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Western scholars and educators are generally far less familiar with the samurai in his original-and, ostensibly, primary-role as warrior and masters of arms than in his other functions as landowner, feudal lord, literature, or philosopher. Yet, any attempt to comprehend fully the samurai without considering his military abilities and training (bugei) is futile. With verve and wit, Karl Friday combines the results of nearly two decades of fieldwork and archival research to examine samurai martial culture from a broad perspective: as a historical phenomenon, as a worldview, and as a system of physical, spiritual, and moral education.
Martial arts -- Japan -- History. --- Martial arts --- History
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volkskunst --- folk art [traditional art] --- decorative arts --- toegepaste kunsten --- Art --- Japan --- Decorative arts --- Folk art --- decorative arts [discipline] --- Decorative arts - Japan --- Folk art - Japan
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"Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art.The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters." -- Publisher's description.
Buddhism - Japan - History - 1600-1868. --- Buddhism - Japan - History - 1868-1945. --- Buddhism - Japan - History - 1945 --- -Buddhist arts - Japan. --- Buddhist arts --- Buddhism --- Arts, Buddhist --- Arts --- History
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Voulant démontrer que le corps est une donnée rationnelle et universelle, et non uniquement un objet de réflexion abstraite, l'auteur analyse le corpus de pratiques et d'art gestuels dans la culture japonaise. Le corps est ainsi défini comme capable de produire un savoir, ou une pensée, universellement intelligible et partageable.
Human body (Philosophy) --- Body language --- Performing arts --- Corps humain (Philosophie) --- Langage du corps --- Arts du spectacle --- Philosophy --- Philosophie --- Danse --- Théâtre --- Arts martiaux --- Gestes --- Corps (philosophie) --- Human body (Philosophy) - Japan --- Body language - Japan - Philosophy --- Performing arts - Japan - Philosophy
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Khalili, Nasser D. --- Decorative arts --- History --- Private collections --- Art collections --- Decorative arts - Japan - History - Meiji period, 1868-1912 - Catalogs --- Decorative arts - Private collections - England - London - Catalogs --- Khalili, Nasser D. - Art collections - Catalogs
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This work explains how and why Japan supports a community of professional dancers, musicians, production companies, and visual artists that has nearly tripled in size during the past 25 years.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Arts --- Arts, Japanese. --- Art patronage --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Japanese arts --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Arts, Primitive --- Art patronage - Japan --- Arts, Japanese --- Arts - Japan
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The tea ceremony and the martial arts are intimately linked in the popular and historical imagination with Zen Buddhism, and Japanese culture. They are commonly interpreted as religio-aesthetic pursuits which express core spiritual values through bodily gesture and the creation of highly valued objects. Ideally, the experience of practising the Zen arts culminates in enlightenment.
This book challenges that long-held view and proposes that the Zen arts should be understood as part of a literary and visual history of representing Japanese culture through the arts. Cox argues that these texts
Aesthetics, Japanese. --- Japan -- Civilization -- Zen influences. --- Zen arts -- Japan. --- J1895 --- J1880 --- J6020 --- Japan: Religion -- Buddhism -- art --- Japan: Religion -- Buddhism -- Zen --- Japan: Art and antiquities -- Japanese aesthetics (Japonism) --- Zen arts --- Japan --- Civilization --- Zen influences. --- Japanese aesthetics --- Arts, Zen --- Buddhist arts
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Art patronage --- Arts, Japanese --- Arts --- Arts, Japanese. --- Mécénat --- Arts japonais. --- J6008.90 --- Japanese arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Japan: Art and antiquities -- history -- postwar Shōwa (1945- ), Heisei period (1989- ), contemporary --- Arts, Primitive --- Art patronage - Japan --- Arts - Japan
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"Noh is recognized as one of the oldest and greatest theatrical traditions in the world. Embraced by the samurai elite some 650 years ago, it ultimately permeated every level of Japanese society through the vehicle of utai (noh singing) and inspired generations of writers and scholars in Japan and around the world. What accounts for noh's enduring vitality? What does this austerely beautiful, understated art form have to offer a digitalized society awash in instant entertainment? Noh actor Yasuda Noboru answers these and other questions in this uniquely personal and accessible introduction to noh as living art."
Nō. --- Performing arts --- Nō plays --- Japanese drama --- Theater --- History and criticism --- History --- Nō --- Japan --- J6834 --- Japan: Performing arts and entertainment -- nō and kyōgen (noh) --- Nō. --- Edo period --- Nō plays - History and criticism --- Japanese drama - History and criticism --- Theater - Japan - History --- Performing arts - Japan
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