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Documentary films.

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The comic transcends the merely entertaining, and fans of comics become engaged and invested in the field through a range of activities. Major cities host regular comic conventions, attracting hundreds of thousands of attendees each year, who search for special issues of their favourite comic-book series, meet artists, attend workshops and buy merchandise. Many fans do not stop at just attending conventions; they do so dressed as their favourite comic characters or wearing badges, buttons, T-shirts or sweaters with images of those characters on them. In other words: many fans do ot merely consume comic books; rather, they arrange a considerable part of their lives around them and in some cases even embody their heroes, that is, they copy their behaviour and their language. The comic universe, the comic books and the range of activities emerging out of them and around them become a meaningful universe for fans.

Animated films.

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Bienvenue dans cet horror show de mots et d'images où se côtoient littérature, cinéma, peinture, photographie et série télé. L'outrance nous ravit, surtout quand elle se fait terrifiante et nous livre au dérèglement de la sensibilité, à l'atroce qui provoque haut-le-cœur, déroute psychique, poussée phobique, attraction morbide. Le maître en la matière est Clive Barker, tisseur d'abominable sous toutes ses coutures artistiques, avec le corps supplicié en point de croix. Il ouvre le bal sanglant de ces pages où d'anciens et nouveaux monstres (du serial killer à la Tueuse Buffy, d'enfants redoutables à Candyman) invitent au spectacle de métamorphoses contre-nature et de beautés que l'on torture, puis à se perdre du côté des morgues et des cimetières où l'on enterre vivant. Et face à toutes ces énormités qui ébranlent la santé mentale, l'envie peut nous prendre de rire à gorge déployée si près de la voir tranchée. Au générique de cette épouvanthologie une distribution cinq étoiles : Tomas Alfredson, Clive Barker, Juan Antonio Bayona, Robert Bloch, Ole Bornedal, Ray Bradbury, Stan Brakhage, Poppy Z. Brite, John Carpenter, Nacho Cerdà, David Cronenberg, Wes Craven, Jonathan Demme, Alain Dorémieux, Dennis Etchison, Lucio Fulci, Bertrand Gervais, Thomas Harris, William Fryer Harvey, Tobe Hooper, Hubert Haddad, Stephen King, Stanley Kubrick, Mervyn LeRoy, David Lynch, Richard Matheson, Robert Mulligan, Pierre Peyrolle, Anne Rice, Bernard Rose, Narciso Ibañez Serrador, Andres Serrano, Joss Whedon, Émile Zola.

Films d'horreur. --- Films fantastiques.

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La science est-elle « libre de valeur » ? Comment évolue-t-elle à travers l’Histoire ? La science est partout. Elle nous a permis d’explorer l’espace, de découvrir la clé de l’évolution humaine et de guérir des maladies qui ravageaient les populations il n’y a pas si longtemps. Mais la science engendre aussi les risques nucléaires, l’eugénisme et la pollution environnementale. Comment concilier ses avantages avec ses périls ? Cet ouvrage révèle comment la science elle-même, ainsi que nos méthodes, a radicalement changé au cours des dernières décennies, et examine en particulier le développement des études philosophiques des sciences à travers les idées de Thomas Kuhn, Karl Popper, Paul Feyerabend et d’autres…

Science fiction films.

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Nordisk Films Kompagni 1906–1924: The Rise and Fall of the Polar Bear is the first comprehensive study of the Danish film company, Nordisk Films Kompagni, in the silent era. Based on archival research, primarily in the company’s surviving business archives, this volume of KINtop describes and analyzes how Nordisk Film became one of the leading players in the world market and why the company failed to maintain this position. This volume is written from perspective of Nordisk Film as a business and organization, from its establishment in 1906 until 1924 when founder Ole Olsen stepped back. Among the many topics and themes this volume examines are the competitive advantages Nordisk Film gained in reorganizing the production to multiple-reel films around 1910; the company’s highly efficient film production which anticipated the departmentalized organization of Hollywood; Nordisk Film’s aggressive expansion strategy in Germany, Central-Europe and Russia during the First World War; and the grand plans for taking control of UFA in association with the American Famous Players in the post-war years.

Nordisk Films Kompagni --- History --- Nordisk films kompagni --- History.