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The mendicant orders, essential agents of the spirituality of the last centuries of the Middle Ages, are intimately linked to their inhabited universe: their convents. Based on their own structural, aesthetic and functional principles, these architectural complexes with a clearly polyvalent vocation, responding to the religious, community and intellectual activities of the religious as well as to the needs of the faithful, constituted the edifying counterpoint of the apostolic activity and the pattern of life of beggars. Deliberately settled in urban environments, they created decisive bridges with the outside world, thus opening up their establishments, which, because of their thoughtful establishment, were able to integrate and adapt dynamically in reception areas. The frequent foundations of the convents in the sensitive areas of the cities and the creation, in the churches and in the conventual buildings, of suitable spaces and architectural arrangements satisfied, sometimes even preceded, the spiritual aspirations, even social, of the flocks. This study, combining archaeological data with information provided by archives, historical sources and ancient graphic documents, embraces the female and male convents of the four main begging orders: Dominicans, Franciscans, Carmelites and Augustinians. Moreover, in the geographical area chosen, namely the north of France and the former Southern Netherlands, the conventual architecture had until then been little explored.
Christian religious orders --- anno 1200-1499 --- Belgium --- Netherlands --- France: North --- Convents --- Friars --- Couvents --- Ordres mendiants --- History --- Histoire --- France --- Belgique --- Church history --- Histoire religieuse --- Monasteries --- Monasticism and religious orders --- History. --- 271.025 <44> --- 271.025 <493> --- 271 "13" --- 726.7 <44> --- 726.7 <493> --- Bedelorden--Frankrijk --- Bedelorden--België --- Kloosterwezen. Religieuze orden en congregaties. Monachisme--?"13" --- Abdijen. Kloosters--Frankrijk --- Abdijen. Kloosters--België --- 726.7 <493> Abdijen. Kloosters--België --- 726.7 <44> Abdijen. Kloosters--Frankrijk --- 271.025 <493> Bedelorden--België --- 271.025 <44> Bedelorden--Frankrijk --- Monachism --- Monastic orders --- Monasticism and religious orders for men --- Monasticism and religious orders of men --- Orders, Monastic --- Orders, Religious --- Religious orders --- Brotherhoods --- Christian communities --- Brothers (Religious) --- Monks --- Superiors, Religious --- Cloisters (Religious communities) --- Friaries --- Church property --- Religious institutions --- Scriptoria --- Mendicant orders --- Christians --- Convents and nunneries --- Nunneries --- Monasticism and religious orders for women --- Europe --- Middle Ages, 600-1500 --- Middle Ages, 500-1500 --- Convents - France, Northern - History. --- Convents - Belgium - History. --- Monasteries - France, Northern - History. --- Monasteries - Belgium - History. --- Friars - France, Northern - History. --- Monasticism and religious orders - France, Northern - History. --- Monasticism and religious orders - Belgium - History. --- couvent --- ordre mendiant --- Pays-Bas --- architecture --- COUVENTS --- MONACHISME ET ORDRES RELIGIEUX --- ORDRES MENDIANTS --- ARCHITECTURE RELIGIEUSE --- EUROPE --- FRANCE --- MOYEN AGE --- PAYS BAS --- VILLES
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LE VISAGE ET LE PORTRAIT sont les deux points d’ancrage de la problématique abordée dans cet ouvrage. Ces termes révèlent une certaine classification dans la pensée occidentale, et ils traduisent en même temps leur relative fragilité. Que recouvrent aujourd’hui ces mots et quels contenus cachent-ils ? On découvrira que le portrait ou le visage restent deux régimes de valeurs, et bien qu’ils entretiennent des liens de fraternité, ils ont eu chacun leur propre fortune, parallèle et lointaine, antagoniste parfois, se rejoignant souvent. L’histoire de l’art doit revenir sur ces vocables incertains pour montrer qu’ils touchent de très près la question humaine et par conséquent la tête, la face, la figure, l’apparence, l’intériorité et pourquoi pas, l’identité. Les auteurs ont largement adopté une vision pluridisciplinaire, convoquant l’archéologie antique et médiévale, l’histoire de l’art de l’Antiquité à nos jours, l’anthropologie et une approche des médias variée qui associe sculpture, peinture, numismatique, livre illustré, affiche, architecture, textes, photographie et graphisme.
Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- performance (art) --- portrait (art) --- autoportrait --- sculpture
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In the thirteenth century, mendicant orders introduced new ways of religious life that engaged the laity through preaching and conversion. Moreover, they founded new movements for religious women dedicated to prayer and contemplation, such as the Dominican nuns and the Poor Clares. In their churches, both friars and nuns were separated from the laity, either in choir precincts situated behind architectural screens, or in upper galleries raised above ground level. Before the widespread removal of these furnishings, therefore, medieval and early modern mendicant church interiors did not resemble the unified spaces we encounter today. This volume presents a series of European case studies which use textual and material evidence to reconstruct and analyze the internal divisions of churches between the thirteenth and the sixteenth century. Thus, the authors provide a broad understanding of the variety, function, and meaning of the internal divisions that once conditioned the spiritual experience, function and meaning of sacred space for the laity as well as for the religious community.
Medieval & Renaissance Studies --- mendicant orders --- friars --- nuns --- architecture --- Middle Ages --- architecture religieuse --- architecture médievale --- Moyen Âge --- Europe. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia
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Les trois journées du colloque ont porté sur les problèmes qu’a fait émerger récemment la prise en compte des mutations des limites spatiales, temporelles et disciplinaires qui touchent autant les objets de l’historien de l’architecture que le champ de ses investigations. Dans un monde dans lequel les frontières politiques comme les cadres de références identitaires ont changé, où la mondialisation culturelle prend une importance grandissante, le thème des mutations spatiales, temporelles et disciplinaires présente une pertinence à la fois actuelle et historique. Ce thème, à la fois transchronologique et transgéographique, a permis ainsi de faire réfléchir ensemble historiens de l’architecture et chercheurs (historiens, historiens de l’art, sociologues, géographes, etc.) travaillant dans le champ de l’architecture et de son histoire quelle que soit leur discipline.
Arts & Humanities --- Architecture --- architecture --- mutations --- limites spatiales --- limites temporelles --- histoire de l’architecture --- architecture and history --- time limits --- space boundaries --- changes
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