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Readers, literary critics, and theorists alike have long demonstrated an abiding fascination with the author, both as a real person—an artist and creator—and as a theoretical concept that shapes the way we read literary works. Whether anonymous, pseudonymous, or trending on social media, authors continue to be an object of critical and readerly interest. Yet theories surrounding authorship have yet to be satisfactorily updated to register the changes wrought on the literary sphere by the advent of the digital age, the recent turn to autofiction, and the current literary climate more generally. In Reading the Contemporary Author the contributors look back on the long history of theorizing the author and offer innovative new approaches for understanding this elusive figure.Mapping the contours of the vast territory that is contemporary authorship, this collection investigates authorship in the context of narrative genres ranging from memoir and autobiographically informed texts to biofiction and novels featuring novelist narrators and characters. Bringing together the perspectives of leading scholars in narratology, cultural theory, literary criticism, stylistics, comparative literature, and autobiography studies, Reading the Contemporary Author demonstrates that a variety of interdisciplinary viewpoints and critical stances are necessary to capture the multifaceted nature of contemporary authorship.
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Examining hundreds of early printed books containing works by Chaucer, the 'father' of English poetry, and his much-maligned follower, John Lydgate. She demonstrates that the shift from manuscript to print was part of the controversial process by which Chaucer earned his exclusive place in English literary history.
Printing
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Books
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Transmission of texts
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Literary transmission
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Manuscript transmission
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Textual transmission
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Criticism, Textual
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Editions
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Manuscripts
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Early printed books
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Incunabula
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History
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Origin and antecedents.
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History.
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Chaucer, Geoffrey,
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Lydgate, John,
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Chaucer, Jeffrey,
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Chʻiao-sou, Chieh-fu-lei,
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Chieh-fu-lei Chʻiao-sou,
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Choser, Dzheffri,
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Choser, Zheoffreĭ,
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Cosvr, Jvoffrvi,
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Tishūsar, Zhiyūfrī,
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Lidgate, John
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Lydgate, John
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Lidgate, Iohn
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Monk of Bury
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Monke of Burie
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Monk of Bery
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Criticism and interpretation.
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093.1 <41 LONDON>
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093 CHAUCER, GEOFFREY
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094.1 <41>
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094 CHAUCER, GEOFFREY
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820 "14"
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820 "14" Engelse literatuur--?"14"
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Engelse literatuur--?"14"
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094 CHAUCER, GEOFFREY Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--CHAUCER, GEOFFREY
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Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora--CHAUCER, GEOFFREY
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094.1 <41> Oude drukken: bibliografie--
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This book examines how the vampire has always been connected to ideas of infection, pollution and disease—even more so in the 21st century where it expresses the horrors of unseen and unstoppable disease and the foreboding and anxiety that accompany viral outbreaks and wider epidemics. Here the vampire gives physical form to the contagion and associated anxieties around the perceived causes and spread of disease, where it can take on many forms from animal to pestilential particulate matter, creeping shadows and even malignant weather systems. If blood is life, it is the body of the vampire that is death. This timely study looks at how and why the vampire continues to fulfil this function and posits that the true patient zero in the 21st century is no longer the dangerous, ancient, outsider from the East but is the undying monster that is Western culture itself. Simon Bacon is an independent scholar based in Poznań, Poland. He has written and edited 25+ books including Becoming Vampire (2017), Eco-vampires (2019), Nosferatu in the 21st Century (2023), 1000 Vampires on Screen (2 volumes, 2023), and The Palgrave Handbook of the Vampire (forthcoming).
Sociology of culture --- Film --- populaire cultuur --- Gothic --- Vampires in mass media. --- Vampires --- Motion pictures. --- Goth culture (Subculture). --- Popular Culture. --- Social aspects.
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Le livre "Un abécédaire de la psychiatrie" est le fruit d'une collaboration entre les artistes du duo No sovereign author et les patients du centre psychiatrique de jour La Fabrique du Pré, situé à Nivelles, en Belgique. Avec cet ouvrage, il s'agit, à travers l'expression artistique des patients accompagnés par la sensibilité et l'expertise de Maroussia Pignot et Valerio Alvarez, de rendre l'univers de la psychiatrie accessible au plus grand nombre, accessible à la société dans son ensemble.
Psychiatrie --- Création artistique --- Collage --- Art-thérapie --- Expression --- Créativité --- Supports audiovisuels. --- Psychiatrie. --- Livres illustrés. --- La psychiatrie dans la littérature. --- Mentally ill --- Mental illness --- Art therapy
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