Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Regissörer. --- Hitchcock, Alfred, --- Criticism and interpretation --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Hitchcok, Alfred

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Alfred Hitchcock is a fascinating look at the life of one of the most influential filmmakers in the world -- a man known for his portly profile and distinct, leery voice almost as much as for his groundbreaking movies. From Hitchcock's first film, Blackmail -- the first British movie with sound -- to his blockbuster Hollywood successes, Psycho, The Birds, Rear Window, and Vertigo.

Motion picture producers and directors --- Hitchcock, Alfred, --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Hitchcok, Alfred

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In his essays and interviews, Alfred Hitchcock was guarded about substantive matters of morality, preferring instead to focus on discussions of technique. That has not, however, discouraged scholars and critics from trying to work out what his films imply about such moral matters as honesty, fidelity, jealousy, courage, love, and loyalty. Through discussions and analyses of such films as Strangers on a Train, Rear Window, Vertigo, North by Northwest, and Frenzy, the contributors to this book strive to throw light on the way Hitchcock depicts a moral—if not amoral or immoral—world. Drawing on perspectives from film studies, philosophy, literature, and other disciplines, they offer new and compelling interpretations of the filmmaker's moral gaze and the inflection point it provides for modern cinema.

Hitchcock, Alfred, --- Chitskok, Alphrent, --- Hīchakāk, Al-Frad , --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- היצ'קוק, אלפרד, --- هيچکاک، الفرد، --- Criticism and interpretation. --- Hitchcok, Alfred

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Detective and mystery films --- 791.471 HITCHCOCK --- CDL --- History and criticism. --- Hitchcock, Alfred, --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک, الفرد, --- Criticism and interpretation. --- Appreciation. --- Cinema --- Films (Motion pictures) --- Directing --- United States --- History and criticism --- هيچکاک، الفرد، --- Hitchcock, Alfred Joseph --- Criticism and interpretation --- Appreciation --- Hitchcok, Alfred

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The name Alfred Hitchcock is synonymous with great film. Now his most controversial film - Marnie - is explored in detail from its conception to its reception and to the influence it has exerted in the years since its release. Marnie's merit is the source of great dispute; while some critics see it as Hitchcock's last masterpiece, others view it as the beginning of his artistic decline. Using interviews with the production team, archived material, and Hitchcock's personal notes, author Tony Lee Moral delves into this dichotomy, as well as the cultural and political factors governing the film's production."--Jacket.

CDL --- 791.471 HITCHCOCK --- Hitchcock, Alfred, --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک، الفرد، --- Criticism and interpretation. --- Marnie (Motion picture) --- Hitchcock, Alfred --- Hitchcok, Alfred