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"The Paper Zoo traces the varied and vital role of natural history illustration in science and art since the fifteenth century. Sumptuous images from giants of the genre - such as the birds of John J. Audubon, or the insects of Maria Sybilla Merian - accompany less familiar but equally intriguing illustrations from manuscripts, journals, and rare printed books. Together, these works represent a collection of nature's wonders. Birds, butterflies, insects, mammals, reptiles, and fish were immortalised in print; pests and curiosities were wondered at; microorganisms made monsters. Travellers brought home, on paper, exotic creatures. Scholars and hobbyists insisted upon the beauty and significance of native creatures, both wild and domesticated - even cows and clothes moths. Charlotte Sleigh shows how the styles and purposes of natural history illustration evolved, from animal alphabets to the extraordinary productions of eighteenth- and nineteenth-century naturalists and explorers recording and classifying the living world. She pays tribute to the achievements of little-known, unsung painters and colourists, alongside famous artists, in this mighty endeavour of collecting, defining and exhibiting animal life on the page. Here, too, were ironies and contradictions: many naturalists were also hunters, and the dodo and the great auk survive only in paper zoos."--Publisher's description.

Art --- Animalia [kingdom] --- animal art --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- anno 1700-1799 --- anno 1800-1899 --- Zoological illustration --- Animals in art --- 7.042 --- Thema's in de kunst ; dieren --- Animal painting and illustration --- Pets in art --- Wild animals in art --- Zoo animals in art --- Illustration, Zoological --- Biological illustration --- Natural history illustration --- History --- Iconografie ; dieren, fauna