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L'esame sistematico delle oscillazioni nella definizione dei termini "neoavanguardia" e "postmoderno" è alla base di questo studio che si sviluppa, quindi, attraverso l'analisi comparata di differenti contesti, con particolare riferimento a quello italiano (Gruppo 63) e a quello francese (nouveau roman). Si profila così un quadro articolato di esperienze narrative profondamente intrecciate tra loro, che apporta un valido e del tutto originale contributo alla discussione su categorie storiche ben consolidate nell'ambito della storia letteraria e della teoria critica del secondo Novecento.

Literature --- History and criticism.

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The systematic examination of the fluctuations in the definition of the terms "neo-avant-garde" and "post-modern" is at the base of this study, which therefore evolves through the comparative analysis of different contexts, with particular reference to the Italian one (Group 63) and to the French one (Nouveau Roman). Thus, an articulated framework of deeply intertwined narrative experiences emerges, making a valid and completely original contribution to the discussion on well-established historical categories within the literary history and critical theory of the second half of the 20th century.

American fiction --- History and criticism.

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The essay examines the travel photo-text genre from a theoretical point of view, through the example of Absolutely Nothing by Giorgio Vasta and Ramak Fazel. It discusses the key issues and perspectives within the theory and methodology of visual studies and visual culture and describes the opposition between the verbal and visual parts of the volume, understood as a “Struggle for Territory”. This puts on strain the foundations of the travel story tradition, such as the narrative authentication.

photo-text genre --- Giorgio Vasta --- Ramak Fazel --- visual studies --- travel story tradition.

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The essay examines the travel photo-text genre from a theoretical point of view, through the example of Absolutely Nothing by Giorgio Vasta and Ramak Fazel. It discusses the key issues and perspectives within the theory and methodology of visual studies and visual culture and describes the opposition between the verbal and visual parts of the volume, understood as a "Struggle for Territory". This puts on strain the foundations of the travel story tradition, such as the narrative authentication.

Travel.