Listing 1 - 10 of 50 | << page >> |
Sort by
|
Choose an application
226.3 --- 226.3 Evangelie volgens Marcus --- 226.3 Evangile de S. Marc --- Evangelie volgens Marcus --- Evangile de S. Marc
Choose an application
226.3 --- 226.3 Evangelie volgens Marcus --- 226.3 Evangile de S. Marc --- Evangelie volgens Marcus --- Evangile de S. Marc
Choose an application
Markan scholars have noticed a proliferation of approaches to the study of the First Gospel, thus demanding a new assessment of the current research. Simple enumeration, however, is not enough. Since the beginning of the twenty-first century, there has been an increasing need to examine each method's added value to the better understanding of Mark's Gospel. In this volume, forty-two researchers reflect on the success of the various approaches. The book can be read as a dialogue between scholars. It integrates their reflections on methodology, specific passages, and particular topics of the Gospel. It also combines important aspects of the Gospel's history, narratology, reception, inter-textuality, composition, and theology with themes such as the messianic secret, the Kingdom of God, the disciple's role, the passion, the resurrection, and its open ending. After almost two millennia, Mark's enigmatic story about Jesus has generated more interest than ever before.
Bible NT. Gospels. Mark --- 226.3 --- 226.3 Evangelie volgens Marcus --- 226.3 Evangile de S. Marc --- Evangelie volgens Marcus --- Evangile de S. Marc
Choose an application
226.3 --- 226.3 Evangelie volgens Marcus --- 226.3 Evangile de S. Marc --- Evangelie volgens Marcus --- Evangile de S. Marc --- Evangelie volgens Marcus
Choose an application
"In the Gospel of Mark, Jesus' arrest, trial and execution ends with the Roman centurion who oversees the death process proclaiming Jesus as God's son. Gamel explores two key questions in relation to this moment: what does the centurion mean when he says that Jesus is God's son, and why does he say it? The confession is not made on the basis of any signs nor from any indication that he perceives Jesus' death as honourable or exemplary. This apparent lack of motivation itself highlights a key Markan theme: that this insight is revealed by an apocalyptic act of God, signalled by the tearing of the temple veil. Thus the confession, which we can understand to be made sincerely and knowledgeably, is the result of an act of God's revelation alone. Gamel explores the theory of Mark depicting a story in which all human characters exhibit varying levels of blindness to the spiritual realities that govern their lives. By making a thorough examination of Mark's Gospel - while placing primary focus on the centurion, the study is unlimited and presents a serious examination of the whole Gospel - Gamel concludes his argument with the point that, at the foot of the cross, this blindness is decisively confronted by God's apocalyptic act. The offer of sight to the centurion demonstrates the reconciliation of God and humanity which are otherwise in Mark's Gospel repeatedly presented as antagonistic spheres. Finally, the fact that revelation is offered to a Gentile highlights the inclusion of the nations into the promises of Israel."--! From publisher's description.
Son of Man --- Revelation --- 226.3 --- 226.3 Evangelie volgens Marcus --- 226.3 Evangile de S. Marc --- Evangelie volgens Marcus --- Evangile de S. Marc --- Biblical teaching --- Bible. --- Criticism, interpretation, etc.
Choose an application
Choose an application
Back cover: Christine Oefele entwickelt aus musikwissenschaftlichen Ansätzen einen hermeneutisch-methodischen Zugang zur akustischen Gestalt schriftlich vorliegender Texte, mit dem sie die Komposition des Markusevangeliums analysiert. In ihrer Auslegung wird deutlich, wie der Evangelist entlang der kompositorischen Strukturen die Themen Christologie und Nachfolge entfaltet.
Music and language --- 226.3 --- 226.3 Evangelie volgens Marcus --- 226.3 Evangile de S. Marc --- Evangelie volgens Marcus --- Evangile de S. Marc --- Language and music --- Language and languages --- Bible. --- Criticism, interpretation, etc.
Choose an application
Quelques décennies après la mort du Christ, une oeuvre fait date et devient le premier évangile : c'est celui de Marc. C'est un commencement. Un geste littéraire de grande portée qui inspirera les autres évangélistes. Un évènement historique. Un coup d'essai que cette construction forgée une quarantaine d'années après ce qu'elle raconte de la vie et de la mort de Jésus, comme une biographie sélective - au sens d'un récit dramatique de l'engagement du Ressuscité.Un évènement qui pourrait bien avoir comme auteur une femme lettrée, vivant des les cercles pauliniens du Ier siècle. Une femme à laquelle pouvait être conférée quelque autorité comme le laissent supposer plusieurs traces historiques. François Vouga met en scène cette femme dans ces pages à la fois passionnantes historiquement, mais aussi spirituellement. C'est elle qui parle dans cet ouvrage et qui fait le récit de sa construction littéraire, ainsi que de sa rencontre spirituelle avec la Parole de Jésus.Elle dévoile le motif de ses choix, et la portée de ses voeux pour ce texte.
Femmes dans la Bible --- Bible. --- Meditations --- Reading --- Women in the Bible --- Meditations. --- Reading. --- 226.3 --- 226.3 Evangelie volgens Marcus --- 226.3 Evangile de S. Marc --- Evangelie volgens Marcus --- Evangile de S. Marc
Choose an application
In Hearing Kyriotic Sonship Michael Whitenton explores first-century audience impressions of Mark’s Jesus in light of ancient rhetoric and modern cognitive science. Commonly understood as neither divine nor Davidic, Mark’s Jesus appears here as the functional equivalent to both Israel’s god and her Davidic king. The dynamics of ancient performance and the implicit rhetoric of the narrative combine to subtly alter listeners’ perspectives of Jesus. Previous approaches have routinely viewed Mark’s Jesus as neither divine nor Davidic largely on the basis of a lack of explicit affirmations. Drawing our attention to the mechanics of inference generation and narrative persuasion, Whitenton shows us that ancient listeners probably inferred much about Mark’s Jesus that is not made explicit in the narrative.
226.3 --- 226.3 Evangelie volgens Marcus --- 226.3 Evangile de S. Marc --- Evangelie volgens Marcus --- Evangile de S. Marc --- Bible. --- Marco (Book of the New Testament) --- Mark (Book of the New Testament) --- Markus (Book of the New Testament) --- Markusevangelium --- Vangelo di Marco --- Criticism, interpretation, etc. --- Christologie. --- Davidssohn. --- Jesus Christus. --- Book of Mark
Choose an application
This volume will interest all those who value a literary approach to the Gospel of Mark. Dean Deppe introduces some new literary devices in the research of the Gospel of Mark as well as demonstrates the theological intentions of Mark when he employs these literary devices. Deppe argues that Mark employs the literary devices of intercalation, framework, allusionary repetitions, narrative surprises, and three types of mirroring to indicate where he speaks symbolically and metaphorically at two levels. Mark employs these literary devices not just for dramatic tension and irony, but also for theological reasons to apply the Jesus tradition to specific problems in his own day. (Publisher).
Bible. --- Marco (Book of the New Testament) --- Mark (Book of the New Testament) --- Markus (Book of the New Testament) --- Markusevangelium --- Vangelo di Marco --- Language, style. --- 226.3 --- 226.3 Evangelie volgens Marcus --- 226.3 Evangile de S. Marc --- Evangelie volgens Marcus --- Evangile de S. Marc --- Book of Mark
Listing 1 - 10 of 50 | << page >> |
Sort by
|