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English literature --- Manuscripts, English --- Manuscripts --- Catalogs. --- Catalogs. --- Arts Council of Great Britain --- Catalogs.
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"Who funds creative and cultural projects, and why? This concise text analyses how the arts have been funded in a variety of political environments, helping readers understand how politics and economics intersect to support cultural life. Employing the UK Arts Council as an historical case study, the author explores the politics of arts funding and how artists and audiences adapt their behaviour around evolving incentives. In focusing on how arts funding has worked in practice, the book allows readers to develop their understanding of economics principles in the cultural sector. With a balance between historical and contemporary themes, this book provides fundamental insights into cultural economics and policy. As such it is required reading for students and practitioners who want to know how arts funding professionals make decisions"--
Government aid to the arts. --- Cultural policy. --- Arts Council of Great Britain.
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Film --- art [discipline] --- motion pictures [visual works] --- Arts Council of Great Britain
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Art, British --- Art britannique --- Exhibitions --- Expositions --- Arts Council of Great Britain --- Exhibitions
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"Before the Arts Council rediscovers three forgotten but influential campaigns for state support of the arts in Britain before and during World War II. Webber's impressive historical excavation challenges existing scholarship which argues that the arts subsidy was the result of the war, and instead re-situates the campaign's origins in the pre-war years. Webber does so by drawing on correspondence from influential figures including Ralph Vaughan Williams, John Maynard Keynes and J.B Priestley, along with extensive use of government papers"--
Government aid to the arts --- History --- Arts Council of Great Britain --- History.
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Featuring a formidable list of writers, and encapsulating the eclectic range of art that has delighted and inspired audiences throughout Hayward Gallery's history, this book ranges from painting and photography to sculpture, choreography and architecture, and takes in a huge diversity of subjects, from Paul Klee to the art of the Harlem Renaissance, from David Shrigley's drawings to David Hockney's photographs, from Francis Bacon's take on the human body to Africa Remix, from Pipilotti Rist's installations to Afro-Asian artists in postwar Britain.
sex role --- painting [image-making] --- political art --- Postminimal --- power --- fashion [concept] --- optical illusion --- curating --- sound art --- outsider art --- Art --- performance art --- art [fine art] --- light art --- Harlem Renaissance --- sculpting --- Conceptual --- architecture [discipline] --- Caro, Anthony --- Emin, Tracey --- Kapoor, Anish --- Singh, Dayanita --- Freud, Lucian --- Condo, George --- Cragg, Tony --- Auerbach, Frank --- Caulfield, Patrick --- Bacon, Francis --- Rist, Pipilotti --- Gormley, Antony --- Klee, Paul --- Mendieta, Ana --- Hockney, David --- Martin, Agnes --- Riley, Bridget --- Corbusier, le --- Shrigley, David --- Deller, Jeremy --- Turrell, James --- Hayward Gallery [London] --- anno 2010-2019 --- anno 2000-2009 --- anno 1990-1999 --- anno 1970-1979 --- anno 1980-1989 --- anno 1960-1969 --- Hayward Gallery. --- Art criticism --- Art, Modern --- 7.01 --- Kunsttheorie ; moderne kunst ; 19de en 20ste eeuw --- Teksten over kunst --- Modern art --- Arts --- Criticism --- Appreciation --- Kunst ; theorie, filosofie, esthetica --- Analysis, interpretation, appreciation --- Arts Council of Great Britain. --- Arts Council of England. --- Nieuwe Ploeg (Group of artists) --- art [discipline] --- fashion [culture-related concept]
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