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Authors and publishers -- Great Britain --- Authors and the theater -- Great Britain

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This book is a study of Ben Jonson's relationship with his audience in the public theater, as the relationship changed in the course of his career from the comical satires to Bartholomew Fair.Originally published in 1984.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Authority in literature. --- Drama --- Authors and theater --- Theater audiences --- Authors and the theater --- Theater and authors --- Theater --- Copyright --- Stage adaptations --- Psychological aspects. --- History --- Performing rights --- Jonson, Ben, --- Psychology. --- Criticism and interpretation. --- Psychological study of literature --- Jonson, Benjamin

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Drama --- Pinget, Robert --- Sarraute, Nathalie --- Duras, Marguerite --- French drama --- Dialogue. --- Authors and the theater. --- History and criticism. --- Dramatic works. --- 840-2 "19" --- Franse literatuur: toneel; drama--20e eeuw. Periode 1900-1999 --- 840-2 "19" Franse literatuur: toneel; drama--20e eeuw. Periode 1900-1999 --- Authors and theater --- Dialogue --- Dialog --- Authors and the theater --- Theater and authors --- Theater --- Copyright --- Stage adaptations --- History and criticism --- Performing rights --- Sarrot, N. --- Sarrot, Natali --- Saroṭ, Naṭali --- Tcherniak, Nathalie --- Tcherniak Sarraute, Nathalie --- סארוט, נאטאלי --- סארוט, נטלי --- Dwirasŭ, Marŭgŭrittŭ --- Twirasŭ, Marŭgŭrittŭ --- Tu-la-ssu, Ma-ko-li-tʻe --- Dulasi, Magolite --- Tu, La-ssu --- Du, Lasi --- Di︠u︡ras, Marherit --- Дюрас, Маргерит --- דיראס, מרגריט --- Dûras, Margrît --- Doras, Margerête --- Doras, Margrête --- Donnadieu, Marguerite, --- デュラス, マルグリット --- デュラス, M. --- French drama - 20th century - History and criticism. --- Sarraute, Nathalie - Dramatic works. --- Pinget, Robert - Dramatic works. --- Duras, Marguerite - Dramatic works. --- NOUVEAU ROMAN --- ROMAN FRANCAIS --- PINGET (ROBERT), 1919-1997 --- THEATRE --- SARRAUTE (NATHALIE) --- DURAS (MARGUERITE)

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Acts and apparitions examines how new performance practices from the 1990s to the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority.This book departs significantly from existing scholarship on contemporary performance in its rejection of the dramatic/postdramatic binary and its interrogation of previous applications of Derridean poststructuralism to theatrical representation and notions of the real.It offers new perspectives on the political analysis of contemporary theatre and performance across a wide range of models from Forced Entertainment and the Wooster Group, to Roland Schimmelpfennig and Howard Barker; from verbatim theatre to audio tours and the interactive performances of Ontroerend Goed.

Authors and theater. --- Theater and philosophy. --- Realism. --- Theater --- Philosophy and theater --- Philosophy --- Authors and the theater --- Theater and authors --- Copyright --- Stage adaptations --- Empiricism --- Universals (Philosophy) --- Conceptualism --- Dualism --- Idealism --- Materialism --- Nominalism --- Positivism --- Rationalism --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History and criticism. --- Performing rights --- History --- artistic development. --- documentary theatre tradition. --- dramatic representation. --- experiential realities. --- performance practices. --- performer. --- philosophical development. --- political implications. --- postdramatic deconstructions. --- poststructuralist narrative. --- radicalism. --- representational practice. --- spectator. --- theatrical representations. --- verbatim methodologies.

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Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre history to provide a re-assessment of the reputation and dissemination of Shakespeare during the Interregnum and Restoration. She demonstrates the crucial role of the Exclusion Crisis (1678-1682), a political crisis over the royal succession, as a foundational moment in Shakespeare's canonisation. The period saw a sudden surge of theatrical alterations and a significantly increased rate of new editions and stage revivals. In the wake of the Exclusion Crisis, Shakespeare's plays were made available on a scale not witnessed since the early seventeenth century, thus reversing what might otherwise have been a permanent disappearance of his drama from canonical familiarity and firmly establishing Shakespeare's work in the national cultural imagination.

Authors and theater --- Drama --- Drama, Modern --- Dramas --- Dramatic works --- Plays --- Playscripts --- Stage --- Literature --- Dialogue --- Authors and the theater --- Theater and authors --- Theater --- Copyright --- Stage adaptations --- History --- Publishing --- Philosophy --- Performing rights --- Shakespeare, William, --- Shakespeare, William --- Shakespear, William, --- Shakspeare, William, --- Šekʻspiri, Uiliam, --- Saixpēr, Gouilliam, --- Shakspere, William, --- Shikisbīr, Wilyam, --- Szekspir, Wiliam, --- Šekspyras, --- Shekspir, Vilʹi︠a︡m, --- Šekspir, Viljem, --- Tsikinya-chaka, --- Sha-shih-pi-ya, --- Shashibiya, --- Sheḳspir, Ṿilyam, --- Shaḳspir, Ṿilyam, --- Syeiksŭpʻio, --- Shekspir, V. --- Szekspir, William, --- Shakespeare, Guglielmo, --- Shake-speare, William, --- Sha-ō, --- Şekspir, --- Shekspir, Uiliam, --- Shekspir, U. --- Šekspir, Vilijam, --- Ṣēkspiyar, Viliyam, --- Shakspir, --- Shekspyr, Vyli︠e︡m, --- Şekspir, Velyam, --- Ṣēkspiyar, Villiyam, --- Shēkʻspʻiyr, Vlilliam, --- Ṣēkspiyar, --- Ṣēkspiyar Mahākavi, --- Ṣēkspiyar Mahākaviya, --- Sheḳspier, Ṿilyam, --- Shēkʻspir, --- Shakespeare, --- Śeksper, --- Шекспир, Вильям, --- Шекспир, Уильям, --- שייקספיר, וויליאם, --- שייקספיר, וו., --- שיקספיר, וויליאם --- שיקספיר, ויליאם --- שיקספיר, ויליאם, --- שכספיר, ויליאם, --- שכספיר, וילים, --- שכספיר, ו׳ --- שעפקספיר, וויליאם, --- שעקספיער, וויליאם --- שעקספיער, וויליאם, --- שעקספיער, ווילליאם --- שעקספיער, וו., --- שעקספיר --- שעקספיר, וו --- שעקספיר, וויליאם, --- שעקספיר, וויליאמ --- שעקספיר, ווילליאם --- שעקספיר, ווילליאם, --- שעקספיר, וו., --- שעקספיר, װיליאם, --- שעקספיר, װילליאם, --- שעקספיר, װ., --- שעקספער --- שעקספער, וויליאמ --- שקספיר --- שקספיר, וו --- שקספיר, וויליאם --- שקספיר, וויליאם, --- שקספיר, ווילים, --- שקספיר, וילאם --- שקספיר, ויליאם --- שקספיר, ויליאם, --- שקספיר, ויליים, --- שקספיר, וילים --- שקספיר, וילים, --- شاكسبير، وليم --- شاكسپير، وليم --- شكسبير، وليام --- شكسبير، وليم --- شكسبير، وليم، --- شكسبير، و. --- شكسپير، وليم --- شكسپير، ويليام --- شيكسبير، وليام --- شيكسبير، وليام.، --- شيكسبير، وليم --- شکسبير، وليم --- وليم شکسبير --- 沙士北亞威廉姆, --- 沙士比亞威廉姆, --- 莎士比亞威廉姆, --- 莎士比亞威廉, --- 莎士比亞, --- Criticism and interpretation. --- History and criticism.