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The first of two volumes designed to assemble and consolidate the current state of research on medieval Famagusta, this book is devoted to the city's imposing artifactual remains. Its initial chapters analyse the architecture of the surviving Latin, Greek, and East Christian churches, tracing the city's distinctive form of Gothic as it developed across the various creedal communities, and examining its impact on the rest of the island. Ensuing chapters turn for the first time to the liturgical furnishings in the churches, and to their painting. Uniquely in Cyprus, Famagusta preserves if tenuously paintings in Latin-, Syrian-, and Armenian-, as well as Greek-rite, liturgical spaces. Of exceptional interest are the abraded murals of the Greek cathedral of St. George. Two final chapters explore the cultural activity of the Genoese in the city, and the dramatic restoration of St. George of the Greeks as Famagusta's most visibly Venetian church.

Church architecture --- Christian art and symbolism --- Church decoration and ornament --- Architecture chrétienne --- Art et symbolisme chrétiens --- Eglises --- Décoration et ornement --- Architecture chrétienne --- Art et symbolisme chrétiens --- Décoration et ornement --- Art [Medieval ] --- Cyprus --- Famagouste (Chypre) --- Architecture [Medieval ] --- Buildings, structures, etc. --- History

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The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr’s work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of ‘center’ and ‘periphery’, expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr’s career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.

Art, Byzantine --- Art, Byzantine. --- Carr, Annemarie Weyl --- Byzance

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"The Menil's collection of Byzantine and related icons is widely regarded as one of the most important in the United States. Comprising more than sixty works, many acquired by Dominique de Menil in 1985 from the noted British collector Eric Bradley, the group spans twelve hundred years, from the sixth to the eighteenth centuries, and encompasses a number of distinct cultures, including Greek, Balkan, and Russian. In this volume, the first publication to survey this diverse collection, leading scholars explore the history and meaning of these remarkable works, and their continuing power to surprise and impress. Orthodox Christianity developed in the Near East during the Byzantine Empire, in time yielding eleven autocephalous communions of which the Greek, Russian, Romanian, Serbian, and Bulgarian Orthodox churches are the largest today. Each maintained the tradition of icon painting rooted in Byzantium but inflected it in distinctive ways. Transcending time and place through a delicate balance of tradition and innovation, these images of saintly or divine figures were designed to imprint their holy subjects on the human mind. Though largely dismissed as backward by Renaissance and Enlightenment Europeans, icons captured the imagination of early modernist painters, and contemporary audiences appreciate them as aesthetic objects."--Back cover.

Icons --- Icons, Byzantine --- Icons, Russian --- Menil Collection (Houston, Tex.) --- Eikons --- Ikons --- Byzantine icons --- Menil Foundation Collection (Houston, Tex.) --- Menil Foundation. --- Exhibitions --- Christian art and symbolism --- Christian saints in art

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The church of Asinou is among the most famous in Cyprus. Built around 1100, the edifice, now a UNESCO World Heritage Site, is decorated with accretions of images, from the famous fresco cycle executed shortly after initial construction to those made in the early seventeenth century. During this period the church served the adjacent monastery of the Mother of God ton Phorbion ("of the vetches"), and was subject to Byzantine, Lusignan (1191-1474), Venetian (1474-1570), and Ottoman rule. This monograph is the first on one of Cyprus's major diachronically painted churches. Written by an international team of renowned scholars, the book sets the accumulating phases of Asinou's art and architecture in the context of the changing fortunes of the valley, of Cyprus, and of the eastern Mediterranean. Chapters include the first continuous history of the church and its immediate setting; a thorough analysis of its architecture; editions, translations, and commentary on the poetic inscriptions; art-historical studies of the post-1105/6 images in the narthex and nave; a detailed comparative analysis of the physical and chemical properties of the frescoes; and a diachronic table of paleographical forms.

Architecture, Byzantine --- Mural painting and decoration, Byzantine --- Architecture byzantine --- Peinture et décoration murales byzantines --- Panayia Phorviotissa (Church : Asinou, Cyprus) --- Asinou (Cyprus) --- Antiquities --- Peinture et décoration murales byzantines --- Architecture, Byzantine - Cyprus - Asinou --- Mural painting and decoration, Byzantine - Cyprus - Asinou --- Asinou (Cyprus) - Antiquities