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This book, illustrated by 450 images, presents the works of 300 women photographers from around the world, from the invention of the medium until the dawn of the twenty-first century. Few of those whose names have come down to us, disappearing from the creation story for the benefit of the “great masters”.The erasure of women in the history of photography results from a long tradition of discredit. Original and autonomous creators, they have never ceased to document, question and transfigure the world, demonstrating that the camera can be a fantastic tool for emancipation. No experimentation or noise from the 19th and 20th centuries escaped them. To reproduce the diversity of the backgrounds of these women photographers, Luce Lebart and Marie Robert invited 160 authors from different parts of the world to contribute to this manifest work.The research led by Marie Robert and Luce Lebart was carried out with the support of the Rencontres d’Arles and Women In Motion, a Kering program that highlights the place of women in the arts and culture. Cet ouvrage illustré par 450 images, présente les œuvres de 300 femmes photographes du monde entier, de l’invention du médium jusqu’à l’aube du xxie siècle. Rares sont celles dont les noms sont parvenus jusqu’à nous, disparaissant du récit de la création au profit des « grands maîtres ».L’effacement des femmes dans l’histoire de la photographie résulte d’une longue tradition de discrédit. Créatrices originales et autonomes, elles n’ont pourtant cessé de documenter, d’interroger et de transfigurer le monde, démontrant que l’appareil photo peut être un fantastique outil d’émancipation. Aucune expérimentation ni aucun fracas des XIXe  et XXe siècles ne leur ont ainsi échappé. Pour restituer la diversité des parcours de ces femmes photographes, Luce Lebart et Marie Robert ont invité 160 autrices de différents points du globe à nourrir cet ouvrage manifeste.La recherche dirigée par Marie Robert et Luce Lebart a été réalisée grâce au soutien des Rencontres d’Arles et de Women In Motion, un programme de Kering qui met en lumière la place des femmes dans les arts et la culture.

fotografie --- fotografiegeschiedenis --- fotografen --- vrouwen --- twintigste eeuw --- eenentwintigste eeuw --- 77.03 --- Femmes photographes. --- Photography --- Women photographers --- History --- Photographers --- modefotografen --- 761 --- fotogeschiedenis --- vrouwen in kunst --- fotografie, geschiedenis --- Histoire de la photographie --- photographers --- vrouw in de kunst --- 750 --- photographie --- femmes --- Women photographers - Biography --- Photographers - Biography --- Photography - History

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Polygamy was criminalized in Canada in 1890, when Mormon immigrants settled there to escape the persecution they suffered in the United States. Few criminal charges have been laid, despite the fact that a Fundamentalist Mormon community, located in Bountiful, British Columbia, has been openly practicing polygamy. This book proposes to draw up a list of the main legal issues raised in the reference on the constitutionality of the criminalization of polygamy rendered by the Supreme Court of British Columbia. The authors also consider the questions it has raised around the social and political order, without answering them outright. Although the reference process put in place by the British Columbia government was supposed to clarify the law, the decision was the subject of much criticism due to the premises it was based on. Nevertheless, it stands as an important decision that has marked Canadian jurisprudence on the subject of religious rights, bath by its symbolic effect, and by the political, ethical, and legal debates surrounding it

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Anonyms and pseudonyms, French. --- Provençal literature --- French literature --- Bibliography. --- Bibliography --- Provence (France) --- Bibliography.