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Russia (Federation) --- Europe --- Foreign relations --- #SBIB:328H262 --- #SBIB:327H13 --- Instellingen en beleid: Rusland en het GOS --- Buitenlandse politiek: U.S.S.R. / GOS / Russische Federatie --- -Europe --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- -Foreign relations --- -#SBIB:328H262 --- -Russia (Federation) --- Russian Federation --- Rossiyskaya Federatsiya --- Rossiya (Federation) --- Rossii︠a︡ (Federation) --- Российская Федерация --- Rossiĭskai︠a︡ Federat︠s︡ii︠a︡ --- Російська Федерація --- Rosiĭsʹka Federat︠s︡ii︠a︡ --- Federazione della Russia --- Russische Föderation --- RF --- Federation of Russia --- Urysye Federat︠s︡ie --- Правительство России --- Pravitelʹstvo Rossii --- Правительство Российской Федерации --- Pravitelʹstvo Rossiĭskoĭ Federat︠s︡ii --- Правительство РФ --- Pravitelʹstvo RF --- Rosja (Federation) --- O-lo-ssu (Federation) --- Roshia Renpō --- Federazione russa --- OKhU --- Orosyn Kholboony Uls --- Russian S.F.S.R. --- Eluosi (Federation) --- 俄罗斯 (Federation) --- -Russia (Federation) - Foreign relations - Europe --- Europe - Foreign relations - Russia (Federation) --- Europe - Foreign relations - 1989 --- RF (Russian Federation) --- Россия (Federation) --- -Foreign relations -
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The 1960s and 1970s were a defining period for artists' film and video, and the London Film-Makers' Co-operative (LFMC) was one of the major international centres. 'Shoot Shoot Shoot' documents the first decade of an artist-led organisation that pioneered the moving image as an art form in the UK, tracing its development from within London's counterculture towards establishing its own identity within premises that uniquely incorporated a distribution office, cinema space and film workshop.
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film --- filmtheorie --- filmgeschiedenis --- twintigste eeuw --- eenentwintigste eeuw --- Ozu Yasujiro --- Ray Nicholas --- Warhol Andy --- Marclay Christian --- 791.41 --- Motion pictures --- Motion pictures. --- History. --- Andersen, Thom
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For 2nd and 3rd year courses in international politics and foreign policy. This text examines foreign policy in relation to 'change and transformation.' It discusses traditional assumptions about foreign policy and foreign policy making, and develops a framework to facilitate analysis of the challenges faced by foreign policy makers in the late 1990s. The central elements of the framework are the foreign policy arena, decision-making and implementation. The book then applies the framework to a set of regional case studies, to explore the global and regional arenas and the challenges to which
International relations. --- International relations --- Coexistence --- Foreign affairs --- Foreign policy --- Foreign relations --- Global governance --- Interdependence of nations --- International affairs --- Peaceful coexistence --- World order --- National security --- Sovereignty --- World politics --- #SBIB:327H01 --- Internationale betrekkingen: encyclopedieën, woordenboeken, atlassen --- POLITIQUE ETRANGERE --- ELABORATION DE LA POLITIQUE ETRANGERE --- THEORIES
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This collection of essays by Peter Gidal includes "Theory and Definition of Structural/Materialist Film" and other texts on metaphor, narrative, and against sexual representation. Also discussed in their specificity are works by Samuel Beckett, Thérèse Oulton, Gerhard Richter and Andy Warhol. Throughout, Gidal's writing attempts a political aesthetics, polemical as well as theoretical. One of the foremost experimental film-makers in Britain since the late 1960s, Peter Gidal was a central figure at the London Film-Makers' Co-operative, and taught advanced film theory at the Royal College of Art. His previous books include "Andy Warhol: Films and Paintings" (1971) "Understanding Beckett" (1986) and "Materialist Film" (1989).
kunsttheorie --- filmtheorie --- kunst --- schilderkunst --- film --- twintigste eeuw --- Gidal Peter --- Beckett Samuel --- Oulton Thérèse --- Richter Gerhard --- Warhol Andy --- 791.41
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