aesthetics --- Theatrical science --- drama [literature] --- aesthetic concepts --- drama [discipline]
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drama [literature] --- theatergeschiedenis --- Theatrical science --- anno 1900-1999 --- Antwerp --- Theorie van het theater - Geschiedenis --- Theater --- Belgium --- Antwerp (Belgium) --- History --- 1945 --- -Performing arts --- -Theater --- -Theatrical science --- -762 --- 762 --- Theorie van het theater en de film - Geschiedenis --- drama [discipline] --- Performing arts
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"This book revives what was unique, strange, and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance taking place, not in 'theaters', but in churches, courts, and streets. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that document medieval performance instead revise its characteristic features to conform to a play-going experience associated with classical antiquity. This retrospective vision of a late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history"--
Theater in art. --- Art and society --- Theater and society --- Performing arts --- Spectacles de rue --- Théâtre religieux médiéval --- Théâtre --- History --- Social aspects --- Histoire et critique. --- Dans l'art. --- Theatrical science --- drama [literature] --- anno 500-1499 --- France --- drama [discipline]
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Theater. Een westerse geschiedenis deelt de transformatie van het westerse theater in vijf grote periodes in: het theater in de oudheid, het toneel in de middeleeuwen, het vroegmoderne, het laatmoderne en het hedendaagse theater.Gedreven door jarenlange ervaring met wetenschappelijke theaterstudie benaderen de auteurs het toneel vanuit een breder cultuurhistorisch perspectief. Op die manier presenteren ze een nieuw en actueel handboek dat perfect aansluit bij de recentste ontwikkelingen in het vakgebied.Dit boek biedt meer dan een anekdotische beschrijving van de geschiedenis van het theater. Theater is immers geen eenzijdige studie van de gesproken tekst, maar biedt een integraal perspectief op de historische spektakelcultuur, met alle sociale, esthetische, culturele en materiële implicaties van dien. Bovendien biedt dit naslagwerk door de rijkdom aan duidend fotomateriaal behalve een tekstuele ook een visuele geschiedenis van een kunst waar kijken steeds gepaard gaat met en vaak primeerde op luisteren.
Theater --- History --- drama [literature] --- theatergeschiedenis --- toneelgeschiedenis --- Theatrical science --- theatergebouwen --- History of civilization --- Western world --- 762 --- 908.1 --- Theorie van het theater - Geschiedenis --- MAD-faculty 16 --- theaterkunst --- Geschiedenis --- Toneel. --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Media --- Kleuter --- Theorie van het theater en de film - Geschiedenis --- drama [discipline]
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When it was first published in German in 1995, Poetics of Dance was already seen as a path-breaking publication, the first to explore the relationships between the birth of modern dance, new developments in the visual arts, and the renewal of literature and drama in the form of avant-garde theatrical and movement productions of the early twentieth century. Author Gabriele Brandstetter established in this book not only a relation between dance and critical theory, but in fact a full interdisciplinary methodology that quickly found foothold with other areas of research within dance studies. As a whole, the book makes an important contribution to the theory of modernity. -- from back cover.
Modern dance --- Body schema. --- Danse moderne --- Schéma corporel --- Philosophy. --- Philosophie --- Body schema --- Philosophy --- dance [discipline] --- drama [literature] --- Theatrical science --- Aesthetics of art --- philosophy of art --- Schéma corporel --- Modern dance. --- Körperbild. --- Philosophie. --- Modern dance - Philosophy --- dance [performing arts genre] --- drama [discipline]
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Par l'examen des théories et des pratiques propres aux arts vivants et par l'analyse de leur développement, cette collection a pour vocation de faire le point sur les différentes manières d'envisager l'histoire et l'esthétique du spectacle vivant dans le passé comme dans notre période contemporaine.
Violence in the theater --- Theater --- Theater and society. --- Spectators in art --- Political aspects --- Theatrical science --- Drama --- Thematology --- drama [literature] --- violence --- Theater audiences --- Classical drama --- Aggressiveness in literature --- History and criticism --- Psychology --- Drama - History and criticism --- Classical drama - History and criticism --- Theater - Political aspects --- Theater audiences - Psychology --- drama [discipline]
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Art styles --- Theatrical science --- Poetry --- drama [literature] --- poetry --- Dada --- Ball-Hennings, Emmy --- anno 1910-1919 --- Zürich --- 20.70 European art. --- Dadaism. --- Ball-Hennings, Emmy, --- Dadaism --- 7.07 --- Hennings, Emmy 1885-1948 (°Flensburg, Duitsland) --- Dadaïsme --- Vrouwelijke kunstenaars --- Tabu-Dadaism --- Arts, Modern --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Ball, Emmy Hennings, --- Hennings, Emmy --- drama [discipline]
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