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Entertaining Comics Group (EC Comics) is perhaps best-known today for lurid horror comics like Tales from the Crypt and for a publication that long outlived the company's other titles, Mad magazine. But during its heyday in the early 1950s, EC was also an early innovator in another genre of comics: the so-called "preachies," socially conscious stories that boldly challenged the conservatism and conformity of Eisenhower-era America. EC Comics examines a selection of these works-sensationally-titled comics such as "Hate!," "The Guilty!," and "Judgment Day!"-and explores how they grappled with the civil rights struggle, antisemitism, and other forms of prejudice in America. Putting these socially aware stories into conversation with EC's better-known horror stories, Qiana Whitted discovers surprising similarities between their narrative, aesthetic, and marketing strategies. She also recounts the controversy that these stories inspired and the central role they played in congressional hearings about offensive content in comics. The first serious critical study of EC's social issues comics, this book will give readers a greater appreciation of their legacy. They not only served to inspire future comics creators, but also introduced a generation of young readers to provocative ideas and progressive ideals that pointed the way to a better America.
Comic books, strips, etc. --- Literature and society --- Social problems in literature. --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Moral and ethical aspects. --- History --- EC Comics --- Entertaining Comics --- E.C. Comics Publications --- History. --- Manhua (Comic books) --- Manhwa (Comic books)
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Ce livre retrace l'adoption progressive de l'album comme standard de publication de la bande dessinée en Belgique et en France dans la seconde moitié du XXe siècle. En se fondant sur un dépouillement approfondi des archives d’éditeurs et sur une connaissance intime des évolutions esthétiques de la bande dessinée, Sylvain Lesage étudie comment cette forme de publication affecte les manières de créer, de transmettre et de recevoir la bande dessinée. Maître de conférences en histoire contemporaine à l’université de Lille, Sylvain Lesage mène des recherches à la croisée de l’histoire culturelle de la bande dessinée, d’une histoire sociale des mondes du livre, d’une poétique historique des supports et des formes visuelles de l’histoire. Ce livre retrace l'adoption progressive de l'album comme standard de publication de la bande dessinée en Belgique et en France dans la seconde moitié du XXe siècle. En se fondant sur un dépouillement approfondi des archives d’éditeurs et sur une connaissance intime des évolutions esthétiques de la bande dessinée, Sylvain Lesage étudie comment cette forme de publication affecte les manières de créer, de transmettre et de recevoir la bande dessinée. Maître de conférences en histoire contemporaine à l’université de Lille, Sylvain Lesage mène des recherches à la croisée de l’histoire culturelle de la bande dessinée, d’une histoire sociale des mondes du livre, d’une poétique historique des supports et des formes visuelles de l’histoire.
Bandes dessinées --- Culture --- Histoire sociale. --- Édition --- Histoire --- Comic books, strips, etc. --- Comic books, strips, etc --- Publishing --- History --- Bande dessinée --- Histoire du dessin --- Histoire. --- History. --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Manhua (Comic books) --- Manhwa (Comic books) --- Comic books, strips, etc - Publishing - France - History - 20th century --- Comic books, strips, etc - Publishing - Belgium - History - 20th century --- bande dessinée --- pratiques de lecture --- économie du livre --- histoire culturelle --- Bandes dessinées --- Édition
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Translated literally as 'pictures run riot', manga refers to a form of Japanese narrative art that has grown over the centuries to become a global phenomenon. Initially referring to graphic prints, novels and comics, manga has expanded beyond its original forms to include animation, art, fashion and new media such as film and gaming, and has international reach. Immensely popular with people of all ages, manga is big business, with a turnover of GBP 3 billion in Japan in 2016. Arranged into six broadly chronological, thematic chapters, this book traces the origins of manga, from its beginnings to the present day. Each section opens with an essay, followed by interviews, features and manga selections. The first chapter focuses on understanding manga through reading, drawing and producing. The second explores the power of storytelling, examining manga's presentation of reality through printed formats and subject matter. The third chapter centres on the power of the seen and the unseen worlds. Chapter four shifts the attention from the art form directly to its role in society, starting with manga's grass roots and moving on to fandom, education and the future of manga in an uncertain world. The penultimate chapter highlights the works of sixteen select manga artists, forming a visual timeline of seminal works. The final chapter examines manga's expanding boundaries, including the avant-garde, media crossover and manga's growing international reach and influence. 0ffering a revealing insight into the world of manga, this book will appeal to manga fans and to all those interested in graphic art, in all its forms. Exhibition: British Museum, London, UK (23.05.-26.08.2019).
Comic books, strips, etc --- J5960 --- Comic strips --- Comics --- Funnies --- Manhua (Comic books) --- Manhwa (Comic books) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- History --- Japan: Literature -- modern fiction and prose -- manga --- J6013.31 --- Japan: Art and antiquities -- musea, exhibitions, collections, fairs in Europe -- United Kingdom, Great Britain, England
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This book explores how comics function to make meanings in the manner of a language. It outlines a framework for describing the resources and practices of comics creation and readership, using an approach that is compatible with similar descriptions of linguistic and multimodal communication. The approach is based largely on the work of Michael Halliday, drawing also on the pragmatics of Paul Grice, the Text World Theory of Paul Werth and Joanna Gavins, and ideas from art theory, psychology and narratology. This brings a broad Hallidayan framework of multimodal analysis to comics scholarship, and plays a part in extending that tradition of multimodal linguistics to graphic narrative.
Graphic novels --- Comic books, strips, etc. --- Comic book novels --- Fiction graphic novels --- Fictive graphic novels --- Graphic albums --- Graphic fiction --- Graphic nonfiction --- Graphic novellas --- Nonfiction graphic novels --- Fiction --- Popular literature --- History and criticism. --- Communication. --- Popular Culture. --- Philology. --- Linguistics. --- Comics Studies. --- Media and Communication. --- Popular Culture . --- Language and Literature. --- Linguistic science --- Science of language --- Language and languages --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Communication, Primitive --- Mass communication --- Sociology --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Manhua (Comic books) --- Manhwa (Comic books) --- Graphic novels - History and criticism --- Comic books, strips, etc. - History and criticism --- Linguistics --- Comic books, strips, etc. - Dialogue --- Comic books, strips, etc. - Language
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Comic books, strips, etc --- Cartoonists --- History and criticism --- Comic strips --- Comics --- Funnies --- Manga (Comic books, strips, etc.) --- Manhua (Comic books, strips, etc.) --- Manhwa (Comic books, strips, etc.) --- Serial picture books --- Caricatures and cartoons --- Wit and humor, Pictorial --- Caricaturists --- Cartoon artists --- Artists --- #KVHA:Stripverhalen; Frankrijk --- #KVHA:Francophonie --- #KVHA:Literatuurgeschiedenis; Afrika --- #KVHA:Stripverhalen; Frans --- #KVHA:Baruti, Barly --- #KVHA:Masioni, Pat --- #KVHA:Abouet, Marguerite --- Comic books, strips, etc. --- Manhua (Comic books) --- Manhwa (Comic books) --- Comic books, strips, etc. - Africa, French-speaking - History and criticism --- Comic books, strips, etc. - Europe - History and criticism --- Cartoonists - Africa, French-speaking --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal
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