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2017 (13)

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Film
Les mains libres; un voyage dans l'oeuvre de Frans Masereel
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Year: 2017 Publisher: Brussel : Vlaams Audiovisueel fonds,

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Masereel, Frans


Book
Frans Masereel : leven in zwart-wit
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Year: 2017 Publisher: Gent OKV

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Article
Begraven op Campo Santo, Frans Masereel, 1889-1972, grafisch kunstenaar.

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Object
Leven in zwart-wit : van Blankenberghe-Bains naar Parijs
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Year: 2017 Publisher: Gent : Openbaar Kunstbezit Vlaanderen,

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Object
De pen en het burijn : roman over een vriendschap
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Year: 2017 Publisher: Gent : Openbaar Kunstbezit Vlaanderen,

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Masereel, Frans.


Object
De beeldromans zonder woorden
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Year: 2017 Publisher: Gent : Openbaar Kunstbezit Vlaanderen,

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Masereel, Frans.


Object
Een onwaarschijnlijke vondst
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Year: 2017 Publisher: Gent : Openbaar Kunstbezit Vlaanderen,

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Masereel, Frans.


Object
Masereel in het land van Sovjets
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Year: 2017 Publisher: Gent : Openbaar Kunstbezit Vlaanderen,

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Masereel, Frans.


Object
De begrafenis van de oorlog en de lezende familie
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Year: 2017 Publisher: Gent : Openbaar Kunstbezit Vlaanderen,

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Masereel, Frans.


Book
Frans Masereel en hedendaagse kunst : verzet in beelden : bezoekersgids.
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Year: 2017 Publisher: Oostende : Kunstmuseum aan zee,

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Abstract

Frans Masereel' reveals Masereel's vision of the world, his social criticism and pacifism. Frans Masereel (1889-1972) can be considered the most important graphic artist and woodcutter of the twentieth century. Mu.ZEE looks back on his work, and brings Masereel's ideas into dialogue with today's society through the work of contemporary artists from Europe, the Middle East, Africa and America: Mary Evans, Anton Kannemeyer, Glenn Ligon, Dan Perjovschi, Billie Zangewa, William Kentridge, Philip Aguirre y Otegui, Slavs and Tatars, Kerry James Marshall, Papa Mfumu'eto 1er. From a constructive standpoint, the artists question injustice and inequality. With a critical eye, and sometimes with satire, they tackle the subjects that personally interest them and offer them up for discussion via images. As an illustrator for newspapers and magazines, and working with woodcuts, Masereel had the opportunity to pose critical questions to a wide audience in an accessible manner. Visual immediacy and storytelling are just two of the strategies that are explored in the wide range of exhibited works. The common denominator is a positive outlook on the future and, in this, Masereel's portrayal of mankind was unfailingly optimistic

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