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11 steden, 11 landen : hedendaagse Noordeuropese kunst en architectuur
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ISBN: 9090034897 Year: 1990 Publisher: Leeuwarden, The Netherlands : Frieslandhal,

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Das 16. Jahrhundert nördlich der Alpen
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ISBN: 3703104570 Year: 1980 Publisher: Wien Schroll

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Il Quattrocento nell'Europa settentrionale
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ISBN: 880204239X Year: 1989 Publisher: Torino : UTET,

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L'histoire de l'histoire de l'art septentrional au XVIIe siècle
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ISBN: 9782503530932 2503530931 Year: 2009 Volume: 1 1 Publisher: Turnhout : Brepols.

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Le dessein de ce livre est triple : définir les différentes formes de discours tenus en Europe au XVIIe siècle sur l'art de l'Europe du Nord ; cerner l'émergence d'une prise de conscience d'une "école du Nord" ; mettre en évidence les particularités que les théoriciens flamands, hollandais, allemands, français, anglais, italiens reconnaissaient à cet art.


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De la puissance de l'image : les artistes du nord face à la Réforme : cycle de conférences organisé par le Musée du Louvre du 6 février au 27 mars 1997
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ISSN: 1158677X ISBN: 2110051175 9782110051172 Year: 2002 Publisher: Paris: Documentation française/ Musée du Louvre,


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Europe of the North Sea and the Baltic, the world of the Hanse
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ISBN: 9061531314 3295003122 Year: 1984 Publisher: Antwerpen Mercatorfonds

The Grove encyclopedia of northern Renaissance art
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ISBN: 9780195334661 9780195334678 Year: 2009 Publisher: New York, NY : Oxford University Press,


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Northern Renaissance art
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ISBN: 9780192842695 0192842692 Year: 2008 Volume: *34 Publisher: New York (N.Y.) : Oxford university press,

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"A wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, Northern Renaissance Art examines everything from panel paintings and prints to metalwork and manuscripts. While many little-known works are highlighted, the book also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, or the sculpture of Claus Sluter and Veit Stoss, by considering the physical and technical evidence of these works as objects, alongside the social and economic contexts of their creation and reception. Throughout, Susie Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period."--Page 4 of cover.


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Tributes to Maryan W. Ainsworth. Collaborative spirit: Essays on Northern European art, 1350-1650
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ISBN: 9781912554751 1912554755 Year: 2022 Publisher: Turnhout : ©2022 Harvey Miller / Brepols,

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This volume honors Maryan W. Ainsworth, curator emerita at The Metropolitan Museum of Art and former adjunct professor at Barnard College, whose work as a scholar, curator, and teacher has profoundly impacted the study of early northern European painting. Contributions by leading specialists from museums and academia, including former interns and fellows, reflect Ainsworth?s emphasis on the centrality of the object and on the interdisciplinary methods of technical art history, while also paying homage to the variety of Ainsworth?s research interests as a whole. The essays explore topics such as the working methods of individual artists, workshop practice, artistic collaboration, and patronage across a range of media - mainly painting, but also manuscript illumination, drawing, tapestry, sculpture, and stained glass


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The primacy of the image in Northern European art, 1400-1700 : essays in honor of Larry Silver
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ISBN: 9789004354104 9789004354128 9004354123 9004354107 Year: 2017 Volume: 22 271 Publisher: Leiden ; Boston : Brill,

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The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.

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