Listing 1 - 10 of 28 | << page >> |
Sort by
|
Choose an application
Feminist art criticism. --- Male nude in art. --- Masculinity in art. --- Neoclassicism (Art) --- Themes, motives. --- Abigail Solomon-Godeau --- kunst --- achttiende eeuw --- negentiende eeuw --- schilderkunst --- beeldhouwkunst --- gender studies --- naakt --- mannelijkheid --- lichamelijkheid --- erotiek --- seksualiteit --- neoclassicisme --- homoseksualiteit --- feminisme --- iconografie --- 7.041 --- Themes, motives --- Feminist art criticism --- Male nude in art --- Masculinity in art --- Art, Modern --- Classicism in art --- Revival movements (Art) --- Masculinity (Psychology) in art --- Male nude --- Nude in art --- Art criticism --- Feminist criticism
Choose an application
Choose an application
profane iconografie --- mannen --- naakt --- kunstbeschouwing
Choose an application
Choose an application
Choose an application
La 4e de couverture indique : [L'auteure] est aujourd'hui l'une des plus importantes théoriciennes de la photographie. Historienne de l'art, critique et professeur émérite à l'université de Californie à Santa Barbara, ses travaux portent principalement sur la théorie du genre, les études féministes, la culture visuelle en France au XIXe siècle, l'histoire de la photographie et l'art contemporain. [...] le présent recueil réunit pour la première fois en langue française un ensemble d'essais parmi les plus significatifs de cette auteure majeure. [...] l'ouvrage propose une première partie sur les discours de l'histoire de la photographie, une deuxième sur les pratiques documentaires et une troisième sur la représentation du féminin
Photographie --- Histoire de la photographie --- Féminisme --- Theorie de la photographie
Choose an application
In essays analyzing the photography of luminaries such as Cindy Sherman, Robert Mapplethorpe, and Susan Meiselas, pioneering feminist art critic Abigail Solomon-Godeau extends her politically engaged and theoretically sophisticated inquiry into the historical and cultural circuits of power as they shape and inform the practice, criticism, and historiography of photography
Choose an application
Choose an application
Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations.
Photography, Artistic --- Photography --- Feminism and art --- Philosophy --- Photography, Artistic. --- Feminism and art. --- Philosophy.
Choose an application
Listing 1 - 10 of 28 | << page >> |
Sort by
|