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75.07 --- 75.038 --- Rothko Mark (Marcus Rothkowitz) 1903-1970 (°Dvinsk, Rusland) --- Schilderkunst ; 20ste eeuw ; Mark Rothko --- Abstract Expressionisme --- Color Field Painting --- Tentoonstellingscatalogi ; Londen ; Tate Modern --- Schilderkunst ; schilders --- Schilderkunst ; 1950 - 2000 --- Exhibitions --- Rothko, Mark, --- Criticism and interpretation. --- Rothkowitz, Marcus, --- רותקו, מארק, --- マーク・ロスコ,

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A l’occasion de l’ouverture des nouveaux espaces consacrés au Département des Arts de l’Islam inaugurés fin septembre 2012, le musée du Louvre invite l’artiste Walid Raad et lui donne une "carte blanche" sur trois années consécutives. L’exposition de Walid Raad, "Préface à la Première Edition", et la publication qui paraît conjointement, Préface à la Troisième Edition, réalisée avec l’artiste, constituent le premier volet de cette collaboration. Au Louvre, Walid Raad approche pour la première fois les "arts de l’Islam", dont le concept remonte au XIXe siècle, date de la formation des collections publiques d’art islamique. En concevant une exposition, un projet éditorial et une série de débats, il engage le dialogue avec tout ce qui est en jeu dans la réouverture du département : l’histoire des collections et leur documentation scientifique et muséale, le design architectural et muséographique, et enfin la dimension institutionnelle du projet.

Art islamique

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Sasnal, Wilhelm

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Salcedo, Doris, --- 7.07 --- (069) --- Beeldende kunst ; installaties ; 2008 ; Doris Salcedo --- Tentoonstellingscatalogi ; Londen ; Tate Modern --- Ingrepen in de museale ruimte --- Kunst en politiek --- Kunst en maatschappij --- Kunst ; van vrouwen --- Salcedo, Doris °1958 (°Bogota, Columbia) --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties. Tentoonstellingen) --- Exhibitions

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Auguste Rodin (1840-1917) was a radical sculptor whose unorthodox approach to multiplication, assemblage, industrial production and serial repetition challenged classical sculptural traditions and provided a definitive break in the history of art. Although best known for his bronze and marble sculptures, Rodin's genius was as a modeller, who captured movement, emotion, light and volume in pliable materials such as clay and plaster. Unlike his predecessors, his works include traces of their creation, challenging traditional conceptions of beauty. In line with new thinking on Rodin, this beautifully illustrated book focuses on the artist's use of plaster, a material which enabled him to create sculptures that are never finished, always becoming. United by their whiteness, fragile and experimental pieces will be explored alongside alternative aspects of some of Rodin's signature works. Including an exclusive contribution from sculptor Phyllida Barlow, newly commissioned texts will shed light on Rodin's way of working, the importance of modelling, his use of materiality and sexuality, and the role of photography in his work. For the first time, Rodin will be presented as the father of modern. Exhibition: Tate Modern, London, UK (21.10.2020 - 21.02.2021).

73.07 --- Rodin, Auguste 1840-1917 (°Parijs, Frankrijk) --- Beeldhouwkunst ; 19de eeuw ; 1ste helft 20ste eeuw ; A. Rodin --- Beeldhouwkunst ; materialen ; gips --- Beeldhouwkunst--beeldhouwers A - Z --- Rodin, Auguste, --- Rodin, François Auguste, --- Roden, Ogi︠u︡st, --- Rodin, --- Lo-tan, --- Rodan, --- רודן, אוגוסט --- Exhibitions --- Sculpture --- sculpture [visual works] --- drawing [image-making] --- clay --- human figures [visual works] --- sculpture groups --- plaster --- Rodin, Auguste --- beeldhouwkunst --- menselijk lichaam --- sculptuur. --- menselijk lichaam. --- Rodin, Auguste. --- plaster [composite coating] --- sculptuur