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The Medieval book, both religious and secular, was regarded as a most precious item. The traces of its use through touching and handling during different rituals such as oath-taking, is the subject of Kathryn Rudy's research in Touching Parchment. Rudy presents numerous and fascinating case studies that relate to the evidence of use and damage through touching and or kissing. She also puts each study within a category of different ways of handling books, mainly liturgical, legal or choral practice, and in turn connects each practice to the horizontal or vertical behavioural patterns of users within a public or private environment. With her keen eye for observation in being able to identify various characteristics of inadvertent and targeted ware, the author adds a new dimension to the Medieval book. She gives the reader the opportunity to reflect on the social, anthropological and historical value of the use of the book by sharpening our senses to the way users handled books in different situations. Rudy has amassed an incredible amount of material for this research and the way in which she presents each manuscript conveys an approach that scholars on Medieval history and book materiality should keep in mind when carrying out their own research. What perhaps is most striking in her articulate text, is how she expresses that the touching of books was not without emotion, and the accumulated effects of these emotions are worthy of preservation, study and further reflection.
Manuscripts, Medieval. --- Medieval manuscripts --- Manuscripts --- Manuscripts, Medieval
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The book explores the manuscripts written, read, and studied by Franciscan friars from the thirteenth to the fifteenth centuries in Northern Italy, and specifically Padua, assessing four key aspects: ideal, space, form and readership. The ideal is studied through the regulations that determined what manuscripts should aim for. Space refers to the development and role of Franciscan libraries. The form is revealed by the assessment of the physical configuration of a set of representative manuscripts read, written, and manufactured by the friars. Finally, the study of the readership shows how Franciscans were skilled readers who employed certain forms of the manuscript as a portable, personal library, and as a tool for learning and pastoral care. By comparing the book collections of Padua’s reformed and unreformed medieval Franciscan libraries for the first time, this study reveals new features of the ground-breaking cultural agency of medieval friars.
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In The Book Unbound, scholars and editors examine how best to use new technological tools and new methodologies with artefacts of medieval literature and culture. Taking into consideration English, French, Anglo-Norman, and Latin texts from several periods, the contributors examine and re-evaluate traditional approaches to and conclusions about medieval books and the cultural texts they contain - literary, dramatic, legal, historical, and musical. The essays range from detailed examinations of specific codices to broader theoretical discussions on past and present editorial practices, from the benefits and disadvantages of digital editions versus print editions to the importance of including 'extratextual' material such as variant texts, illustrations, intertexts, and other information about a work's cultural contexts, history, and use. The Book Unbound presents important contributions to the discussions surrounding the editing of medieval texts, including the use of digital technology with historical and literary documents, while offering practical ideas on editing print and hypertext. The collection will be invaluable to historians, literary scholars, and editors.
Manuscripts, Medieval --- Literature, Medieval --- Medieval manuscripts --- Manuscripts --- Editing. --- Criticism, Textual.
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Old French literature --- French poetry --- -Manuscripts, Medieval --- -Medieval manuscripts --- Manuscripts --- French literature --- Lays --- Manuscripts, Medieval --- -French poetry --- Medieval manuscripts --- Folk songs --- Poetry --- Tales
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Theology --- -Manuscripts, Medieval --- -Medieval manuscripts --- Manuscripts --- Christian theology --- Theology, Christian --- Christianity --- Religion --- Early works to 1800 --- Manuscripts, Medieval --- Early works to 1800. --- -Early works to 1800 --- Medieval manuscripts
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What does it mean to digitize a medieval manuscript? This book examines this question by exploring a range of advanced imaging technologies. The author focuses on the relationship between digital technologies and the complex materiality of manuscripts and the human bodies that engage them. The chapters explore imaging technologies, interfaces to present digital surrogates, and limitations to and enhancements through the digital, plus historical photographs. Essential reading for all those involved in manuscript digitization projects in both scholarly and cultural heritage contexts.
Manuscripts, Medieval --- Medieval manuscripts --- Manuscripts --- Digitization. --- 3D. --- St Chad Gospels. --- advanced imaging technologies. --- digital humanities. --- digital methods. --- ethics. --- medieval manuscripts. --- multispectral. --- reflectance transformation imaging. --- sacred artifacts.
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Manuscripts, Medieval --- -Music theory --- Music --- Musical theory --- Theory of music --- Medieval manuscripts --- Theory --- Music theory --- Manuscripts
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Culture --- Cultural identity --- Culture and society --- Literature --- Medieval manuscripts --- Incunabula --- Old prints
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Manuscripts provide rich documentary evidence for understanding the history of cultural life across the breadth of Europe and Asia down through the Middle Ages. Many illustrate engagement between and across languages, in both similar and contrasting ways from east to west. The demarcation of manuscript studies into single-language academic disciplines has often obscured this reality, privileging one constituent part or contributing language from each manuscript rather than exploring the combination as a nuanced and complex whole. This volume seeks to examine manuscripts as integrally united artefacts, respecting the diversity of their constituent elements. Case studies are presented of twelve manuscripts with evidence for various levels of inter-language exchange and collision, from horizons as diverse as the Atlantic West, Carolingian Europe, the Byzantine world, the Silk Road cultures, and east Asia. The essays function individually as discrete contributions, but together they highlight a range of overlapping themes, illustrating language interaction in global religions, pedagogical exchange, and secular society-building.The analogies as well as the concrete points of connection between them underline the value of a cross-disciplinary approach.
Manuscripts, Medieval --- LITERARY CRITICISM / General. --- Asia. --- Europe. --- Middle Ages. --- artefact. --- manuscript studies. --- multilingualism. --- Medieval manuscripts --- Manuscripts
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