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Art styles --- anno 1920-1929 --- Germany --- Drawing --- Painting --- drawing [image-making] --- painting [image-making] --- Schlichter, Rudolf --- Sprauer, Hermann --- Dischinger, Rudolf --- Davringhausen, Heinrich Maria --- Felixmüller, Conrad --- Kanoldt, Alexander --- Kretzschmar, Bernhard --- Nagel, Hanna --- Scholz, Georg --- Baluschek, Hans --- Räderscheidt, Anton --- Grosz, Georg --- Griebel, Otto --- Weinhold, Kurt --- Schad, Christian --- Schrimpf, Georg --- Beckmann, Max --- Ziegler, Richard --- Hausmann, Raoul --- Radziwill, Franz --- Dix, Otto --- Brockmann, Gottfried --- Möller, Otto --- Holtz, Karl --- Hubbuch, K. --- Nägele, Reinhold --- Schnarrenberger, Wilhelm --- Hassebrauk, Ernst --- Mammen, Jeanne --- Lenk, Franz --- Nieuwe Zakelijkheid --- 1920 - 1930 --- 20ste eeuw --- Duitsland --- Art, German --- -Neue Sachlichkeit (Art) --- -German art --- Fels (Group of artists) --- Gruppe 1950 (Group of artists) --- HobbypopMUSEUM (Group of artists) --- Kooperative Kunst (Group of artists) --- Kugel (Group of artists) --- Lücke (Group of artists) --- -Art, German --- CDL --- 75.036 --- Exhibitions --- Neue Sachlichkeit (Art) --- 1920 - 1930. --- 20ste eeuw. --- Duitsland.
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Cattelan, Maurizio ; Alexander, Jane ; Fabre, Jan ; Delvoye, Wim ; Lewitt, Sol ; Kapoor, Anish ; Gilbert & George ; Struth, Thomas ; Paine, Roxy ; Belin, Valérie ; et al.
Iconography --- Film --- photography [process] --- video art --- Art --- installations [visual works] --- primitivism [artistic concept] --- exoticism --- Painting --- Photography --- tattoos --- painting [image-making] --- Vega, Sergio --- Kurup, Parameswara --- Strik, Berend --- Ennadre, Touhami --- Messager, Annette --- Nguetchopa, Jean Baptiste --- Steinbach, Haim --- Neshat, Shirin --- Olesen, Muriel --- Cole, Willie --- Art Orienté Objet --- Aubry, Michel --- Gedewon --- Shannon, Tom --- Yu Peng --- Kapoor, Anish --- Gilbert and George --- von Schaewen, Deidi --- Ross, Karl --- Rosa, di, Hervé --- Dakpogan, Calixte --- Canogar, Daniel --- Bieth, Jean-Sylvain --- Haronitaki, Aspassio --- Poirier, Anne --- Murakami, Takashi --- Shonibare, Yinka --- Xiao Yu --- Tomaselli, Fred --- Cattelan, Maurizio --- Cravo Neto, Mario --- Höller, Carsten --- Tayou, Pascale Marthine --- Dettloff, Andreas --- Goudin-Thebia, Serge --- Mansaray, Abu-Bakarr --- Gonzales, Marc --- Ravinder, Reddy G. --- E-Mei, Dean --- Wurm, Erwin --- Belin, Valérie --- Hirschhorn, Thomas --- Yang Pei-Ming --- Rutault, Claude --- Jian Guo Sui --- Fabre, Jan --- Liang Shaoji --- Semu, Greg --- Becher, Max --- Solakov, Nedko --- Arahmaiani --- Minkoff, Gérald --- Lou, Liza --- Zhang Huan --- Veilhan, Xavier --- Adéagbo, Georges --- Pondick, Rona --- Orlan --- LeWitt, Sol --- Chen, Chieh-Jen --- Lu Hao --- Gu Wenda --- Thaiday, Ken --- Fukuda, Miran --- Guo-Qiang, Cai --- Panges, Levi --- Kimsooja --- Han Zi Zang --- Sovogui, Kolouma --- Caeckenbergh, van, Patrick --- Tàpies, Antonio --- Neleman, Hans --- Borland, Christine --- Odani, Motohiko --- Hazoumè, Romuald --- Goba, John --- Rawanchaikul, Navin --- Zgraggen, Beat --- Toguo Tamokoue, Barthelemy --- SEMEFO --- Ospina, Nadín --- Kung Yu, Liew --- Melgaard, Bjarne --- Kallatte --- Struth, Thomas --- Qin Ga --- Biefer, Marcel --- Huber, Thomas --- Blanckart, Olivier --- Althamer, Paweł --- Aziz + Cucher --- Morellet, François --- Ocampo, Manuel --- Vautier, Ben --- Kayser, Jackie --- Nussbicker, Eric --- Mahlangu, Esther --- Gera --- Robbins, Andrea --- Robinson, Peter --- Friedmann, Gloria --- Tunga --- Amaringo, Pablo --- Delvoye, Wim --- Collin-Thiébaut, Gérard --- Zhuang Hui --- Sun Yuan --- Zhu Yu --- Ontani, Luigi --- LeDray, Charles --- Ka'a, Kripel --- Pumé Bylex --- Amer, Ghada --- Tokeshi, Eduardo --- Nakayama, Daisuke --- Lavier, Bertrand --- Marek, Raoul --- Belkahia, Farid --- Alexander, Jane --- Paine, Roxy --- Tohi, Felipe --- Convert, Pascal --- AES+F --- anno 2000-2099 --- anno 1900-1999 --- France --- Art, Modern --- Avant-garde (Aesthetics) --- Tohi, Filipe --- Thierry Prat, Thierry Raspail, Jean-Hubert Martin --- kunst --- twintigste eeuw --- biennale de lyon --- exotisme --- toerisme --- antropologie --- mundialisering --- multiculturalisme --- primitivisme --- Australië --- aboriginals --- primitieve kunst --- etnografie --- etnologie --- kolonialisme --- kunsttheorie --- esthetica --- 7.038 --- 7.01 --- 7.031 --- Pumé --- Toguo, Barthélémy --- Liew Kung Yu --- Schaewen, von, Deidi --- Cai Guo Qiang --- culturele diversiteit (kunst) --- Tàpies, Antoni
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Musée de Grenoble --- verzameling Agutte-Sembat (Grenoble) --- Agutte, Georgette --- Sembat, Marcel
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Lhote, André --- Cubism --- 75.071 LHOTE --- CDL --- Aesthetics --- Art --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art) --- Influence --- Lhote, André, --- 20th century --- Lhote, André --- Lhote, André.
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The textile works of New York City-based artist Kim Sooja are collected in this catalog of a European exhibit held at both the Museum of Contemporary Art in Lyon and Museum Kunst Palast in Dusseldorf. Often exhibited as installations and video projections, the works included profile Sooja's artwork from 1999 to 2002 and feature her distinctive techniques of sewing, altering, and tearing up clothes and used linen. The role of femininity in the modern world and the effects of globalization on local culture are explored in the alterations of traditional Korean fabrics such as the bojaghi.
Sculpture --- Film --- video art --- textile materials --- sculpting --- multi-channel video installations --- Sooja, Kim --- anno 1900-1999 --- anno 2000-2099 --- South Korea
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