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"A formal approach to anime rethinks globalization and transnationality under neoliberalism"--

Animated films --- Animated television programs --- History and criticism --- Cartoons (Television programs) --- Television cartoon shows --- Television programs --- Animation (Cinematography) --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- J6848 --- Japan: Media arts and entertainment -- anime

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"Grave of the Fireflies (1988) is a Studio Ghibli masterpiece. Isao Takahata's portrait of two doomed orphans struggling under the firebombing of Japan is a deeply moving drama, which deftly weaves an intimate tragedy into the intricate moral tapestry of World War Two. The film's pioneering use of animation and nuanced treatment of its subject has earned it 'classic' status. Drawing on accounts by Ghibli staff members and untranslated Japanese sources, Alex Dudok de Wit describes the genesis of Grave of the Fireflies and profiles the key players involved in its making - including animation directors, background artists, colourists, voice actors and producers. He explains the influence of Akiyuki Nosaka's source novella and provides close readings of key scenes, spotlighting the film's sophisticated development of motifs, subtle evocation of ancient Japanese culture, and deployment of animation's language to tell a story that would have been ill-suited to live action. While Grave of the Fireflies has been widely interpreted as a anti-war film, Dudok de Wit argues that Takahata was more concerned about creating a complex portrayal of responsibility within Japanese society. His message to modern audiences was: communitarian values are still under pressure, even in peacetime, and must be upheld"--

#SBIB:309H1321 --- #SBIB:309H1327 --- #SBIB:309H520 --- Animated films --- J6848 --- 799.92 --- animatie --- animatiefilm --- Takahata, Isao --- oorlog --- oorlogsfilms --- regisseurs --- Filmregisseurs --- cineasten --- cinema --- Studio Ghibli --- Japan --- 799.97 --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Films met een amusementsfunctie en/of esthetische functie: algemeen --- Films met een amusementsfunctie en/of esthetische functie: script --- Audiovisuele communicatie: algemene werken --- History and criticism --- Japan: Media arts and entertainment -- anime --- animatiefilm, productie (op naam) --- animatiefilm, productie (animators) --- Hotaru no haka (Motion picture) --- 火垂るの墓 (Motion picture) --- Grave of the fireflies (Motion picture) --- History and criticism.

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"Pink castles, talking sofas, and a prince transformed into a teapot: what sounds like fantasies from Walt Disney's pioneering animations could first be found in the colorful salons of Rococo Paris. The films produced by Disney Animation Studios represent almost a century of creativity and are deeply rooted in European storytelling and visual traditions. Exploring Walt Disney's fascination with European art and examining the novel use of French motifs in Disney films and theme parks, this publication features 40 works of eighteenth-century European design - from tapestries and furniture to Boulle clocks and Sevres porcelain alongside 150 film stills, drawings, and other works on paper from the Walt Disney Animation Studio Library and Walt Disney Archives. The text connects these seemingly disparate art forms through the artists' shared dedication to craftsmanship while also highlighting references to European art in Disney films, including nods to Gothic Revival architecture in Cinderella (1950); bejeweled, medieval manuscripts in Sleeping Beauty (1959); and Rococo-inspired furnishings and objects brought to life in Beauty and the Beast (1991). This book bridges fact and fantasy by drawing remarkable new parallels between Disney's magical creations and their artistic models."--

Decorative arts --- Arts décoratifs --- Walt Disney Company --- Decorative arts, Rococo --- Animated films --- 799.90 --- animatie --- animatiefilm --- tekenfilm --- Disney, Walt --- decoratieve voorwerpen --- decoratieve kunsten --- product design --- design --- 772.3 --- productdesign ; geschiedenis --- productdesign ; geschiedenis 18e-19e eeuw --- Frankrijk --- architectuur --- bouwstijlen --- meubelen ; geschiedenis --- Meubels --- keramiek --- meubilair --- glaskunst --- binnenhuisarchitectuur (binnenhuisinrichting)(interieurarchitectuur) --- Rococo decorative arts --- Applied arts --- Art industries and trade --- Art --- Handicraft --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation (Cinematography) --- Animation cels --- Influence --- History --- animatiefilm, productiehuizen --- productdesign, historisch, ontwerpers/landen afzonderlijk --- Walt Disney Animation Studios --- Disney Studio --- 迪斯尼公司 --- Mei guo di shi ni gong si --- 美國迪士尼公司 --- Walt Disney Productions --- 21st Century Fox (Firm) --- Walt Disney Animation Studios (Firm) --- Disney Animation Studios --- Walt Disney Feature Animation (Firm) --- rococo --- 772.9 --- productdesign, afzonderlijke voorwerpen --- Walt Disney Company.