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"Trần Văn Thủy is a celebrated Vietnamese filmmaker of more than twenty award-winning documentaries. A North Vietnamese Army cameraman during the Vietnam War, he went on to achieve international fame as the director of films that address the human costs of the war and its aftermath. Thuy's memoir, when published in Vietnam in 2013, immediately sold out. In this translation, English-language readers are now able to learn in rich detail about the life and work of this preeminent artist. Written in a gentle and charming style, the memoir is filled with reflections on war, peace, history, freedom of expression, and filmmaking. Thuy also offers a firsthand account of the war in Vietnam and its aftermath from a Vietnamese perspective, adding a dimension rarely encountered in English-language literature"--

Motion picture producers and directors --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Trần, Văn Thủy

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This ground-breaking collection, the first sustained examination of the work of female practitioners within American independent cinema, reclaims the 'difference' of female indie filmmaking.

Motion pictures --- Independent filmmakers --- Women motion picture producers and directors --- Independent moviemakers --- Motion picture producers and directors --- Independent films --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Indie films --- History and criticism. --- History --- Film --- United States --- United States of America --- WOMEN IN MOTION PICTURES --- PERFORMING ARTS

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Avec La Fille inconnue, Luc et Jean-Pierre Dardenne poursuivent leur quête intransigeante d’un cinéma à la fois engagé, percutant et populaire, centré sur les maux de la société contemporaine et la notion de responsa- bilité individuelle. Depuis 20 ans et le coup de maître de La Promesse, leur ligne de conduite n’a pas varié : dénoncer les violences sociales, rendre apparentes nos failles intimes, explorer les conflits moraux et les cas de conscience générés par les accidents de la vie.Au fil des années, les Dardenne ont engagé un dialogue avec le critique Michel Ciment,responsable de la revue Positif et de l’émission de France Culture Projection privée. Pour la première fois, leurs entretiens sont réunis dans ce volume, qui dévoile à la fois leur méthode de travail, leur éthique professionnelle et leur profond humanisme

Dardenne, Luc, --- Dardenne, Jean-Pierre, --- Critique et interprétation --- Motion pictures producers and directos --- Motion pictures --- Ciment, Michel, --- Motion picture producers and directors --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Dardenne, Jean-Pierre --- Dardenne, Luc --- filmgeschiedenis --- filmtheorie --- twintigste eeuw --- filmregisseurs --- Dardenne Luc --- Dardenne Jean-Pierre --- België --- 791.471 DARDENNE --- CPP --- Persons --- Critique et interprétation.

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Lindsay Anderson was a highly influential personality within British cinema, mostly famous for landmark films like This Sporting Life (1963) and If….(1968). This book deals primarily with hitherto unexplored aspects of his career: his biographical background in the British upper class, his devoted film criticism, and his angry relationship to contemporary society in general. Thus, the book contains, for instance, chapters about his childhood in India, his writings about John Ford, his relationship to French star Serge Reggiani, his work on TV in the 1950s, with scripts provided by blacklisted scriptwriters, his troubles with the British film establishment, and his gradually emerging concern regarding himself being Scottish, not English. The book also has some chapters written by close friends of Anderson, who died in 1994, dwelling on his penchant for controversy and quarrel, but also on his remarkable artistic talent and strong commitment.

Culture --- Ethnology --- Motion pictures --- Cultural and Media Studies. --- Directing. --- British Culture. --- British Cinema. --- Film History. --- Study and teaching. --- Europe. --- Great Britain. --- History. --- Production and direction. --- Motion picture producers and directors. --- Anderson, Lindsay, --- Criticism and interpretation. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Motion pictures-Production and d. --- Ethnology-Europe. --- Motion pictures-Great Britain. --- Motion pictures-History. --- British Cinema and TV. --- Motion pictures—Production and direction. --- Ethnology—Europe. --- Motion pictures—Great Britain. --- Motion pictures—History.

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Hollywood has a long tradition of bringing in emigre directors from around the world, dating back to the silent era. Today, as the film industry is ever more global, the people who make blockbuster movies seemingly reflect this tradition, hailing from many countries across the world. But that fact hides a fundamental difference, one that Melis Behlil examines in Hollywood is Everywhere: today's Hollywood studios are themselves transnational, with ownership structures and financial arrangements that stretch far beyond the borders of the United States. Seen in that context, today's international directors are less analogous to the emigre talent of the past than to ordinary transnational employees of other major global corporations.

Digital media --- Digital cinematography. --- Cinematography --- Digital filmmaking --- Digital moviemaking --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Influence. --- Digital techniques --- Motion pictures --- Motion pictures and globalization. --- Motion picture producers and directors. --- Motion picture industry --- PERFORMING ARTS --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- Globalization and motion pictures --- Globalization --- Show business --- Arts --- Performance art --- Production and direction. --- Finance. --- Reference. --- Production and direction --- Direction --- Finance --- Los Angeles- Hollywood --- LosAngeles-Hollywood --- Hollywood, Calif. --- Los Angeles-Hollywood, Calif. --- Los Angeles, Calif. --- Los Angeles- Hollywood, Calif. --- Globalization, Cultural Industries, Hollywood, Transnational Cinema.