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Though Frances Burney's novels significantly influenced writers such as Jane Austen, Austen satirizes the genre in her own novel Northanger Abbey, writing of it: 'It is only Cecilia, or Camilla, or Belinda'; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language." And later: 'I was thinking of that other stupid book , written by that woman they make such a fuss about, she who married the French emigrant.' 'I suppose you mean Camilla? 'Yes, that's the book; such unnatural stuff!... it is the horridest nonsense you can imagine; there's nothing in the world in it but an old man's playing at see-saw and learning Latin...' This critique, the justness of which was unfortunately lost on poor Catherine, brought them to the door of Mrs. Thorpe's lodgings."
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Evelina is the daughter of an English aristocrat, but is brought up in the country until her seventeenth birthday, because she is of dubious birth and unacknowledged. Once out in London and Bristol-Hotwells, Evelina learns through a series of humorous events how to navigate society, and a nobleman falls in love with her. This sentimental novel with its satirical remarks on society significantly influenced later, similar works, such as those by Jane Austen.
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Charles Burney (1726-1814), the music historian, is best remembered for his General History of Music and the accounts of his musical tours in Europe. He was a friend of Samuel Johnson and David Garrick, corresponded with Diderot and Haydn and was made Fellow of the Royal Society in 1773. Although he was a music teacher by profession, it was his writings on music which brought him widespread recognition. Following publication of the General History, he began his memoirs but did not complete them. It is likely that he intended his daughter, the novelist Fanny Burney, to publish the memoirs after his death using his manuscript and other papers. Instead she created her own embellished version, adding stylised accounts of events emphasising the literary and social, rather than the musical aspects. Volume 2 is concerned with events from the mid-1770s to mid-1780s, including the Handel commemoration concerts in 1784.
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Charles Burney (1726-1814), the music historian, is best remembered for his General History of Music and the accounts of his musical tours in Europe. He was a friend of Samuel Johnson and David Garrick, corresponded with Diderot and Haydn and was made Fellow of the Royal Society in 1773. Although he was a music teacher by profession, it was his writings on music which brought him widespread recognition. Following publication of the General History, he began his memoirs but did not complete them. It is likely that he intended his daughter, the novelist Fanny Burney, to publish the memoirs after his death using his manuscript and other papers. Instead she created her own embellished version, adding stylised accounts of events emphasising the literary and social, rather than the musical aspects. Volume 3 details the years from the death of Samuel Johnson in 1784 to Burney's own death in 1814.
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Charles Burney (1726-1814), the music historian, is best remembered for his General History of Music and the accounts of his musical tours in Europe. He was a friend of Samuel Johnson and David Garrick, corresponded with Diderot and Haydn and was made Fellow of the Royal Society in 1773. Although he was a music teacher by profession, it was his writings on music which brought him widespread recognition. Following publication of the General History, he began his memoirs but did not complete them. It is likely that he intended his daughter, the novelist Fanny Burney, to publish the memoirs after his death using his manuscript and other papers. Instead she created her own embellished version, adding stylised accounts of events emphasising the literary and social, rather than the musical aspects. Volume 1 takes us to the mid-1770s with the publication of the accounts of the two musical tours.
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