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Byzantine prose literature --- Byzantine letters --- Prose byzantine --- Lettres (Genre littéraire) byzantines --- History and criticism. --- Histoire et critique --- Lettres (Genre littéraire) byzantines --- Byzantine literature --- History and criticism

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Alexius --- Congresses --- Congrès --- Byzantine Empire --- Empire byzantin --- History --- Histoire --- 949.5.03 --- Geschiedenis van Byzantium: Isaac I - Latijnse verovering--(1057-1204) --- Alexius I Comnenus, Emperor of the East --- -Congresses --- -History --- 949.5.03 Geschiedenis van Byzantium: Isaac I - Latijnse verovering--(1057-1204) --- Congrès --- Alexios --- Comnenus, Alexius, --- Komnēnos, Alexios, --- Kumnīn, Aliksiyūs, --- Alexis --- Comnène, Alexis, --- Komnin, Alekseĭ, --- Congresses. --- Byzantium (Empire) --- Vizantii︠a︡ --- Bajo Imperio --- Bizancjum --- Byzantinē Autokratoria --- Vyzantinon Kratos --- Vyzantinē Autokratoria --- Impero bizantino --- Bizantia

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Byzantine letters --- Church history --- Lettres (Genre littéraire) byzantines --- Eglise --- History and criticism. --- Histoire et critique --- Histoire --- Theophylactus, --- Orthodox Eastern Church --- Eglise orthodoxe --- Bishops --- Correspondence --- Evêques --- Correspondance --- Byzantine Empire --- Empire byzantin --- Histoire religieuse --- History and criticism --- -Church history --- -Christianity --- Ecclesiastical history --- History, Church --- History, Ecclesiastical --- History --- Christianity --- Byzantine literature --- Theophylactus of Ochrida, Archbishop of Ochrida --- -Correspondence --- -History and criticism --- -Eastern Orthodox Church --- Pravoslavnai︠a︡ vostochnai︠a︡ t︠s︡erkovʹ --- Holy Orthodox Catholic Apostolic Church --- Holy Orthodox Eastern Catholic and Apostolic Church --- Greek Church --- Orthodoxos Katholikē Ekklēsia --- Orthodoxos Katholikē kai Anatolikē Ekklēsia --- Kanīsah al-Sharqīyah --- Tung cheng chiao --- Kanīsat al-Masīḥ al-Sharqīyah al-Urthudhuksīyah --- Biserica Ortodoxă --- .كنيسة الشرقية الارثوذكسية --- -Bishops --- Lettres (Genre littéraire) byzantines --- Evêques --- Middle Ages, 600-1500 --- Feofilakt, --- Ochrida, --- Teofilakt, --- Teofylakt, --- Theofylakt, --- Theofylaktos, --- Theophylacht, --- Theophylact, --- Theophylaktos, --- Byzantine letters - History and criticism --- Church history - Middle Ages, 600-1500 --- Theophylactus, - of Ochrida, Archbishop of Ochrida, - ca. 1050-ca. 1108 - Correspondence - History and criticism --- Théophylacte, --- Theophylactos, --- Theophylakt, --- Achrida, Theophylactus de, --- Theofýlaktos, --- Θεοφυλακτος, --- Theophylactus, - of Ochrida, Archbishop of Ochrida, - ca. 1050-ca. 1108

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Theophylactus, - of Ochrida, Archbishop of Ochrida, - ca. 1050-ca. 1108 - Correspondence - History and criticism.

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"Byzantine culture was notably attuned to a cosmos of multiple dominions: material, bodily, intellectual, physical, spiritual, human, divine. Despite a prevailing discourse to the contrary, the Byzantine world found its bridges between domains most often in sensory modes of awareness. These different domains were concretely perceptible and were encountered daily amidst the mundane no less than the exalted. Icons, incense, music, sacred architecture, ritual activity; saints, imperial families, persons at prayer; hymnography, ascetical or mystical literature: in all of its cultural expressions, the Byzantines excelled in highlighting the intersections between human and divine realms through sensory engagement (whether positive or negative). Byzantinists have been slow to look at the operations of the senses in Byzantium, especially those of seeing, its relation to the other senses, and phenomenological approaches in general. More recently, work on smell and hearing has followed that on seeing, and yet the areas of taste and touch--the most universal and most necessary of the senses--are still largely uncharted. Nor has much been done to explore how Byzantines viewed the senses, or how they envisaged the sensory interactions with their world. A map of the connections between sense-perceptions and other processes (of perception, memory, visualization) in the Byzantine brain has still to be sketched out. How did the Byzantines describe, narrate, or represent the senses at work? It is hoped to further studies of how individual senses in Byzantium operated in the context of all the senses, and their place in Byzantine thought about perception and cognition. Recent work on dreaming, on memory, and on the emotions has made advances possible, and collaborative experiments between Byzantinists and neurological scientists open further approaches. The happy coincidence of this symposium with the upcoming Garden and Landscape Studies Symposium, 'Sound and Scent in the Garden, ' and a forthcoming exhibition at the Walters Art Museum on the five senses enables cross-cultural comparisons that include gardens in Islamic Spain, Hebrew hymnography, Syriac wine-poetry, Mediterranean ordure, and Romanesque and Gothic precious objects that were not just looked at but also touched, smelled, and heard. Architects, musicologists, art historians, archaeologists, philologists can all contribute approaches to the revelation of the Byzantine sensorium"--Publisher's website.

Byzance --- Senses and sensation --- Senses and sensation --- Senses and sensation --- Perception --- Cognition --- Byzantine Empire --- Byzantine Empire --- Byzantine Empire