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Music and literature. --- Absolute music. --- Musique et littérature --- Musique pure --- Absolute music --- Music and literature --- Literature and music --- Literature --- Abstract music --- Music --- Philosophy and aesthetics

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Absolute music --- Absolute muziek --- Musique absolue --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Abstract music --- Philosophy and aesthetics --- Germany --- 19th century

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Recordings are now the primary way we hear classical music, especially the more abstract styles of "absolute" instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart of the issue. This erudite yet concise study reveals how mechanical reproduction has transformed classical musical culture and the very act of listening, breaking down aesthetic and generational barriers and mixing classical music into the soundtrack of everyday life.

MP3 (Audio coding standard) --- Sound --- Music and technology. --- Performance practice (Music) --- Music --- Sound recordings --- Absolute music. --- MPEG Audio Layer 3 (Audio coding standard) --- Digital audio --- Digital sound recording --- Digital electronics --- Technology and music --- Technology --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Abstract music --- Social aspects. --- Recording and reproducing --- Digital techniques. --- History --- Philosophy and aesthetics. --- Digital techniques --- Standards --- Philosophy --- Philosophy and aesthetics --- Schnabel, Artur, --- Gould, Glenn --- Schnabel, Arthur, --- Gūrudo, G. --- Gūrudo, Guren --- Gould, Glenn, --- Gold, Glen --- Criticism and interpretation. --- Absolute music --- Music and technology --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Social aspects --- Recording and reproducing&delete& --- Gould, Glenn Herbert, --- Gulʹd, Glen, --- 78.85 --- 78.81 --- 78.77.9 --- 78.86.2 --- 78.29.1 --- absolute instrumental music. --- aesthetics. --- art music. --- classical music. --- contemporary world. --- historical. --- listening to music. --- live arts. --- mechanical reproduction. --- music criticism. --- music critics. --- music historians. --- music history. --- music recordings. --- music scholars. --- music. --- musical contexts. --- musical culture. --- musicology. --- nonfiction. --- performing arts. --- recording technology. --- recordings and sound. --- socially progressive. --- students and teachers.