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Stieglitz, Alfred --- National Gallery of Art [Washington, D.C.] --- 77 STIEGLITZ, ALFRED --- 77 <73> --- 77 "18/19" --- fotografie --- Verenigde Staten --- Stieglitz Alfred --- twintigste eeuw --- negentiende eeuw --- avant-garde --- portretfotografie --- architectuurfotografie --- naaktfotografie --- schilderkunst --- New York --- Camera Work --- 291 --- Photo-Secession --- New York Secession --- 77.071 STIEGLITZ --- Fotografie--STIEGLITZ, ALFRED --- Fotografie--Verenigde Staten van Amerika. VSA. USA --- Fotografie--20e eeuw. Periode 1800-1999 --- Exhibitions --- 77 <73> Fotografie--Verenigde Staten van Amerika. VSA. USA --- 77 STIEGLITZ, ALFRED Fotografie--STIEGLITZ, ALFRED --- Art museums --- Photograph collections --- Photography, Artistic --- Collections of photographs --- Photographs --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Private collections --- Galleries and museums --- Stieglitz, Alfred, --- O'Keeffe, Georgia, --- National Gallery of Art (U.S.) --- Kokuritsu Bijutsukan (U.S.) --- Mellon Gallery of Art --- National Art Gallery (U.S.) --- Nat︠s︡ionalʹnai︠a︡ kartinnai︠a︡ galerei︠a︡ (U.S.) --- Smithsonian Institution. --- United States. --- Washington (D.C.). --- National Collection of Fine Arts (U.S.) --- Smithsonian Institution --- Smithsonian Institution. National Gallery of Art --- United States. National Gallery of Art --- Washington (D.C.). National Gallery of Art

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Photographie --- Photographe --- Photography, Artistic --- Callahan, Harry --- Callahan, Harry M

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Stieglitz (alfred), 1864-1946

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Photography, Artistic --- Exhibitions --- Stieglitz, Alfred,

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Working in Colorado, California, and Oregon from 1965 to 2015, Adams photographed suburban sprawl, strip malls, highways, homes, and the land itself, seeking to reveal both the ravages we have inflicted on the land and its underlying, enduring beauty. His photographs of the western American landscape are imbued with a sense of the sacred. Adams transforms "the silence of light" he sees on the prairie, in the woods, and by the ocean into pictures that not only capture that beauty but can also question our own silent complicity in its desecration by consumerism, industrialization, and the lack of environmental stewardship. This substantial body of work--passionate but restrained, respectful but outraged--is united by the reverential way Adams looks at the world around him, and the almost palpable silence that permeates his art. Copublished by Aperture and National Gallery of Art, Washington, DC.

Landscape photography --- fotografie --- landschapsfotografie --- documentaire fotografie --- natuurfotografie --- ecologie --- Verenigde Staten --- twintigste eeuw --- eenentwintigste eeuw --- Adams Robert --- 77.071 ADAMS --- Photography --- Photography, Landscape --- Outdoor photography --- Landscapes --- Adams, Robert, --- Adams, Robert Hickman, --- Adams, Robert