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The exhibition at Villa La Quiete focuses on three important Renaissance sculptures, which had never been exposed to the public before. On this occasion, the works were carefully restored, continuing on the path of the previous restauration of the Villa's artistic heritage at the hands of the University of Florence; the new restoration was supported by the Terna group, whose liberal donation helped restore one of the works on display, namely the beautiful in stucco Madonna with Child from Lorenzo Ghiberti's workshop. This work comes with a rare terracotta piece of a Madonna with Child, by one of Donatello's followers, and a Christ, the Saviour, in painted terracotta as well, made by the artist Agnolo di Polo, who trained in Andrea Verrocchio's workshop. The three sculptures are a part of the oldest core of the Villa's collections, and represent a relevant example of the refined production of the multifaceted workshops of the Renaissance in Florence.
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Nordisk litteratur er en årbog, der repræsenterer et stort antal bøger fra alle Nordens lande. Den indeholder ligeledes en række artikler om, hvad der rører sig i den verden, der er bogens. I dette nummer af Nordisk Litteratur gør vi desuden status over udviklingen i nordisk litteratur siden årtusindskiftet. Nordic Litterature is an annual presenting a large number of books from all the Nordic countries. It also includes a variety of articles on what's going on in the world of books. In this edition we take the temperature of recent developments in Nordic litterature since the turn of the millennium.
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« Né au cours des années 1960 et 1970, l'art urbain est devenu un phénomène artistique planétaire. Exercé au départ gratuitement et sans autorisation dans l'espace public, il agrège des pratiques et des formes aussi diverses que le graffiti, le muralisme ou le street art, et charrie des influences qui vont de la publicité aux cultures de masse en passant par le militantisme. Sans former un véritable mouvement, tous ces artistes n'en ont pas moins des points communs. Parmi eux, la capacité à œuvrer dans la ville en toute liberté, avec une remarquable économie de moyens. Quatre auteurs reviennent sur les origines de l'art urbain, depuis l'émergence de pratiques contextuelles et du graffiti writing dans les années 1960 jusqu'à sa reconnaissance publique, institutionnelle, médiatique et même marchande. Quatre regards complémentaires, portés sur un mouvement hétérogène, car accessible à tous. » -- Résumé de l'éditeur.
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The purpose of this preliminary survey has been to review the current status of innovation activities of art and design institutions in the Nordic and Baltic region. First of all, the survey aims to highlight the innovation supporting services provided by the most important art and design universities in Nordic and Baltic countries. Secondly, the fact how design is integrated to the national innovation systems is analysed from each country's point of view.
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The exhibition at Villa La Quiete focuses on three important Renaissance sculptures, which had never been exposed to the public before. On this occasion, the works were carefully restored, continuing on the path of the previous restauration of the Villa's artistic heritage at the hands of the University of Florence; the new restoration was supported by the Terna group, whose liberal donation helped restore one of the works on display, namely the beautiful in stucco Madonna with Child from Lorenzo Ghiberti's workshop. This work comes with a rare terracotta piece of a Madonna with Child, by one of Donatello's followers, and a Christ, the Saviour, in painted terracotta as well, made by the artist Agnolo di Polo, who trained in Andrea Verrocchio's workshop. The three sculptures are a part of the oldest core of the Villa's collections, and represent a relevant example of the refined production of the multifaceted workshops of the Renaissance in Florence.
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The exhibition at Villa La Quiete focuses on three important Renaissance sculptures, which had never been exposed to the public before. On this occasion, the works were carefully restored, continuing on the path of the previous restauration of the Villa's artistic heritage at the hands of the University of Florence; the new restoration was supported by the Terna group, whose liberal donation helped restore one of the works on display, namely the beautiful in stucco Madonna with Child from Lorenzo Ghiberti's workshop. This work comes with a rare terracotta piece of a Madonna with Child, by one of Donatello's followers, and a Christ, the Saviour, in painted terracotta as well, made by the artist Agnolo di Polo, who trained in Andrea Verrocchio's workshop. The three sculptures are a part of the oldest core of the Villa's collections, and represent a relevant example of the refined production of the multifaceted workshops of the Renaissance in Florence.
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The Oxford Art Journal has an international reputation for publishing innovative critical work in art history, and has played a major role in recent rethinking of the discipline. It is committed to the political analysis of visual art and material representation from a variety of theoretical perspectives, and has carried work addressing themes from Antiquity to contemporary art practice. In addition, it carries extended reviews of major contributions to the field.
Art --- JEX2 --- Art and Design.
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