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"Blue has had a long and topsy-turvy history in the Western world. Once considered a hot color, it is now icy cool. The ancient Greeks scorned it as ugly and barbaric, but most Americans and Europeans now pick it as their favorite color. In this history, the renowned medievalist Michel Pastoureau traces the changing meanings of blue from its rare appearances in prehistoric art to its international ubiquity today in blue jeans and Gauloises cigarette packs." "Pastoureau investigates how the ever-changing role of blue in society has been reflected in manuscripts, stained glass, heraldry, clothing, paintings, and popular culture. Beginning with the almost total absence of blue from ancient Western art and language, the story moves to medieval Europe. As people began to associate blue with the Virgin Mary, the color became a powerful element in church decoration and symbolism, despite the resistance of chromophobic prelates. Blue gained new favor as a royal color in the twelfth century and became a formidable political and military force through the French Revolution. As blue triumphed in the modern era, new shades were created and blue became the color of romance, the Romantics, and the blues. Finally, Pastoureau follows blue into contemporary times, when military clothing gave way to the everyday uniform of blue jeans and blue became the universal and unifying color of the Earth as seen from space." "With an elegant design and illustrated with nearly one hundred color plates, Blue tells the history of our favorite color and the cultures that have hated it, loved it, and created great art with it."--Jacket.

colors [hues or tints] --- Dyes --- kleuren --- cultuurgeschiedenis --- 091.31 --- Blue in art --- Color --- -Color --- -Symbolism of colors --- -930.85 --- #GBIB:SMM --- Color symbolism --- Symbolic colors --- Colors --- Chromatics --- Colour --- Chemistry --- Light --- Optics --- Thermochromism --- Verluchte handschriften --- Psychological aspects --- -History --- Social aspects --- History --- Cultuurgeschiedenis. Kultuurgeschiedenis --- 930.85 Cultuurgeschiedenis. Kultuurgeschiedenis --- 091.31 Verluchte handschriften --- Blue --- Symbolism of colors --- 930.85 --- Psychological aspects&delete& --- Social aspects&delete& --- 535.6 --- Kleur ; eigenschappen ; verfstoffen ; pigmenten --- Blauw --- 7.048.3 --- Heraldiek ; bronnen ; symbolen ; betekenis --- Natuurkunde ; kleurenleer --- Iconografie ; licht, beweging, kleur

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Roberto Casati and Patrick Cavanagh examine how the perception of shadows, as studied by vision scientists and visual artists, reveals the inner workings of the visual system. Shadows are at once a massive problem for vision--which must distinguish them from objects or material features of objects--and a resource, signaling the presence, location, shape, and size of objects. Casati and Cavanagh draw up an inventory of information retrievable from shadows, showing their amazing variety. They present an overview of the visual system, distinguishing between measurement and inference. They discuss the shadow mission, the work done by the visual brain to parse, and perhaps discard, the information from shadows; shadow ownership, the association of a shadow with the object that casts it; shadow labeling, the visual system's ability to tell shadows from nonshadows; and the shadow concept, our knowledge about shadows as a category. Casati and Cavanagh then apply the theoretical apparatus they have developed for shadows to other phenomena: illumination, reflection, and transparency. Finally, they examine the art of the shadow, paying tribute to artists’ exploration of shadow, analyzing a series of artworks (reproduced in color) from a rich and fascinating art historical corpus.

Visualization. --- Shades and shadows. --- Light and shade --- Shade --- Shadows --- Geometry, Descriptive --- Perspective --- Visualisation --- Imagination --- Visual perception --- Imagery (Psychology) --- Licht en materie --- Visuele presentatie ; materiële objecten en ruimtelijke installaties --- Schaduwen --- Kunst ; optische effecten --- 535.311 --- Rechtlijnige voortplanting van het licht ; schaduw --- Optical illusions --- Illusions, Optical --- Hallucinations and illusions --- Physiological optics --- 7.048.3 --- Iconografie ; versieringen ; arabesken, lijnen --- Visual perception. --- Light. --- Electromagnetic waves --- Light sources --- Spectrum analysis --- Optics, Psychological --- Vision --- Perception --- Visual discrimination --- Psychological aspects --- Visualization --- Shades and shadows --- Ombres

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Aujourd'hui, alors que le cinéma, porté par la révolution numérique, migre des salles de cinéma vers les espaces d'exposition, il devient possible, sinon nécessaire, de reconsidérer son histoire d'un point de vue élargi (et de renouer ainsi avec sa préhistoire), dans ses interactions et ses prolongements avec l'ensemble des arts visuels et plastiques - c'est-à-dire de repenser le cinéma du point de vue de l'histoire de l'art et dans le cadre histoire générale des représentations, et non plus simplement du point de vue restreint de l'histoire du cinéma. Extrait du site "http://www.centrepompidou.fr/Pompidou"

Art, Modern --- Video art --- Motion pictures --- Art and motion pictures --- Art --- Art vidéo --- Cinéma --- Art et cinéma --- Exhibitions --- Exhibitions. --- Expositions --- Musée national d'art moderne/Centre de création industrielle (France) --- Sémiologie de l'image --- Traitement de l'image --- Musée national d'art moderne/Centre de création industrielle (France) --- [commissaire de l'exposition Philippe-Alain Michaud] --- kunst --- film --- installaties --- kunst en film --- cinema --- experimentele film --- beweging --- projecties --- fotografie --- schilderkunst --- collages --- montage --- twintigste eeuw --- Nauman Bruce --- 7.036 --- 791.43 --- Art vidéo --- Cinéma --- Art et cinéma --- Art and moving-pictures --- Motion pictures and art --- France. --- MNAM-CCI --- Kokuritsu Kindai Bijutsukan/Sangyō Sōzō Sentā (France) --- Centre Georges Pompidou. --- Musée national d'art moderne (France) --- Centre de création industrielle --- 7.048.3 --- Iconografie ; licht, beweging, kleur --- Kunst en beweging --- Art, Modern - 20th century - Exhibitions --- Video art - Exhibitions --- Motion pictures - Exhibitions --- Art and motion pictures - Exhibitions --- Mouvement --- Cinéma expérimental --- Art cinétique --- Dans l'art --- 1990-....

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This work considers every conceivable aspect of the subject in an analysis of colour in Western culture. It describes the first theories of colour, articulated by philosophers from Democritus to Aristotle, as well as looking at its relgious significance, and the role of colour today.

Aesthetics --- Art --- Color (Philosophy) --- Color --- Color in art --- Esthétique --- Couleur (Philosophie) --- Couleur --- Couleur dans l'art --- History --- Technique --- Psychological aspects --- Histoire --- Aspect psychologique --- 7.017.2 --- -Color --- -Color (Philosophy) --- -Kleur + cultuur geschiedenis --- Chromatics --- Monochrome art --- Esthetica: licht en donker --- Esthetica: kleur kleurharmonie --- Phychological aspects --- Iconografie verschillende onderwerpen --- Natuurkunde kleurenleer --- 7.017.4 Esthetica: kleur kleurharmonie --- 7.017.2 Esthetica: licht en donker --- History. --- 7.017.4 --- -Art --- -Aesthetics --- -Kleur + cultuur ; geschiedenis --- 7.049 --- 535.6 --- kleur --- kunst --- 7.017 --- CDL --- Colour --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Colors in art --- 7.017.4 Esthetica: kleur; kleurharmonie --- Esthetica: kleur; kleurharmonie --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- -History --- Iconografie ; verschillende onderwerpen --- Natuurkunde ; kleurenleer --- Philosophy --- art history --- art theory --- color [perceived attribute] --- Chemistry --- Light --- Optics --- Colors --- Thermochromism --- Criticism --- Literature --- Proportion --- Symmetry --- Arts --- Psychology --- -History. --- symboliek --- cultuurgeschiedenis --- kleurtheorie --- Esthetique --- Histoire. --- Aspect psychologique. --- Color in art - History. --- Art - Technique - History. --- Color - Psychological aspects. --- Color (Philosophy) - History. --- Technique -&delete& --- 7.048.3 --- Kleur + cultuur ; geschiedenis --- Technique&delete& --- Iconografie ; licht, beweging, kleur --- Art, Primitive --- Radio broadcasting Aesthetics --- Couleur dans l'art - Histoire. --- Art - Technique - Histoire. --- Couleur - Aspect psychologique. --- Couleur (Philosophie) - Histoire. --- Esthetique - Histoire.

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L’exposition montre comment, de Calder à Kapoor, de nombreux artistes ont traité les notions de vision, d’espace, de lumière et de mouvement dans leurs œuvres, en réalisant souvent des installations dans lesquelles le visiteur est partie prenante : les atmosphères chromatiques et changeantes d’Ann Veronica Janssens, les miroirs kaléidoscopiques de Jeppe Hein ou les réalisations in situ de Felice Varini.

beweging --- licht --- techniek --- Morellet, François --- Turell, James --- 1913 - 2013 --- 20ste eeuw --- 21ste eeuw --- Installation-art --- Kinetic art --- Motion in art --- Art, Modern --- Light in art --- Optical art --- Exhibitions --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- optical art --- op art --- kinetische kunst --- optische kunst --- Afif Saâdane --- Agam Yaacov --- Albers Josef --- Alviani Getulio --- Anceschi Giovanni --- Antonakos Stephen --- Anuszkiewicz Richard --- Apollonio Marina --- Arden Quin Carmelo --- Armleder John --- Asis Antonio --- Balla Giacomo --- Ballocco Marco --- Bell Larry --- Berlewi Henryk --- Böhm Hartmut --- Boriani Davide --- Boto Martha --- Breer Robert --- Bury Pol --- Calder Alexander --- Castellani Enrico --- Christen Andreas --- Clark Lygia --- Colombo Gianni --- Conrad Tony --- Costa Toni --- Cremer Siegfried --- Crespin Elias --- Cruz-Diez Carlos --- Dadamaino --- Dafflon Stéphane --- Decrauzat Philippe --- Delaunay Robert --- Demarco Hugo --- De Vecchi Gabriele --- Dobes Milan --- Duarte Angel --- Duchamp Marcel --- Eggeling Viking --- Esmeraldo Sérvulo --- Eversley Frederick --- Flavin Dan --- Gabo Naum --- Garcia Rossi Horacio --- Geiger Rupprecht --- Gerstner Karl --- von Graevenitz Gerhard --- Graham Dan --- Grasso Laurent --- GRAV --- Gruppo MID --- Gysin Brion --- Haacke Hans --- Hein Jeppe --- Hirschfeld-Mack Ludwig --- Höller Carsten --- Irwin Robert --- Janssens Ann Veronica --- Kapoor Anish --- Kempinas Zilvinas --- Knoebel Imi --- Koskas George --- Kowalski Piotr --- Kupka Frantisek --- Kusama Yayoi --- Leblanc Walter --- Le Parc Julio --- Lohse Richard Paul --- Lo Savio Francesco --- Ludwig Wolfgang --- Luther Adolf --- Mack Heinz --- Malina Frank --- Mavignier Almir --- McLaren Norman --- Lambert Evelyn --- Mecarelli Adalberto --- Megert Christian --- Moholy-Nagy Laszlo --- Molnar Vera --- Molnar François --- Morellet François --- Munari Bruno --- Nakaya Fujiko --- Nasseri Timo --- Nauman Bruce --- Nogueira Lima Mauricio --- Noland Kenneth --- Otero Alejandro --- Pevsner Antoine --- Picelj Ivan --- Piene Otto --- Poons Larry --- Quaytman R.H. --- Quistrebert Florian --- Quistrebert Mick --- Rackowe Nathaniel --- Rahm Philippe --- Richer Evariste --- Richter Hans --- Rickey George --- Riley Bridget --- Rodchenko Alexander --- Rondinone Ugo --- Roth Dieter --- Ruttmann Walter --- Schöffer Nicolas --- Schwerdtfeger Kurt --- Scott Michael --- Segdley Peter --- Sharits Paul --- Shawcross Conrad --- Smithson Robert --- Sobrino Francisco --- Sonnier Keith --- Soto Jesus Rafael --- Staudt Klaus --- Stazewski Henryk --- Steele Jeffrey --- Stein Joël --- Stella Frank --- Tadasky Kuwayama --- Takis --- Talmann Paul --- Tinguely Jean --- Tomasello Luis --- Tousignant Claude --- Tremblay John --- Turrell James --- Uecker Günther --- Van Munster Jan --- Vantongerloo Georges --- Vardanega Gregorio --- Varini Felice --- Varisco Grazia --- Vasarely Victor --- Veilhan Xavier --- Verjux Michel --- Vieira Mary --- Weber Willy --- Wheeler Douglas --- Whitney John --- Yvaral Jean-Pierre --- Zero --- abstractie --- abstracte kunst --- abstracte beeldhouwkunst --- geometrische abstractie --- 7.036/039 --- 7.048.3 --- 7.037 --- 7.038 --- 7.039 --- Licht en beweging in de kunst ; 1913-2013 --- Tentoonstellingscatalogi ; Parijs ; Grand Palais --- Kinetische kunst --- Lichtobjecten ; lichtzuilen --- Op Art --- Virtual reality --- Kunst ; met ruimte, licht en kleur --- Iconografie ; licht, beweging, kleur --- Kunstgeschiedenis ; 1900 - 1950 --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- MAD-faculty 13 --- kunst 20-21ste eeuw --- lichtkunst --- tentoonstellingscatalogus --- Quaytman R.H --- Kinetic art - Exhibitions --- Motion in art - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Light in art - Exhibitions --- Optical art - Exhibitions --- beweging. --- licht. --- techniek. --- Morellet, François. --- Turell, James. --- 1913 - 2013. --- 20ste eeuw. --- 21ste eeuw.