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Art, Northern European --- -Northern European art --- -Art, Northern European --- Northern European art
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Art, Northern European --- Art, Early Renaissance --- Art nord-européen --- Art de la Renaissance --- Première Renaissance
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Le dessein de ce livre est triple : définir les différentes formes de discours tenus en Europe au XVIIe siècle sur l'art de l'Europe du Nord ; cerner l'émergence d'une prise de conscience d'une "école du Nord" ; mettre en évidence les particularités que les théoriciens flamands, hollandais, allemands, français, anglais, italiens reconnaissaient à cet art.
History --- art theory --- History of civilization --- Art --- Sandrart, von, Joachim I --- Mander, Karel van --- Hoogstraten, van, Samuel --- anno 1600-1699 --- Europe: North --- Art, Northern European --- Art nord-européen --- Art nord-européen --- Historiography --- 17th century --- Congresses --- Europe [Northern ] --- Painting --- Philosophy --- Mander, van, Karel --- Art, Northern European - 17th century --- Art criticism --- Art historians
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Bruegel, Pieter [Elder] --- Holbein, Hans [Younger] --- Dürer, Albrecht --- Erasmus, Desiderius --- reformatie --- iconografie --- Brueghel, Pieter (de Oude) --- Holbein, Ambrosius --- 16de eeuw --- Nederlanden --- Reformation in art --- Art, Northern European --- Conferences - Meetings --- Reformation in art - Congresses --- Art, Northern European - 16th century - Congresses --- Bruegel, Pieter I. --- Dürer, Albrecht. --- Holbein, Ambrosius. --- 16de eeuw. --- Nederlanden. --- Bruegel, Pieter I
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Commerce --- Geschiedenis --- Handel --- Histoire --- Art, Northern European --- Art nord-européen --- Europe, Northern --- Europe septentrionale --- Civilization --- Civilisation --- history [discipline] --- Medieval [European] --- cities --- History of Europe --- Economic relations. Trade --- anno 1400-1499 --- anno 1300-1399 --- Art nord-européen --- Civilization.
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"A wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, Northern Renaissance Art examines everything from panel paintings and prints to metalwork and manuscripts. While many little-known works are highlighted, the book also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, or the sculpture of Claus Sluter and Veit Stoss, by considering the physical and technical evidence of these works as objects, alongside the social and economic contexts of their creation and reception. Throughout, Susie Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period."--Page 4 of cover.
History --- Renaissance --- Bourgondische Nederlanden --- Art --- Memling, Hans --- anno 1400-1499 --- anno 1500-1599 --- 7.034 --- Beeldende kunst ; Noord Europa ; 14de tot 16de eeuw --- Schilderkunst ; grafiek ; beeldhouwkunst ; Noordelijk Renaissance --- Vlaamse Primitieven --- Kunstgeschiedenis ; Renaissance. Barok. Rococo --- Art, Renaissance --- Art, Northern European. --- Art, Northern European --- Renaissance art --- Northern European art --- Art [Renaissance ] --- Europe [Northern ] --- Art, Renaissance. --- Konst --- art d'Europe du nord --- Historia --- Northern Europe. --- renaissance --- 15de eeuw --- Noord-Europa
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This volume honors Maryan W. Ainsworth, curator emerita at The Metropolitan Museum of Art and former adjunct professor at Barnard College, whose work as a scholar, curator, and teacher has profoundly impacted the study of early northern European painting. Contributions by leading specialists from museums and academia, including former interns and fellows, reflect Ainsworth?s emphasis on the centrality of the object and on the interdisciplinary methods of technical art history, while also paying homage to the variety of Ainsworth?s research interests as a whole. The essays explore topics such as the working methods of individual artists, workshop practice, artistic collaboration, and patronage across a range of media - mainly painting, but also manuscript illumination, drawing, tapestry, sculpture, and stained glass
Art --- Festschriften --- anno 1300-1399 --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Europe: North --- Art, Northern European --- Art, Medieval --- Art, Renaissance --- Art, Baroque --- Art, Northern European. --- Art, Medieval. --- Art, Renaissance. --- Art, Baroque. --- Themes, motives --- 1300-1699. --- Art nord-européen --- Art médiéval --- Art de la Renaissance --- Themes, motives. --- Thèmes, motifs. --- 1300-1699 --- Van Eyck, Jan --- Christus, Petrus --- Provoost, Jan --- van Heemskerck, Maarten
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The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.
Art --- Festschriften --- Silver, Larry --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Europe: North --- Art, Northern European --- Bildliche Darstellung --- Kunst --- Bildnismalerei --- Themes, motives --- Geschichte 1400-1500 --- Geschichte 1600-1700 --- Geschichte 1500-1600 --- Geschichte 1400-1700 --- Mitteleuropa --- Westeuropa --- Prints, Dutch --- Prints, Renaissance --- Dutch prints --- Northern European art --- Dürer, Albrecht, --- Silver, Larry, --- Durer, Albert, --- Di︠u︡rer, Alʹbrekht, --- Durero, Alberto, --- Duerer, Albrecht, --- Criticism and interpretation. --- Prints --- Dürer, Albrecht --- Durer, Albert --- Kunst. --- Themes, motives. --- Bildnismalerei. --- Bildliche Darstellung. --- Mitteleuropa. --- Westeuropa. --- Dürer, Albrecht - 1471-1528 --- Silver, Larry - 1947 --- -Art, Northern European
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