Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

It is estimated that about one and a half billion hours of moving images were produced in 1999, twice as many as a decade before. If that rate of growth continues, one hundred billion hours of moving images will be made in the year 2025. In 1895 there were just above forty minutes of moving images to be seen, and most of them are now preserved. Today, for every film made, thousands of them disappear forever without leaving a trace. Meanwhile, public and private institutions are struggling to save the film heritage with largely insufficient resources and ever increasing pressure from the commercial world. Are they wasting their time? Is the much feared and much touted Death of Cinema already occurring before our eyes? Is digital technology the solution to the problem, or just another illusion promoted by the industry? In a provocative essay designed as a collection of aphorisms and letters, Paolo Cherchi Usai brings an impassioned scrutiny to bear on these issues with a critique of film preservation, an indictiment of the crimes perpetuated in its name, and a proposal to give a new analytical framework to a major cultural phenomenon of our time. 'The Death of Cinema' is published in Italian as 'L'ultimo spettatore'. Sulla distruzione del cinema 1999, Editore Il Castoro.

Film --- Motion pictures --- Motion picture film --- Cinéma --- Films (Pellicule cinématographique) --- Philosophy. --- Preservation. --- Philosophie --- Conservation --- -Motion picture film --- -#SBIB:309H1312 --- #SBIB:309H1319 --- #SBIB:033.AANKOOP --- Paolo Cherchi Usai --- film --- twintigste eeuw --- filmtheorie --- filmconservatie --- filmgeschiedenis --- kunst en technologie --- Scorsese Martin --- 791.41 --- Cinematographic film --- Film, Cinematographic --- Film, Motion picture --- Films, Cinematographic --- Moving-picture film --- Cinematography --- Photography --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Philosophy --- Preservation --- Filmwezen: bedrijfseconomische aspecten, productie- en distributiestructuren --- Filmwezen: andere aspecten --- Equipment and supplies --- History and criticism --- Cinéma --- Films (Pellicule cinématographique) --- #SBIB:309H1312 --- Conservation and restoration --- Preservation and storage --- CDL

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Silent films --- Motion picture producers and directors --- Motion pictures --- Films muets --- Producteurs et réalisateurs de cinéma --- Cinéma --- Catalogs. --- History --- Catalogs --- Catalogues --- Histoire --- Griffith, D. W.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Silent films --- Griffith, D. W. --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Silent films --- History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Film --- Scandinavia and Iceland