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American literature --- Thematology --- Individualism --- Individualisme --- Personality and culture --- Personnalité et culture --- Persoonlijkheid en cultuur --- Transcendantalisme (Nouvelle Angleterre) --- Transcendentalism (New England) --- Transcendentalisme --- Transcendentalisme (New England) --- Transcendentelism --- Individualism in literature --- Littérature américaine --- History and criticism --- Histoire et critique --- United States --- Etats-Unis --- Civilization --- Civilisation --- Self in literature --- Psychological aspects --- -Modernism (Literature) --- -Self in literature --- English literature --- Agrarians (Group of writers) --- Civilization and personality --- Culture and personality --- Culture --- Ethnopsychology --- -Individualism in literature --- -American literature --- Individualisme dans la littérature --- Littérature américaine --- Individualisme dans la littérature --- Personnalité et culture --- U.S.A. --- Jungtinės Amerikos valstybės --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Zlucheni Derz︠h︡avy --- USA --- US --- Arhab --- Ar. ha-B. --- Artsot ha-Berit --- ولايات المتحدة الامريكية --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- ABSh --- Amerika Birlăshmish Shtatlary --- ABŞ --- Amerika Birlăşmi Ştatları --- Forente stater --- Spojené staty americké --- Severo-Amerikanskie Shtaty --- Sjedinjene Američke Države --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Amerikai Egyesült Államok --- Yhdysvallat --- Verenigde Staten --- Egyesült Államok --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Estados Unidos de América --- United States of America --- Fareyniḳṭe Shṭaṭn --- Artzois Ha'bris --- Estados Unidos da América do Norte --- SShA --- Soedinennye Shtaty Ameriki --- VSA --- États-Unis d'Amérique --- Vereinigte Staaten von Amerika --- Stati Uniti d'America --- Estados Unidos --- EE.UU. --- Stany Zjednoczone --- ĒPA --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- SAD --- Saharat ʻAmērikā --- Hēnomenai Politeiai Amerikēs --- ZSA --- Mei-kuo --- Meiguo --- Mei guo --- ZDA --- Združene države Amerike --- U.S. --- America (Republic) --- Amirika Carékat --- Verenigde State van Amerika --- VS --- ولايات المتحدة --- Wilāyāt al-Muttaḥidah --- ولايات المتّحدة الأمريكيّة --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Estatos Unitos --- Estatos Unitos d'America --- Ètats-Unis d'Amèrica --- Estaos Xuníos d'América --- Estaos Xuníos --- Tetã peteĩ reko Amérikagua --- Istadus Unidus --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Bí-kok --- Amerika Qushma Shtattary --- AQSh --- Злучаныя Штаты Амерыкі --- Zluchanyi︠a︡ Shtaty Ameryki --- Yunaeted Stet blong Amerika --- Yunaeted Stet --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Stadoù-Unanet Amerika --- Sŭedineni amerikanski shtati --- САЩ --- SASht --- Съединените щати --- Sŭedinenite shtati --- Америка (Republic) --- Amerika (Republic) --- Estats Units d'Amèrica --- Америкӑри Пӗрлешӳллӗ Штатсем --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Stati Uniti --- SUA (Stati Uniti d'America) --- Unol Daleithiau America --- Unol Daleithiau --- Amerikas Forenede Stater --- Vereinigte Staaten --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Zjadnośone staty Ameriki --- Ameerika Ühendriigid --- Ηνωμένες Πολιτείες της Αμερικής --- Hēnōmenes Politeies tēs Amerikēs --- Η.Π.Α. --- Ē.P.A. --- Usono --- Unuiĝintaj Ŝtatoj de Ameriko --- Американь Вейтьсэндявкс Штаттнэ --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Ameriketako Estatu Batuak --- Feriene Steaten --- Feriene Steaten fan Amearika --- FS --- Stâts Unîts di Americhe --- Stâts Unîts --- Stáit Aontaithe Mheiriceá --- Steatyn Unnaneysit America --- Steatyn Unnaneysit --- S.U.A. --- Na Stàitean Aonaichte --- NSA --- Mî-koet --- 미국 --- Miguk --- Amerikayi Miatsʻyal Nahangner --- Miatsʻyal Nahangner --- Modernism (Literature) --- Poe, Edgar Allan --- Howells, William Dean --- James, Henry --- Fitzgerald, Francis Scott --- 20th century --- American literature - Psychological aspects --- United States - Civilization - 20th century
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Beschaving --- Civilisation --- Civilization --- Jews in literature --- Joden in de literatuur --- Juifs dans la littérature --- American fiction --- Jewish fiction --- Jews in literature. --- Jews --- Judaism and literature --- Jewish authors --- History and criticism. --- Intellectual life. --- History --- Civilisation universelle --- Civilisations --- Héritage culturel --- History and criticism --- 20th century --- United States
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Allen, Woody, --- Allen, Woody --- Criticism and interpretation
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Eastwood, Clint, --- Criticism and interpretation. --- États-Unis --- United States --- Au cinéma --- In motion pictures. --- film --- twintigste eeuw --- eenentwintigste eeuw --- Verenigde Staten --- Eastwood Clint --- 791.471 EASTWOOD --- Eastwood, Clint --- Au cinéma.
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American film directors from the late 1930s to the early 1960s instigated a renaissance of original artistic works that helped reinvigorate and renew American culture. During a time of unprecedented danger from anti-democratic forces both abroad and at home, the most imaginative and creative films of these directors - John Ford, Frank Capra, Howard Hawks, Fred Zinnemann, Elia Kazan, George Stevens - articulated issues, themes, and realities at the core of the American experience. In this lively and original book, Sam Girgus offers a fresh look at films such as The Searchers, Mr. Smith Goes to Washington, It's a Wonderful Life, High Noon, and On the Waterfront. He shows how these films are part of the cultural and historic debate that examines, structures, and questions what modern America means to its people, the world, and history.
Motion picture producers and directors --- Motion pictures --- Production and direction. --- History. --- Directors, Motion picture --- Film directors --- Film producers --- Filmmakers --- Motion picture directors --- Moviemakers --- Moving-picture producers and directors --- Producers, Motion picture --- Persons --- CINEMA AMERICAIN --- PRODUCTEURS ET REALISATEURS DE CINEMA --- HISTOIRE ET CRITIQUE --- ETATS-UNIS
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Uses philosophical thinking on delayed cinema, time and ethics to provide a new approach to reading filmIn Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey’s theory of “delayed cinema” to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey’s phrase, “stillness and the moving image” enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens “free” cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative.
Motion pictures --- Philosophy --- Philosophy. --- History. --- Moral and ethical aspects. --- History and criticism
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820 <73> --- 820 <73> Amerikaanse literatuur --- Amerikaanse literatuur --- Thematology --- Sociology of literature --- Psychological study of literature --- American literature
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The Films of Woody Allen was the first full-length work to examine the director as a serious filmmaker and artist. Sam Girgus argues that Allen has consistently been on the cutting edge of contemporary critical and cultural consciousness, challenging our notions of authorship, narrative, perspective, character, theme, ideology, gender and sexuality. This revised and updated edition includes two new chapters that examine Allen's work since 1992. Girgus argues that the scandal surrounding Allen's personal life in the early 1990s has altered his image in ways that reposition moral consciousness in his work. The union between Allen's public and private selves that created a special 'aura' about him remains intact despite the director's concerted efforts to separate his private life from his screen image. Allen now assumes a postmodern moral relativism and 'sensual realism' that differs profoundly from the moral sensibility of his earlier work.
Allen, Woody, --- Criticism and interpretation. --- Allen, Woody --- Konigsberg, Allen Stewart, --- Konigsberg, Allan Stewart, --- Allen, Heywood, --- Allen, Vudi, --- Ален, Вудзі, --- Alen, Vudzi, --- Алън, Уди, --- Alŭn, Udi, --- Кьонигсберг, Алън Стюарт, --- Konigsberg, Alŭn Sti︠u︡art, --- Αλεν, Γούντι, --- Alen, Gounti, --- Κένιγκσμπεργκ, Αλεν Στιούαρτ, --- Keninksmpernk, Alen Stiouart, --- Аллен, Вуди, --- Aellŏn, Udi, --- 앨런, 우디, --- Alen, Ṿudi, --- Allens, Vudijs, --- Konigsbergs, Elens Stjuarts, --- Ален, Вуди, --- Кенигсберг, Ален Стјуарт, --- Kenigsberg, Alen Stjuart, --- ウディ・アレン, --- Aren, Udi, --- Конигсберг, Аллен Стюарт, --- Konigsberg, Allen Sti︠u︡art, --- Аллен, Вуді, --- Коніґсберґ, Аллен Стюарт, --- עלען, וואדי, --- 伍迪·艾伦, --- Ailun, Wudi, --- Allen, woody (1935-....)
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Jewish motion picture producers and directors --- Motion pictures --- Moral and ethical aspects --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Motion picture producers and directors --- History and criticism
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Films documentaires --- Cinéma --- Histoire et critique. --- Aspect social --- États-Unis --- Au cinéma.
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