Listing 1 - 10 of 40 | << page >> |
Sort by
|
Choose an application
Choose an application
Drawing on over a decade of detailed bibliographical investigation, Devereux demonstrates that Rastell was a leading figure in the development of law books, the first printer to create type for music, and a significant figure in the preparation and publication of theological works. Rastell also promoted and published important humanist texts, including two dialogues by Thomas More, a number of plays, including Interlude of the Four Elements which he may have written himself, and several works by John Skelton. Like other Renaissance humanist printers Rastell borrowed woodcuts, shared out the work of printing long multi-volume works, and even shared type on occasion. But his life as a publisher was turbulent, as demonstrated by several changes of address for his printing establishment in London and numerous changes in his printers and typesetters. Devereux's work is a significant addition to Renaissance bibliography, providing important new information for those who study early modern humanism, especially the historiography of law and religion in England.
Early printed books
---
094.1 <41 LONDON>
---
Bibliography
---
Books
---
094.1 <41 LONDON> Oude drukken: bibliografie--
Choose an application
History of the United Kingdom and Ireland
---
Journalism
---
London
---
070 <09> <41>
---
094.1 <41 LONDON>
---
Persgeschiedenis--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland
---
Oude drukken: bibliografie--
Choose an application
Book history
---
anno 1500-1799
---
anno 1800-1899
---
London
---
094.1 <41 LONDON>
---
655.4 <41 LONDON>
---
09 <063>
---
Book industries and trade
---
-Foreign language publications
---
-Printing
---
-Printing, Practical
---
Typography
---
Graphic arts
---
Book trade
---
Cultural industries
---
Manufacturing industries
---
Oude drukken: bibliografie--
Choose an application
Early printed books
---
Book industries and trade
---
Directories
---
History
---
London (England)
---
Imprints
---
094.1 <41 LONDON>
---
094 <092>
---
655.4 <41 LONDON>
---
-Book industries and trade
---
-Early printed books
---
-Bibliography
---
Books
---
Book trade
---
Cultural industries
---
Manufacturing industries
---
Oude drukken: bibliografie--
Choose an application
Bookstores
---
History
---
094.1 <41 LONDON>
---
655.42 <41>
---
-Bookstores
---
-Book shops
---
Book stores
---
Bookshops
---
Booksellers and bookselling
---
Specialty stores
---
Antiquarian booksellers
---
Oude drukken: bibliografie--
Choose an application
Presenting an inventive body of research that explores the connections between urban movements, space, and visual representation, this study offers the first sustained analysis of the vital interrelationship between printed images and urban life in early modern London. The study differs from all other books on early modern British print culture in that it seeks out printed forms that were active in shaping and negotiating the urban milieu-prints that troubled categories of high and low culture, images that emerged when the political became infused with the creative, as well as prints that bear traces of the roles they performed and the ways they were used in the city. It is distinguished by its close and sustained readings of individual prints, from the likes of such artists as Wenceslaus Hollar, Francis Barlow, and William Faithorne; and this visual analysis is complemented with a thorough examination of the dynamics of print production as a commercial exchange that takes place within a wider set of exchanges (of goods, people, ideas and money) across the city and the nation. This study challenges scholars to re-imagine the function of popular prints as a highly responsive form of cultural production, capable not only of 'recording' events, spaces and social actions, but profoundly shaping the way these entities are conceived in the moment and also recast within cultural memory. It offers historians of print culture and British art a sophisticated and innovative model of how to mobilize rigorous archival research in the service of a thoroughly historicized and theorized analysis of visual representation and its relationship to space and social identity.
Graphic arts
---
anno 1600-1699
---
London
---
094.1 <41 LONDON>
---
76 <41> "16"
---
Oude drukken: bibliografie--
Choose an application
This project examines the important implications of printed vernacular appeals to a nascent public by the reformer William Tyndale, by religious conservatives such as Thomas More, and by Henry VIII’s regime in the volatile early years of the English Reformation. The book explores the nature of this public (materially and as a discursive concept) and the various ways in which Tyndale provoked and justified public discussion of the central religious issues of his day. Tyndale’s writings raised important issues of authority and legitimacy and challenged many of the traditional notions of hierarchy at the heart of early modern European society. This study analyzes how this challenge manifested itself in Tyndale’s ecclesiology and his political theology.
Book history
---
History of the United Kingdom and Ireland
---
Tyndale, William
---
anno 1500-1599
---
Reformation
---
Tyndale, William,
---
094.1 <41 LONDON>
---
284.1 <420> "15"
---
English Reformation
---
Oude drukken: bibliografie--
Choose an application
094:82-93
---
094.1 <41 LONDON>
---
655.41 <41>
---
820-93
---
Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Kinderliteratuur. Jeugdliteratuur
---
Oude drukken: bibliografie--
Choose an application
Book industries and trade
---
Livres
---
History
---
Bibliography
---
Chronology
---
Industrie
---
Histoire
---
Bibliographie
---
Chronologie
---
London (England)
---
Londres (Angleterre)
---
Imprints
---
Imprimés
---
094.1 <41 LONDON>
---
094 "16"
---
Oude drukken: bibliografie--
Listing 1 - 10 of 40 | << page >> |
Sort by
|