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edited by Sheena Wagstaff ; with contributions by David Anfam, Margaret Iversen, Brian O'Doherty, Sheena Wagstaff, Peter Wollen --- schilderkunst --- kunst --- twintigste eeuw --- Verenigde Staten --- Hopper Edward --- licht --- Rothko Mark --- melancholie --- 75.071 HOPPER --- Hopper, Edward --- 20e eeuw --- 737.8 --- Amerika --- Hopper, Edward (1882-1967) --- realisme --- schilder- en tekenkunst, 20e eeuw, overige landen, kunstenaars afzonderlijk --- Hopper, Edward.
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Iconography --- Art --- Sculpture --- assemblages [sculpture] --- installations [visual works] --- art [discipline] --- psychology --- kitchenware --- sculpting --- vrouwelijke kunstenaar --- Hatoum, Mona --- Great Britain --- Lebanon
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Art --- installations [visual works] --- barns --- flats [theater elements] --- Hitchcock, Alfred --- Parker, Cornelia
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sculpting --- drawing [image-making] --- Pop [fine arts styles] --- painting [image-making] --- Art --- Lichtenstein, Roy --- Lichtenstein, Roy, --- kunst --- twintigste eeuw --- Verenigde Staten --- pop art --- schilderkunst --- tekenkunst --- collages --- Lichtenstein Roy --- 75.071 LICHTENSTEIN --- Exhibitions --- prints [visual works] --- Criticism and interpretation
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Darren Almond’s nocturnal nature seriesIn Fullmoon, the conceptual meets the poetic: in more than 260 photographs, British artist Darren Almond catches landscapes around the globe, under the particular light of a full moon.With the shutter kept open for over a quarter of an hour, rivers, meadows, mountains, and seashores are illuminated almost like daybreak, but the atmosphere is different: a mild glow emanates even from the shadows, star-lines cross the sky, and water blankets the earth like a misty froth. The enhanced moonlight infuses the landscapes with a sense of the surreal or the sublime, and with haunting ideas of time, nature and beauty.The series circles around the possibility of Romantic themes today: majestic American mountains, austere Arctic ice fields, picturesque rocks by the seashore in Japan, and, most intimately viewed, the nature of Britain, whose painterly subjects are closest to home.This book covers all parts of Almond's fullmoon series from the turn of the century up until today. It features an introduction by Sheena Wagstaff, head of the Modern and Contemporary Art Department of the Metropolitan Museum in New York, and an in-depth essay by writer and critic Brian Dillon.
fotografie --- eenentwintigste eeuw --- Almond Darren --- Maan --- natuurfotografie --- 766.4 --- 761.2 --- landschapsfotografie --- fotografen, afzonderlijk --- Photography --- photography [process] --- landscapes [representations] --- artistieke fotografie --- Almond, Darren
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Ce catalogue de l'exposition Edward Hopper qui s'est tenue à la Tate Modern à Londres en 2004 et ensuite au Museum Ludwig à Cologne en 2005 est richement illustré et présente un apercu complet de son oeuvre
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Since the earliest myths of the sculptor Pygmalion bringing a statue to life through desire, artists have explored the boundaries between sculpture and the physical materiality of the body. This groundbreaking volume examines key sculptural works from 13th-century Europe to the global present, revealing new insights into the strategies artists deploy to blur the distinction between art and life. Sculpture, which has historically taken the human figure as its subject, is presented here in myriad manifestations created by artists ranging from Donatello and Degas to Picasso, Kiki Smith, and Jeff Koons. Featuring works created in traditional media such as wood and marble as well as the unexpected such as wax, metal, and blood, Like Life presents sculpture both conventional and shocking, including effigies, dolls, mannequins, automata, waxworks, and anatomical models. Containing texts by art and cultural historians as well as interviews with contemporary artists, this is a provocative exploration of three-dimensional representations of the human body.
Figure sculpture --- Human figure in art --- Color in art --- Exhibitions --- sculpting --- Sculpture --- color [perceived attribute] --- human figures [visual works] --- polychromy --- Polychromy --- 73.041 --- Anatomische modellen --- Polychromie --- Bellmer, Hans --- Berruguete, Alonso --- Canova, Antonio --- Cattelan, Maurizio --- Cordier, Charles-Henri-Joseph --- Curtius, Philippe --- Doodsmaskers --- Ex voto --- Degas, Edgar --- Donatello --- Fontana, Lucio --- Genzken, Isa --- Gérôme, Jean-Léon --- Hanson, Duane --- Hoffman, Malvina Cornell --- Kher, Barti --- Kienholz, Edward --- Koons, Jeff --- Kusama, Yayoi --- Beeldhouwkunst ; iconografie ; de mens, portretten --- Madame Tussaud --- Maragliano, Anton Maria --- McCarthy, Paul --- Mueck, Ron --- Oppenheim, Meret --- Polykleitos --- Religieuze beelden --- Rodin, Auguste --- Smith, Kiki --- Torres, Rigoberto --- Wassen beelden --- Wilson, Fred --- Zumbo, Giulio Gaetano --- lichaam (van de mens)
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A lavishly illustrated monograph that spans the entire career of one of the most celebrated contemporary artists. Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post-Second World War Germany, in both broad and very personal terms. This handsomely designed book features approximately 100 of his key canvases, from photo paintings created in the early 1960s to portraits and later large-scale abstract series, as well as select works in glass. New essays by eminent scholars address a variety of themes: Sheena Wagstaff evaluates the conceptual import of the artist's technique; Benjamin H. D. Buchloh discusses the poignant Birkenau paintings (2014); Peter Geimer explores the artist's enduring interest in photographic imagery; Briony Fer looks at Richter's family pictures against traditional painting genres and conventions; Brinda Kumar investigates the artist's engagement with landscape as a site of memory; Andre Rottmann considers the impact of randomization and chance on Richter's abstract works; and Hal Foster examines the glass and mirror works. As this book demonstrates, Richter's rich and varied oeuvre is a testament to the continued relevance of painting in contemporary art. Exhibition: Metropolitan Museum of Art, New York, USA (04.03. - 05.07.2020)
kunst --- schilderkunst --- twintigste eeuw --- eenentwintigste eeuw --- Duitsland --- Richter Gerhard --- 75.071 RICHTER --- Richter, Gerhard, --- Richter, Gerd, --- Rihitā, Geruharuto, --- Lixite, Gehede, --- ריכטר, גרהרד, --- Exhibitions --- Painting, Abstract --- Portrait painting, German --- Painting, German --- Painting --- Painting from photographs --- Social aspects --- Richter, Gerhard
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