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Symbolism of colors --- Colors --- Social aspects
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Symbolism of colors. --- Color symbolism --- Symbolic colors --- Color --- Colors --- Psychological aspects
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Qu’est-ce que la couleur ? À coup sûr, une composante essentielle de notre expérience visuelle, mais dont il n’est pas facile de parler : elle est l’un des aspects du visible les plus chargés en expressivité potentielle, mais les langues pratiquées à la surface du globe, peinant à la désigner avec précision, lui confient des rôles symboliques multiples et variés.Conçu comme une introduction didactique, cet ouvrage offre un panorama aussi vaste et précis que possible des problèmes liés aux discours sur la couleur. On y verra que celle-ci est devenue, au fil des siècles, l’apanage d’un domaine avec lequel elle a fini par presque se confondre, la peinture, et par la suite les images photographiques et leur descendance. Comment la peinture a-t-elle acclimaté le monde de la couleur ? Comment les créateurs ont-ils trouvé des lois pour régler son usage et théoriser sa valeur ? Comment cela s’est-il formalisé dans d’autres discours, esthétiques, poétiques, critiques ? Telle est la visée de ce livre unique et passionnant qui initie ainsi à l’analyse de la couleur dans les images.
Picture interpretation --- Colors --- Symbolism of colors --- Colors in motion pictures --- Color in art --- Couleur --- Couleur (art)
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"This publication gathers papers and posters from a 2018 conference organized as part of the APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) initiative, an international collaboration that promotes the study of funerary portraits from Roman Egypt"-- Once interred with mummified remains, nearly a thousand funerary portraits from Roman Egypt survive today in museums around the world, bringing viewers face-to-face with people who lived two thousand years ago. Until recently, few of these paintings had undergone in-depth study to determine by whom they were made and how. An international collaboration known as APPEAR (Ancient Panel Paintings: Examination, Analysis, and Research) was launched in 2013 to promote the study of these objects and to gather scientific and historical findings into a shared database. The first phase of the project, was marked with a two-day conference at the Getty Villa. Conservators, scientists, and curators presented new research on such topics as provenance and collecting, comparisons of works across institutions, and scientific studies of pigments, binders, and supports. The papers and posters from the conference are presented in this online publication, which offers the most up-to-date information available about these fascinating remnants of the ancient world
Mummy portraits --- Portraits, Roman --- Portraits, Egyptian --- Expertising --- Egypt --- Antiquities, Roman --- Colors --- Analysis --- Conferences - Meetings
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A comprehensive illustrated exploration of the fascinating science of color Arielle and Joann Eckstut, authors of The Secret Language of Color, offer a thorough, readable, and highly visual exploration of the science of color. Organized by 50 of the most essential questions about color across a variety of fields-physics, chemistry, biology, technology, and psychology-this book examines how and why we see color; how color relates to light; what the real primary colors are; how biology, language, and culture affect the colors that we see; and much more. Full of clear and elegant infographics, What Is Color? is a must-have for artists and designers, scientists, students, and decorators, and anyone else whose work or play involves color.
Color --- Colors --- Color vision --- Color printing --- Pigments. --- Couleur. --- Couleurs. --- Vision des couleurs. --- Impression en couleurs.
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Theory of knowledge --- Painting --- painting [image-making] --- epistemology --- colors [hues or tints]
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A beautifully presented survey of design and the applied arts, explored not by use, material, form or date - but by colour The V&A Book of Colour in Design is attractively simple: a celebration and exploration of colour, as revealed through objects in the world-class collections of the Victoria and Albert Museum in London. Structured by colour, it offers fascinating insights into the choices made by designers and makers from across the world and throughout history. Each chapter begins with a brief introduction that considers the history, symbolism, and use of an individual colour. Objects - from items of jewelry, textiles, glassware and ceramics to furniture and more - are reproduced in a visual selection that explores the varied hues of every colour. However different objects within each section may be in their detail and meaning, they are united by their common colour, revealing surprising connections between them. Throughout, narrative captions bring together disparate items from across the V&A's collection to explore the universal significance of colour in art and design. Beautifully designed, this highly visual, colour-led survey of design and the applied arts is a compelling sourcebook with broad appeal for anyone interested or involved in all aspects of visual culture.
Optics. Quantum optics --- Graphic arts --- design [discipline] --- colors [hues or tints] --- kleurenleer
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Did you know that the Egyptians created the first synthetic colour? Or that the noblest purple comes from a predatory sea snail? Throughout history, artists' pigments have been made from deadly metals, poisonous minerals, urine, cow dung and even crushed insects. Humanity's experimental journey towards the discovery of colour, from grinding down beetles and burning animal bones to alchemy and serendipity, has led to the magnificence of medieval manuscripts, the art of the Renaissance and the expressions of 20th-century Modernism. *Chromatopia* reveals the origin stories of over 50 of history's most extraordinary pigments. Spanning the ancient world to modern leaps in technology, this is a book for the artist, the history buff, the science lover and the design fanatic.
Optics. Quantum optics --- Aesthetics of art --- colors [hues or tints] --- kleurgebruik --- kleurenleer
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"In The Meaning of Color in Ancient Mesopotamia, Shiyanthi Thavapalan offers the first in-depth study of the words and expressions for colors in the Akkadian language (c. 2500-500 BCE). By combining philological analysis with the technical investigation of materials, she debunks the misconception that people in Mesopotamia had a limited sense of color and convincingly positions the development of Akkadian color language as a corollary of the history of materials and techniques in the ancient Near East"--
Colors, Words for. --- Color --- Akkadian language --- Akkadian philology. --- Material culture --- Color. --- Material culture. --- Couleurs --- Couleur --- Akkadien (langue) --- Philologie akkadienne. --- Culture matérielle --- Semantics. --- Aspect symbolique --- Terminologie --- Sémantique. --- Iraq. --- Colors, Words for --- Akkadian philology --- Semantics --- Words for colors --- Culture --- Folklore --- Technology --- Accadian philology --- Assyrian philology --- Assyro-Babylonian philology --- Babylonian philology --- Accadian language --- Assyrian language --- Assyro-Babylonian language --- Babylonian language --- Semitic languages --- Colors --- Color guides --- Color - Terminology --- Akkadian language - Semantics --- Material culture - Iraq --- Culture matérielle --- Sémantique. --- Sémantique
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Art --- installations [visual works] --- geometric figures --- Kinetic Art --- architecture [object genre] --- black-and-white [colors] --- interactive art --- Oppenheimer, Sarah
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