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Bartana, Yael --- Art --- video art --- political art --- identity --- Israel

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Iconography --- earthworks [sculpture] --- landscapes [representations] --- Bartana, Yael --- Geyer, Andrea --- Hadjithomas, Joana --- Hüner, Emre --- Jackson, Matthew Day --- Joreige, Khalil --- Raven, Lucy --- Allora and Calzadilla --- Alÿs, Francis --- Sierra, Santiago

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Bain, Mark --- Bartana, Yael --- Diaz Morales, Sebastián --- Ferreira, Angela --- Galiaeva, Ksenia --- Rose, Tracey --- Sangar, Bülent --- Yang, Jun --- kunst --- twintigste eeuw --- 7.038 --- Rose Tracey --- Yang Jun --- Sangar Bülent --- Díaz Morales Sebastian --- Galiaeva Ksenia --- Ferreira Angela --- Bartana Yael --- video-installaties --- videokunst --- Bain Mark --- video --- Exhibitions

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This collection of essays does not aim to illustrate a prefabricated theory of art, but rather follows the impulses given by artworks themselves. Philosopher and art critic Boris Groys writes about significant works and artists over the last century that have pushed his thinking in new directions. His compelling arguments do not try to replace the singular content or message of an artwork. Instead, his writings are inspired by art as a mind-changing practice?as if contemporary artists, completely secularized, can still produce a kind of conversion within the spectator. Particular Cases is an original exploration of pivotal concerns related to the development of contemporary art?originality and repetition, the valuation of artworks, materiality and production, historical and personal archives, and the language of power.

kunst --- Wall Jeff --- Warhol Andy --- Shanzhuan Wu --- Thorsdottir Inga Svala --- Stilinovic Mladen --- Schütte Thomas --- Sala Anri --- Manzoni Piero --- Kandinsky Wassily --- IRWIN --- Horn Rebecca --- Honert Martin --- Weiss David --- Fischli Peter --- Duchamp Marcel --- Chernysheva Olga --- Chan Paul --- Bartana Yael --- Alÿs Francis --- Althamer Pawel --- 7.039 --- 7.036 --- 7.01 --- twintigste eeuw --- eenentwintigste eeuw --- kunsttheorie --- Art --- essays --- art criticism --- Horn, Rebecca --- Stilinovic, Mladen --- Chan, Paul --- Bartana, Yael --- Warhol, Andy --- Duchamp, Marcel --- Thorsdottir, Inga Svala --- Wu Shanzhuan --- Chernysheva, Olga --- Manzoni, Piero --- Kandinsky, Vasili Vassileevich --- Wall, Jeff --- Schütte, Thomas --- Fischli, Peter --- Honert, Martin --- Sala, Anri --- Weiss, David --- Alÿs, Francis --- Althamer, Paweł --- IRWIN [Ljubljana] --- Kandinsky, Wassily

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Is art only art insofar as it refuses to be useful? At a moment when the boundaries between public and private have been radically redrawn--politically, economically and culturally--how do we understand art's ability to know the world, to develop our ethics, to express our sense of historical belonging and to be, in different ways to different people, useful? What's the Use? takes as a starting point the premise that art is best understood in dialogue with the social sphere, and examines how the exchange between art, knowledge and use has historically been set up and played out. Propositional and speculative--and deliberately inconclusive--the theorists and artists included in this volume seek an answer to a familiar question: how can art know, and change, the world?

politics --- philosophy of art --- sociology --- community art --- economics --- Art --- kunst --- 7.01 --- Gillick Liam --- Dorner Alexander --- Riegl Alois --- architectuur --- Paglen Trevor --- Schlingensief Christoph --- museologie --- musea --- lichamelijkheid --- Bartana Yael --- Van Oldenborgh Wendelien --- Godard Jean-Luc --- Arte Útil --- kunst en ecologie --- kunsttheorie --- kunst en politiek --- Art and society. --- Philosophy. --- Philosophie