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This engaging and richly illustrated book comprehensively examines the life and art of David Wojnarowicz (1954-1992), who came to prominence in New York's East Village art world of the 1980s, actively embracing all media and forging an expansive range of work both fiercely political and highly personal. First displayed in raw storefront galleries, his work achieved national attention at the same moment that the AIDS epidemic was affecting a generation of artists, himself included. In a thoughtful overview essay, David Breslin looks at the breadth of the artist's work as well as Wojnarowicz's broad range of interests and influences, situating the artist in the art-historical canon and pushing beyond the biographical focus that has characterized much of the scholarship on Wojnarowicz to fully assess his paintings, photographs, installations, performances, and writing. A close examination of groups of works by David Kiehl sheds new light on the artist's process and the context in which the works were created.

schilderkunst --- fotografie --- performances --- installaties --- literatuur --- 7.071 WOJNAROWICZ --- AIDS --- homoseksualiteit --- film --- gender studies --- Goldin Nan --- Hujar Peter --- kunst --- New York --- tekenkunst --- twintigste eeuw --- Verenigde Staten --- Wojnarowicz David --- Exhibitions --- Wojnarowicz, David --- Art --- Contemporary [style of art] --- Wojnarowicz, David.

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Decoration and ornament --- Posters, American --- Posters --- Posters --- Art nouveau --- Private collections --- Lauder, Leonard A. --- Art collections --- Metropolitan Museum of Art (New York, N.Y.)