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Sonic Modernities situates Southeast Asian popular music in specific socio-historical settings, hoping that a focus on popular culture and history may shed light on how some people in a particular part of the world have been witnessing the emergence of all things modern. In its focus on pioneering artists, their creative use of new genres and border crossing technologies it aims at a rewriting of Southeast Asia’s twentieth century from the perspective of popular music makers, the entertainment industry and its ever changing audiences. Contributors include: Bart Barendregt, Philip Yampolsky, Jan van der Putten, Adil Johan, Andrew Weintraub, Emma Baulch, Lars Gjelstad, Bettina David, Jeremy Wallach, Kees van Dijk, Wim van Zanten and Tan Sooi Beng. Full text (Open Access)

Popular music --- Music --- Music, Dance, Drama & Film --- Music History & Criticism, Popular - Jazz, Rock, etc. --- History and criticism --- History --- Social aspects --- History and criticism. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Popular music. --- Social aspects. --- 1900 - 1999 --- Indonesia. --- Malaysia. --- Music and society --- Federation of Malaysia --- Ma-lai-hsi-ya --- Malaisie --- Malaĭzii͡ --- Malesia --- Persekutuan Tanah Malaysia --- Malaya --- Dutch East Indies --- Endonèsie --- Indanezii͡ --- Indoneshia --- Indoneshia Kyōwakoku --- Indonesi --- Indonesya --- Indonezia --- Indonezii͡ --- Indonezija --- İndoneziya --- İndoneziya Respublikası --- Indūnīsīy --- Induonezėj --- Jumhūrīyah Indūnīsīy --- PDRI --- Pemerintah Darurat Republik Indonesia --- R.I. --- Republic of Indonesia --- Republic of the United States of Indonesia --- Republica d'Indonesia --- Republiek van Indonesi --- Republik Indonesia --- Republik Indonesia Serikat --- Republika Indonezii͡ --- Republika Indonezija --- Rėspublika Indanezii͡ --- RI --- United States of Indonesia --- Yinni --- asia --- Dangdut --- Indonesia --- Malay language --- NIROM

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Over time Dutch and Indonesian composers, performers and music scholars have inspired each other and they continue to do so. The presence of the Dutch in the Netherlands East-Indies and Indonesia, but also the existence of large diasporic communities in the Netherlands have contributed to a mutual exchange in musical terms: from military brass bands, classical and liturgical music to jazz, Indo rock and more recently world music. Yet, such musical interactions have often been shaped by unequal power balances, and very divergent motifs to start with. Recollecting Resonances offers musicological, historical and anthropological explorations into those musical encounters that have been shaped in both the past and present. The resulting mutual heritage can still be listened to today. Contributors include: Bart Barendregt, Els Bogaerts, Liesbeth Ouwehand, Gerard A. Persoon, Sumarsam, Miriam Brenner, R. Franki S. Notosudirdjo, Henk Mak van Dijk, Madelon Djajadiningrat, Clara Brinkgreve, Wim van Zanten, Matthew Cohen, Lutgard Mutsaers, Rein Spoorman, Annika Ockhorst, and Fridus Steijlen. Full text (Open Access)

Indonesians -- Suriname -- Music -- History and criticism. --- Moluccans -- Netherlands -- Music -- History and criticism. --- Music -- Indonesia -- Dutch influences. --- Music -- Indonesia -- History and criticism. --- Music -- Netherlands -- Indonesian influences. --- Moluccans --- Indonesians --- Indonesian influences --- Dutch influences. --- Indonesian influences. --- Moluccans, South --- South Moluccans --- Music --- History and criticism. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Ethnology --- asia --- Dutch language --- Gamelan --- Indonesia --- Indonesian language --- Java --- Kroncong --- Netherlands

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From the 1920s on, popular music in Southeast Asia was a mass-audience phenomenon that drew new connections between indigenous musical styles and contemporary genres from elsewhere to create new, hybrid forms. This book presents a cultural history of modern Southeast Asia from the vantage point of popular music, considering not just singers and musicians but their fans as well, showing how the music was intrinsically bound up with modern life and the societal changes that came with it. Reaching new audiences across national borders, popular music of the period helped push social change, and at times served as a medium for expressions of social or political discontent.

Popular music --- History and criticism. --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Music --- Cover versions --- Southeast Asia, Popular Music, History.