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Das dritte Bruno Snell-Symposion stellt die interdisziplinären Beiträge zur Aktualisierung von Antike unter den Leitbegriff der Inszenierung. Der Begriff deckt ein Spektrum ab, das vom klassischen Theater bis zu metaphorischen Konnotationen reicht. Das Ergriffenwerden im Sinne des aristotelischen Affekts gehört ebenso in dieses Feld, wie die Selbstverständigung und -inszenierung einer Gesellschaft, die mediale Inszenierung und die Neuinterpretation des bekannten Materials.Ausgehend von der Frage nach der Selbstinszenierung der athenischen Polisgesellschaft und dem Verhältnis von Sprache und Gestik in der griechischen Tragödie, zeigen die Beträge zu Montaigne, zur romantischen Ode in England, zu Paveses Dialog mit der Antike, zur deutschen Lyrik und zum Einfluss der Antike auf den Naturbegriff in der deutschen Literatur wichtige Stationen europäischen Antikeverständnisses auf. Die Aktualisierung des griechischen Körperkults gibt Anlass zu kritischer Nachfrage, LaButes Pygmalion wirft die Frage nach Relevanz des Stoffes in den USA der Gegenwart auf, am Beispiel Thomas Hettches lassen sich antike Mythen als Inszenierungsmittel für ästhetische Probleme beschreiben.

Theater --- Greek drama --- Ancient presentation --- Presentation, Ancient --- Classical Antiquity. --- Greek Theatre. --- Performance. --- Reception.

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Classical drama --- -Theater --- -Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Classical literature --- History and criticism --- History --- -Classical drama --- -History and criticism --- Theater --- Greek drama --- Ancient presentation --- Presentation, Ancient --- Appreciation --- Influence

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This book offers a provocative and groundbreaking re-appraisal of the demands of acting ancient tragedy, informed by cutting-edge scholarship in the fields of actor training, theatre history, and classical reception. Its interdisciplinary reach means that it is uniquely positioned to identify, interrogate, and de-mystify the clichés which cluster around Greek tragedy, giving acting students, teachers, and theatre-makers the chance to access a vital range of current debates, and modelling ways in which an enhanced understanding of this material can serve as the stimulus for new experiments in the studio or rehearsal room. Two theoretical chapters contend that Aristotelian readings of tragedy, especially when combined with elements of Stanislavski’s (early) actor-training practice, can actually prevent actors from interacting productively with ancient plays and practices. The four chapters which follow (Acting Sound, Acting Myth, Acting Space, and Acting Chorus) examine specific challenges in detail, combining historical summaries with a survey of key modern practitioners, and a sequence of practical exercises.

Theater --- Greek drama (Tragedy) --- Greek drama --- History and criticism. --- Ancient presentation --- Presentation, Ancient --- Performing arts. --- Philology. --- Theater-History. --- Performing Arts. --- Classical Studies. --- Theatre History. --- Show business --- Arts --- Performance art --- Theater—History.

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Theater --- -Costume --- -Greek drama --- -Greek literature --- Fancy dress --- Motion pictures --- Opera --- Stage costume --- Theatrical costume --- Decorative arts --- Clothing and dress --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History --- -History and criticism --- Costume --- -History --- Greek drama --- History and criticism --- Ancient presentation --- Presentation, Ancient --- Theater - Greece --- Costume - History - To 500 --- Greek drama - History and criticism

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Theatrical science --- Antiquity --- Classical drama --- Theater --- Théâtre ancien --- Théâtre --- History and criticism --- Histoire et critique --- History --- -Theater --- -87-2 <091> --- Désherbage --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Classical literature --- -Deselectie --- History and criticism. --- Théâtre ancien --- Théâtre --- 87-2 <091> --- Greek drama --- Deselectie --- Ancient presentation --- Presentation, Ancient --- Classical drama - History and criticism --- Theater - History - To 500 --- Theater - Greece --- Theater - Rome