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"Schepp's fascinating study (...) (provides) an innovative framework for assessing the the protagonists' performance." - Thomas Honegger, Friedrich-Schiller-University Jena, Germany "Without a doubt, the new gold standard in Film Studies." - Christoph Bode, Department of English and American Studies, LMU Munich, Germany This book outlines how the protagonists in The Nibelung's Ring, The Lord of the Rings, and Game of Thrones attempt to construct identities and expand their consciousness manifestations. As the characters in the three works face the ends of their respective worlds, they must find answers to their mortality, and to the threat it implies: the loss of identity and consciousness. Moreover, it details how this process is depicted performatively. In a hands-on and interdisciplinary approach, this book seeks to unveil the underlying philosophical concepts of identity and consciousness in the three works as they are represented audio-visually on stage and screen. Through the use of many practical examples, this book offers both academic scholars and any interested readers a completely new perspective on three enduringly popular and interrelated works. Lukas Schepp completed his PhD in English Literature at LMU Munich: "Performing Against Annihilation: Identity and Consciousness in J.R.R. Tolkien, Richard Wagner and George R.R. Martin." Lukas Schepp specializes in film and media studies, interdisciplinary studies, and philosophical approaches to literature and film. Among others, he has published the essays "Kubrick's Ambiguous Intermedial Translation of Thackeray's The Luck of Barry Lyndon" and "Identity and Consciousness in Black Mirror - Be Right Back" in "East-West Dialogues on the Humanities," which he also co-edited. Moreover, he published the chapter "Toward Sphere Theory: Redefining the Narrative Genres of the Novel and the TV Drama Series" in "Television Series as Literature" (Palgrave Macmillan). Lukas Schepp is a working filmmaker and has written for several German series. Furthermore, Lukas Schepp composes both film scores and symphonic poems.

Philosophy --- Philosophy and psychology of culture --- Psychology --- Sociology of culture --- Music --- Film --- muziekfilosofie --- psychologie --- TV (televisie) --- cultuur --- filosofie --- persoonlijkheidsleer

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This book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. Does music have semantics? Can the meaning of music be revealed using symbols and described using language? The authors seek to answer these questions in order to reveal the essence of music. Chapter 1 addresses a very fundamental point, the meaning of music, while referring to semiotics, gestalt, Schenkerian analysis and cognitive reality. Chapter 2 considers why the 12-tone equal temperament came to be prevalent. This chapter serves as an introduction to the mathematical definition of harmony, which concerns the ratios of frequency in tonic waves. Chapter 3, "Music and Language," explains the fundamentals of grammar theory and the compositionality principle, which states that the semantics of a sentence can be composed in parallel to its syntactic structure. In turn, Chapter 4 explains the most prevalent score notation - the Berklee method, which originated at the Berklee School of Music in Boston - from a different point of view, namely, symbolic computation based on music theory. Chapters 5 and 6 introduce readers to two important theories, the implication-realization model and generative theory of tonal music (GTTM), and explain the essence of these theories, also from a computational standpoint. The authors seek to reinterpret these theories, aiming at their formalization and implementation on a computer. Chapter 7 presents the outcomes of this attempt, describing the framework that the authors have developed, in which music is formalized and becomes computable. Chapters 8 and 9 are devoted to GTTM analyzers and the applications of GTTM. Lastly, Chapter 10 discusses the future of music in connection with computation and artificial intelligence. This book is intended both for general readers who are interested in music, and scientists whose research focuses on music information processing. In order to make the content as accessible as possible, each chapter is self-contained.

Semiotics --- Philosophy --- Mathematical logic --- Mathematics --- Computer architecture. Operating systems --- Artificial intelligence. Robotics. Simulation. Graphics --- Music --- Mathematical linguistics --- muziekfilosofie --- spraaktechnologie --- muziek --- semiotiek --- wiskunde --- KI (kunstmatige intelligentie) --- logica

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This book, The Kyoto Post-COVID Manifesto for Global Economics (KM-PC), is a sequel to our 2018 book, The Kyoto Manifesto for Global Economics (KM-I, 2018). It further exposes the failures of a global economic regime that, based on self-interest, has led to the enormously unequal and fragmented society of today and our decreased ability to respond and recover from the critical worldwide consequences of such a regime over time - notably, climate change. At stake is our very survival beyond the twenty-first century. The fundamental tenet of this book is that our power to heal our currently fractured society lies in the depth of our humanity - in our shared human spirit and spirituality. What is sacred or of imperishable supreme value is what we can be as a human race: empowered, fulfilled individuals, living in harmony, deeply sharing and caring for one another and the environment that sustains us across our distinct cultures and worlds in which we live. Thus, the norms in our economic relations do not have to be those of self-interest that separates us, the ever-watchful distrust represented by "the deal" and immediate economic advantage for me. Instead, we can build an economic frame for our society based on mindfulness, care, mutual human benefit, and trust - on our shared humanity. Our argument was complete and we were ready to publish. But then, suddenly, from the dawning of 2020, everything changed. COVID-19 invaded and the world as we knew it simply stopped. No one saw it coming. As authors, we waited to watch and seek to understand. The result is that the book captures the COVID trauma and, against the fractures based on self-interest already visible in today's society, assesses the impact of COVID-19 now and for the future. Focusing on a humanity-based economics is even more important now, and this book shows why. Chapter 15 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Human sciences (algemeen) --- Philosophy --- Philosophy and psychology of culture --- Professional ethics. Deontology --- Social sciences (general) --- Sociology of culture --- Economics --- Music --- muziekfilosofie --- cultuur --- economie --- sociale wetenschappen --- deontologie --- cultuurwetenschap --- bedrijfsethiek

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This book focuses on piano teachers and the many pains they encounter in their careers. These pains play an essential role in blocking the musical inspiration of their students. The author identifies with the sensitivities of the teachers, aiming at the inspiration permeated and safer playing of their students. The book penetrates the protective mechanisms of the teachers that, on the one hand, maintain their professional functioning, while on the other hand, block refreshing ideas. It combines exploration of secure and culturally informed inspired playing, coping with exaggerated anxiety and understanding the interaction of piano actions with pianist's physiology. This book helps to open teachers' perceptions of the ways to enable more secure and more inspired performances while remembering the inner feelings of the piano teachers.

Philosophy --- Educational psychology --- Teacher education. Teacher's profession --- Teaching --- Didactics of the arts --- Music --- muziekfilosofie --- pedagogische psychologie --- muziek --- kunstonderwijs --- creativiteit --- lerarenopleiding --- lesgeven --- Artists --- Piano --- Ensenyament de la música --- Psychology.