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Les plus grands textes de Mohammed Dib sont postérieurs à l'indépendance de l'Algérie, mais une lecture plus complexe que celle des romans de la trilogie "Algérie" des années cinquante. C'est de cette œuvre tardive qu'on propose ici des clés de lecture, et particulièrement celle de la théâtralisation des langages, car, dès ses premières œuvres, la réflexion de Dib sur les pouvoirs de la parole était centrale, quoique souvent méconnue. Réflexion qui se développe ici dans ce qu'on appelle parfois les "romans nordiques", mais aussi dans une intense production de nouvelles aux horizons géographiques et politiques les plus divers, à côté d'un approfondissement de thèmes aussi éternels que l'amour, la mort, le sens, la folie, la réalité problématique du réel, ou l'écriture.

Language and languages in literature. --- Dib, Mohammed, --- Criticism and interpretation. --- Dib, Mohammed,1920-2003

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"This volume explores the rich pre-history, history, and oral history of the North East region of India -- a land-locked region that is home to over 350 ethnolinguistic communities. Despite its uniqueness and diversity, little is known to the outside world. The book studies the vibrant and diverse socio-political and cultural history of this region through a transdisciplinary perspective, covering a wide range of topics such as the pre-history, medieval and colonial history of Assam, the geopolitics of the creation of independent states from undivided Assam, oral narratives from Manipur, prehistoric cultures of Meghalaya, the Naga National Movement, Sikkim's Namgyal dynasty, and Tripura's transition from monarchy to democracy. It also discusses the invaluable contributions made by Professor Mohammad Taher (1931-2015), who laid the foundation of geography in North East India. A compelling exploration of this geo-politically contested space; this volume will be of interest to students and researchers of anthropology, archaeology, history, human geography, South Asian studies, and minority studies"--

Oral tradition --- Taher, Mohammed, --- Influence. --- India, Northeastern --- India, Northeastern --- India, Northeastern --- History. --- Antiquities. --- Politics and government.

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Art --- paintings [visual works] --- prints [visual works] --- photographs --- sculpture [visual works] --- installations [visual works] --- video art --- performance art --- mixed media --- fiber art --- Samra, al, Faisal --- Alem, Shadia --- Bell, Larry --- Denny, Simon --- Esid, Osama --- Gerrard, John --- Huang Rui --- Melehi, Mohammed --- Shao, Fan --- Long, Richard --- Wang Luyan --- Wang Yuping --- Wekua, Andro --- Xu Bing --- Yanagi, Yukinori --- Zhang Peili --- Tanaka, Koki --- Wang, Sishun --- Al Dowayan, Manal --- Mater, Ahmed --- Strachan, Tavares --- Si-Qin, Timur --- Lek, Lawrence --- Nabuqi --- Malluh, Maha --- Al Qadiri, Monira --- Alsaud, Jowhara --- Yuan, Zheng --- Saleem, Al, Mohammed --- Daydban, Ayman Yossri --- Hejailan, Al, Fahad --- Hammas, Abdullah --- Jeraibi, Al, Mahdi --- Mosli, Munira --- Oppenheimer, Geof --- Dessouki, El, Ibrahim --- Mulindwa, Peter --- Awartani, Dana --- Ghamdi, Al, Zahrah --- Nazer, Filwa --- Sale, Al, Daniah --- Lei, Lei --- Mi, Chai --- Shashai, Al, Rashed --- Zhao, Zou --- Payano, Miguel Angel [Jr.] --- Abdallah, Abu, Sarah --- Hassan, Al-, Ghada --- Othman, Al, Abdullah --- Mugait, Al, Marwah --- Chinnery, Colin Siyuan --- Zedani, Ayman --- Shono, Muhannad --- Brahim, Sarah --- Fahad, Bin, Sultan --- Abduljawad, Omar --- Hamoud, Al-, Lulwah --- Mangyun, Han --- Kentridge, William --- Morris, Sarah --- Laib, Wolfgang --- Bricklab [Jeddah] --- Mammafotogramma [Milan] --- Birdhead --- Superstudio