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When a black writer is found dead at a scandalous interracial party in 1920s' New York, Harlem's cub reporter Zane Pinchback is the only one determined to solve the murder. Zane must go "Incognegro" for the first time, using his light appearance to pass as a white man to find the true killer, in this prequel miniseries to the critically acclaimed Vertigo graphic novel, now available in a special new 10th Anniversary Edition. With a cryptic manuscript as his only clue, and a mysterious and beautiful woman as the murder's only witness, Zane finds himself on the hunt through the dark and dangerous streets of "roaring twenties" Harlem in search for justice. In a time when looks could kill . . . Zane's skin is the only thing keeping him alive.

African Americans --- Passing (Identity) --- Murder --- Investigation. --- Harlem (New York, N.Y.)

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Recipient of a 2017 MacArthur Foundation "genius grant," Dawoud Bey has created a body of photography that masterfully portrays the contemporary American experience on its own terms and in all of its diversity. Dawoud Bey: Seeing Deeply' offers a forty-year retrospective of the celebrated photographer's work, from his early street photography in Harlem to his current images of Harlem gentrification. Photographs from all of Bey's major projects are presented in chronological sequence, allowing viewers to see how the collective body of portraits and recent landscapes create an unparalleled historical representation of various communities in the United States. Leading curators and critics-Sarah Lewis, Deborah Willis, David Travis, Hilton Als, Jacqueline Terrassa, Rebecca Walker, Maurice Berger, and Leigh Raiford-introduce each series of images. Revealing Bey as the natural heir of such renowned photographers as Roy DeCarava, Walker Evans, Gordon Parks, and James Van Der Zee, Dawoud Bey: Seeing Deeply demonstrates how one man's search for community can produce a stunning portrait of our common humanity.

Photography, Artistic --- Photography --- Portrait photography --- African American photographers --- Social aspects --- History --- Bey, Dawoud, --- Harlem (New York, N.Y.)

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This text delves into the street-level experience of a set of African American and Latino teenagers and adults worried about or after them. It argues that the risks and opportunities associated with a poor urban neighbourhood get filtered through smartphones and popular social media sites like Twitter and Facebook.

Online social networks --- Social media --- Digital communications --- African American teenagers --- Afro-American teenagers --- Teenagers, African American --- Teenagers --- Communications, Digital --- Digital transmission --- Pulse communication --- Digital electronics --- Pulse techniques (Electronics) --- Telecommunication --- Digital media --- Signal processing --- User-generated media --- Communication --- User-generated content --- Electronic social networks --- Social networking Web sites --- Social networks --- Sociotechnical systems --- Web sites --- Digital techniques --- Harlem (New York, N.Y.) --- Harlem, New York (City) --- Social conditions. --- Social conditions --- #SBIB:309H103 --- #SBIB:309H402 --- Mediatechnologie / ICT / digitale media: sociale en culturele aspecten --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, .. --- Virtual communities --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, . --- Media en publiekgroepen: gebruik van de boodschap, effecten van de media, --- Communities, Online (Online social networks) --- Communities, Virtual (Online social networks) --- Online communities (Online social networks) --- Online social networks - New York (State) - New York --- Social media - New York (State) - New York --- Digital communications - New York (State) - New York --- African American teenagers - New York (State) - New York --- Harlem (New York, N.Y.) - Social conditions