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Book
ISBN: 9780300251982 Year: 2020 Publisher: New Haven, Conn. Yale University Press
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In Paris at the turn of the 20th century, an artistic revolution was underway. The Salon des Indépendants was organized in 1884 by a group of artists and thinkers that included Albert Dubois-Pillet, Odilon Redon, Georges Seurat, and Paul Signac, who was the organization's president from 1908 to his death in 1935. They chose as their slogan "neither jury nor reward" (ni jury ni récompenses), and for the following three decades their annual exhibitions set new trends that profoundly changed the course of Western art. This beautifully illustrated volume features paintings and graphic works by an impressive range of artists who exhibited at these avant-garde gatherings where Impressionists (Monet and Morisot), Fauves (Dury, Friesz, and Marquet), Symbolists (Gauguin, Mucha, and Redon), Nabis (Bonnard, Denis, and Lacombe), and Neo-Impressionists (Cross, Pissarro, and Seurat) all came together.
Art --- Painting --- Impressionist [style] --- Neo-Impressionist --- Symbolist --- Neo-Expressionist --- Nabis --- neo-impressionisme --- impressionisme --- Signac, Paul --- Société des "Artistes indépendants" --- anno 1800-1899
Book
ISBN: 9781633451018 1633451011 Year: 2020 Publisher: New York, New York Museum of Modern Art
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Who was Félix Fénéon ? The first exhibition dedicated to this extraordinarily influential but little-known figure explores how he shaped the development of modernism. A French art critic, editor, publisher, dealer, and collector, Fénéon (1861-1944) championed the careers of young, avant-garde artists from Georges-Pierre Seurat and Paul Signac to Pierre Bonnard and Henri Matisse, among many others. He was also one of the first European collectors of art from Africa and Oceania. A fervent anarchist during a period of gaping economic and social disparities, Fénéon believed in the potential of avant-garde art to promote a more harmonious, egalitarian world.
Art critics --- Art, Modern --- Neo-impressionism (Art) --- Divisionism --- Pointillism --- Dots (Art) --- Impressionism (Art) --- Painting, Modern --- Critics --- Fénéon, Félix, --- Art collections --- Exhibitions --- Art moderne --- Néo-impressionisme (Art) --- Anarchisme et culture --- Critiques d'art --- Art --- Fénéon, Félix, --- Exposition --- France --- kunstkritiek --- avant-garde --- neo-impressionisme --- etnische kunst --- geschiedenis --- anarchisme --- verzamelaar --- futurisme --- La Revue Blanche (1889-1903) --- Galerie Bernheim-Jeune --- Fénéon, Felix --- Matisse, Henri --- Signac, Paul --- Seurat, Georges --- Cross, Henri-Edmond --- Cousturier, Lucie --- 19de eeuw --- 20ste eeuw --- Afrika --- Art moderne - 19e siècle --- Art moderne - 20e siècle --- Néo-impressionisme (Art) - France --- Critiques d'art - France - 19e siècle --- Critiques d'art - France - 1900-1945 --- Art - France - 19e siècle --- Art - France - 20e siècle --- Fénéon, Félix, - 1861-1944 - Exposition --- Fénéon, Félix, - 1861-1944 - Art - Exposition --- Fénéon, Félix, - 1861-1944 --- kunstkritiek. --- avant-garde. --- neo-impressionisme. --- etnische kunst. --- geschiedenis. --- anarchisme. --- verzamelaar. --- futurisme. --- La Revue Blanche (1889-1903). --- Galerie Bernheim-Jeune. --- Fénéon, Felix. --- Matisse, Henri. --- Signac, Paul. --- Seurat, Georges. --- Cross, Henri-Edmond. --- Cousturier, Lucie. --- 19de eeuw. --- 20ste eeuw. --- Afrika.
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