Listing 1 - 4 of 4 |
Sort by
|
Choose an application
« "Un palais en Sicile"... J'ai peut-être voulu cette aventure pour ces mots... pour le plaisir d'en faire un livre. »Jean-Louis Remilleux. Après la mort du Marquis de Castelluccio, l'un des derniers « guépards » de Sicile, sa demeure s'endort et s'effondre, comme le monde qui l'a vu naître... Un demi-siècle plus tard, Jean-Louis Remilleux tombe amoureux de cet exceptionnel palais XVIIIe en ruine et se lance dans sa restauration.Ce palazzo, pour la première fois dévoilé dans ce livre, est l'un des plus beaux témoignages de l'architecture et des arts décoratifs siciliens.
Architecture --- Architecture baroque --- Protection du patrimoine --- Art baroque --- Italie --- Sicile
Choose an application
French painting of Louis XV's reign (1723-1774), generally categorized by the term rococo, has typically been understood as an artistic style aimed at furnishing courtly society with delightful images of its own frivolous pursuits. Instead, this book shows the significance and seriousness underpinning the notion of pleasure embedded in eighteenth-century history painting. During this time, pleasure became a moral ideal grounded not only in domestic life but also defining a range of social, political, and cultural transactions oriented toward transforming and improving society at large. History, painting, and the seriousness of pleasure in the age of Louis XV reconsiders the role of history painting in creating a new visual language that presented peace and happiness as an individual's natural right in the aftermath of Louis XIV's bellicose reign (1643-1715). In this new study, Susanna Caviglia reinvestigates the artistic practices of an entire generation of painters born around 1700 (e.g., François Boucher, Charles-Joseph Natoire, and Carle Vanloo) in order to highlight the cultural forces at work within their now iconic images. -- Publisher.
Pleasure in art. --- Art, Baroque. --- Art, Rococo. --- Civilization, Western --- History, Modern --- Enlightenment. --- Enlightenment --- Philosophy. --- Louis --- France --- Europe --- History. --- History.
Choose an application
"This exhibition catalogue presents a fresh and visually breath-taking new look at the art of the late Stuart period in Britain (1660-1714). From the Restoration of Charles II in 1660 to the death of Queen Anne in 1714, the late Stuart period was a time of great change for Britain, and a rich, sophisticated, but largely overlooked era of art history. This exhibition book, created to accompany Tate Britain's 2020 exhibition British Baroque: Power & Illusion, explores how art and architecture were used by the crown, the church, and the aristocracy to project images of status in an age when the power of the monarchy was being questioned. Featuring the work of the leading painters of the day -- including Peter Lely, Godfrey Kneller, and James Thornhill -- it celebrates ambitious grand-scale portraits, the persuasive illusion of mural painting, the brilliant woodcarving of Grinling Gibbons, and the magnificent architecture of the great buildings of the age by Christopher Wren, Nicholas Hawksmoor, and John Vanbrugh."--Publisher's description.
Art --- British Renaissance-Baroque styles --- Baroque --- Great Britain --- Art, Baroque --- Arts, Baroque --- Art, British --- British art --- Baroque arts --- Baroque art --- Exhibitions --- kunst en politiek
Choose an application
French painting of Louis XV's reign (1723-1774), generally categorized by the term rococo, has typically been understood as an artistic style aimed at furnishing courtly society with delightful images of its own frivolous pursuits. Instead, this book shows the significance and seriousness underpinning the notion of pleasure embedded in eighteenth-century history painting. During this time, pleasure became a moral ideal grounded not only in domestic life but also defining a range of social, political, and cultural transactions oriented toward transforming and improving society at large. History, painting, and the seriousness of pleasure in the age of Louis XV reconsiders the role of history painting in creating a new visual language that presented peace and happiness as an individual's natural rights in the aftermath of Louis XIV's bellicose reign (1643-1715). In this new study, Susanna Caviglia reinvestigates the artistic practices of an entire generation of painters born around 1700 (e.g., Francois Boucher, Charles-Joseph Natoire, and Carle Vanloo) in order to highlight the cultural forces at work within their now iconic images. -- Publisher.
Drawing --- Painting --- History of civilization --- painting [image-making] --- joy --- anno 1700-1799 --- Pleasure in art. --- Art --- Art, Baroque. --- Art, Rococo. --- Western philosophy --- Civilization, Western --- History --- History, Modern --- Enlightenment. --- Enlightenment --- Baroque & Rococo. --- Philosophy. --- Europe --- France. --- Louis --- France --- History. --- Painting, Rococo --- Painting, French --- Human figure in art. --- Pleasure in art --- Art, Baroque --- Art, Rococo --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Rococo art --- Art, Modern --- Baroque art --- World history --- Philosophy --- Lodewijk --- History, Modern. --- 1700-1799 --- Europe. --- figuurtekenen
Listing 1 - 4 of 4 |
Sort by
|